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قراءة كتاب Punch, or the London Charivari, Volume 100, May 9, 1891
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
Punch, or the London Charivari, Volume 100, May 9, 1891
of Proserpine to her mother Ceres by order of the Court above. Finally, the President, in summing up the losses to Art during the past year, paid a graceful tribute to the memory of CHARLES KEENE, who, but a short while ago, was our fellow-worker on the staff of Mr. Punch With a hopeful allusion to the Storage of Artistic Force in the near future, the President concluded: but this Banquet of 1891 will long live in the recollection of all whose privilege it was to be present on so memorable an occasion.
MUSICAL NOTES.
I SAY! YSAYE! Why say? Why not say that YSAYE is a grand Yolinist, since he is this; and, as 'ARRY would observe, "No error!" and whoever says the contrary, is not speaking the absolute truth, but "Ysaye Worsay." The Yolinist had the advantage of the co-operation of a fine Orchestra, under the Magic Wand of Conductor COWEN.
On the 27th, Heard young JEAN GERARDY, Little boy, but player hardy, Not the slightest Lardy-Dardy, Not yet out of care of "Guardy," Heard him Lundi, not on Mardi. But, whene'er he plays, your Bardy, Always spry, and never tardy, Will again hear JEAN GERARDY.
GENERAL SUMMARY OF CARICATURES OF MR. GLADSTONE.—"Collarable Imitations."
FASHION'S FLORALIA: OR, THE URBAN QUEEN OF THE MAY.
FASHION'S FLORALIA;
OR, THE URBAN QUEEN OF THE MAY.
(A Song of the Season, a very long way after Herrick.)
"London town is another affair
Since HERRICK wrote his perfect rhymes."
MORTIMER COLLINS.
True, sadly true, shaper of rattling rhymes,
London hath changed with process of the times.
Aurora now may "throw her faire
Fresh-quilted colours through the aire,"
But our conditions atmospheric
Are not as in the days of HERRICK.
Nathless the Muse to-day may see
Flora at urban revelry.
See how the goddess trippeth from the West,
Fragrant, though something fashionably drest;
The Season waketh at her tread,
Art lifteth a long-drooping head;
Music doth make a merry din.
'Tis profanation, keeping in,
Whenas a hundred Shows upon this day
Spring, lightly as the lark to fetch in May.
Rise, Nymph, put on fresh finery, and be seen,
To come forth like the Spring-time, fresh and green!
And gay as Flora. Art is there,
With flowing hyacinthine hair.
Fear not, the throng will strew
Largess abundant upon you,
When Burlington's great Opening Day is kept.
Gone is thy Grosvenor rival, not unwept;
But a New Nymph, with footing light,
Trips it beside thee, nor hath night
Shadowed sweet "Aquarelle" whose skill,
As of a Water-Nymph, is still
Well to the fore. Pipe up! playing means paying,
When Fashion's Urban Flora goes a-Maying.
Come, my CORINNA, come; and, coming, mark
How each street turns a grove, each square a park,
Made green and trimmed with trees: see how
The pinky hawthorn decks the bough!
Each Bond Street porch, or door, ere this
Of Art a Tabernacle is;
Nor Art alone. With May is interwove
Seaweed, which Neptune's favourites love.
SWINBURNE should sing in stanzas fleet,
How NELSON may, at Chelsea, meet
ARMSTRONG! Sound conch-shell! Let's obey
Thy Proclamation made for May.
Wild marine whiffs from the salt sea are straying,
And the brine greets us as we go a-Maying.
There's not a London-Teuton but this day
Hath a new welcome for the English May.
Germania from her distant home
In Flora's train this year doth come.
She hath despatched her country's cream
Of things, to make the Cockney dream.
Neptune and she have wooed and plighted troth,
And her we give May-welcome, nothing loth,
As many a welcome we have given
To France, Spain, Italy! War hath riven
Many true hearts, but we're content
Of Peace to make experiment.
Blow Teuton horn—(not like "Hernani's" braying!)—
It makes new music as we go a-Maying!
Come, let us go, while May is in its prime,
And make the best of the brief Season's time.
HERRICK'S CORINNA might not see
An Urban May Queen such as we
Behold disport in our rare sun.
Rouse, Nymph! The Season is begun!
We'll trust no blizzard, and no boreal rain
May mar "Our Opening Day." Sound flutes again!
Pipe, Sir FREDERICK! Ah, well played!
Tootle thy new strains, fair Maid.
Blow, oh Briny One, with might!
Teuton BRUNEHILD, glad our sight!
Fashion's Floralia, Nymph, invite our straying;
Come, my CORINNA, come; let's go a-Maying!
THINGS ONE WOULD RATHER HAVE LEFT UNSAID.
Painter. "WOULD YOU BELIEVE IT? THIS IS THE PICTURE THEY'VE THOUGHT PROPER TO REJECT! I'LL BE SO BOLD AS TO SAY, THERE ARE NOT TWENTY BETTER IN THE WHOLE EXHIBITION!"
Friend. "DEAR ME! IS IT SUCH A POOR ACADEMY AS THAT?"
THE HUMOUR O'T!
(Namely of Parliament, as seen through Harry Furniss's fancy.)
AIR—"The Wooing o't."
LIKA JOKO makes us laugh,
Ha! ha! the humour o't!
With caricature and caustic chaff;
He! he! the humour o't!
Parliament strikes some as slow,
LIKA JOKO deems not so;
Visit his St. Stephen's Show!
Humph! humph! the humour o't!
GLADSTONE stern and GLADSTONE staid,
Ha! ha! the humour o't!
GLADSTONE in war-paint arrayed,
He! he! the humour o't!
GLADSTONE "Out" and GLADSTONE "In,"
GLADSTONE with colossal chin,
Giant collars plunged within,
Humph! humph! the humour o't!
SMITH with bland perennial smile,
Ha! ha! the humour o't!
BALFOUR, pet of the Green Isle,
He! he! the humour o't!
HARCOURT, big as Babel's tower,
GOSCHEN, with myopic glower,
JOSEPH of the orchid-flower.
Humph! humph! the humour o't!
How they muster, how they "tell,"
Ha! ha! the humour o't!
Woes of the Division Bell,
He! he! the humour o't!
All—from Prayers to "Who goes Home?"
O'er St. Stephens you may roam;