great cause, for which they struggled and for which they suffered, seems to efface the lapse of centuries. We feel present before them. They are before us as living witnesses. Thus we see Servetus as, alone and on foot, he arrived at Geneva in 1553; the lake and the little inn, the "Auberge de la Rose," at which he stopped, reappear pictured by the influence of local memory and imagination. From his confinement in the old prison near St. Peter's, to the court where he was accused, during the long and cruel trial, until the fatal eminence of Champel, every event arises before us, and the air is peopled with thick coming visions of the actors and sufferer in the dreadful scene. Who that has read the account of his death has not heard, or seemed to hear, that shriek, so high, so wild, alike for mercy and of dread despair, which when the fire was kindled burst above through smoke and flame,—"that the crowd fell back with a shudder!" Now it strikes me, an original MS. of the work for which he was condemned still exists; and I, thinking that others may feel the interest I have tried to sketch in its existence, will now state the facts of the case, and lay my authorities before your readers.

"We condemn you, said the council, Michael Servetus, to be bound and led to Champel, where you are to be fastened to a stake, and burnt alive together with your book, as well the printed as the MS."

"About midday he was led to the stake. An iron chain encompassed his body; on his head was placed a crown of plaited straw and leaves strewed with sulphur, to assist in suffocating him. At his girdle were suspended his printed books; and the MS. he had sent to Calvin."

This MS. had been completed in 1546, and sent to Geneva for his opinion. Calvin, in a letter to Farel says:

"Servetus wrote to me lately, and accompanied his letter with a long volume of his insanities."

This long volume was the MS. of the "Restitutio Christianismi," now ready for the press. We have seen that it was sent to Calvin. It was never returned, but produced in evidence, and burnt with him at the stake. Nevertheless, he either possessed another copy or took the pains of writing it afresh, and thus the work was secretly printed at Vienna, at the press of Balshazar Arnoullet in 1553. Of this edition, those at Frankfort were burnt at the instance of Calvin; at Geneva, Robert Stephens sacrificed all the copies which had come into his hands; so that of an edition of one thousand, it is said only six copies were preserved. These facts I owe to the excellent Life of Calvin by Mr. T.H. Dyer, recently published by Mr. Murray. Now does the following MS. bear relation to that described as recopied by Servetus, from which Arnoullet printed? or is it the first rough sketch? Can any of your readers say into what collection it passed?

The extract is from the Catalogue of the Library of Cisternay Dufay, by Gabriel Martin, Paris, 8vo. 1725, being lot 764., p. 98., and was sold for 176 livres.

"Librorum Serveti de Trinitate Codex MS. autographus. In fronte libri apparet note quæ sequitur, manu ipsius defuncti D. du Fay exarata.

"Forsan ipsius auctoris autographus Codex hic MS. qui fuit percelebris Bibliopolæ Basiliensis Coelii Horatii Curionis. Videtur prima conceptio (vulgò l'Esquisse, en termes de Peinture) Libri valdè famigerati Mich. Serveti, a Joanne Calvino cum ipso Serveto combusti, cui Titulus, Christianismi Restitutio, hoc est totius Ecclesiæ Apostolicæ ad sua limina Vocatio, &c. &c., typis mandati anno 1554, Viennæ Allobrogum, 8vo. pagg. 734," concluding with an anecdote of the rarity of the volume.

There may be some to whom these "Notes" may be of use, others to whom a reply to the "Queries" may have interest, and so I send them to you. Such MSS. are of great historical importance.

S.H.

Athenæum, July 26.

ETYMOLOGICAL QUERIES.

Any remarks on the meaning and derivation of the following words, will be thankfully received.

Rykelot.—A magpie?

Berebarde.—"In the fever or the Berebarde."

Wrusum, or Wursum.—"My wounds that were healed gather new wrusum, and begin to corrupt."

Deale.—Placed always between two sentences without any apparent connection with either of them. Is it an abbreviation of "Dieu le sait?"

Sabraz.—"He drinks bitter sabraz to recover his health."

Heteneste.—"Inclosed hetenest in a stone coffin or tomb."

Schunche.—"Schunche away."

I-menbred.—"A girdle i-menbred."

Blodbendes of silk.

Hesmel.—"Let their hesmel be high istiled, al without broach."

Irspille.—"Wear no iron, nor haircloth, nor irspilles felles."

J. Mn.

MINOR QUERIES

Countess of Desmond.—I should be much obliged if any of your readers would inform me of the manner of the death of Catherine Fitzgerald, Countess of Desmond, commonly called the "old Countess of Desmond," who died in 1626, aged above 140 years,—some say, 162 years. I think I remember reading, some years since, that she died from a fall from a cherry-tree, at the age of 144 years. If so, where can the account be found?

K.

Cheetham Hill.

Noli me tangere.—Can any of your readers refer me to pictures upon the subject of Noli me tangere. I want to know what artists have treated the subject, and where their pictures exist.

B.R.

Line in Milton's "Penseroso."—In those somewhat hacknied lines,