enthusiasm.

Miss Campbell took to her bed with an attack of rheumatism, brought on, she insisted, from having sat on the floor at the home of Mme. Ito. Mary began a diary of her experiences in Japan and had several private weeping spells entirely due to the unsurpassed dismalness of the weather. Billie endeavored to throw off her depression by giving Onoye lessons in English in exchange for lessons in Japanese, and in the course of these lessons she learned a little of Onoye's history. O'Haru had been obliged to go to work after the death of her husband who had lost all his property in a fire. Onoye's only brother had been killed in great "bat-tel." The family had had "muchly unfortune. All money gone—nothing."

At the conclusion of this sad story told mostly by expressive gestures and queerly chosen words, Onoye smiled sweetly. That is the only polite thing for a well brought up Japanese girl to do even when her own misfortunes are the subject of the conversation.

"What a shame," Billie exclaimed sympathetically. "I should think you would learn something, some trade, I mean, Onoye. You are much too clever to be a housemaid. But I suppose you will marry. I hear there are no old maids in Japan."

Onoye shook her head and smiled sadly. Perhaps she did not understand
Billie's remark because she did not reply.

"Old maid, Onoye, is one who never marries," explained Nancy at the dressing table arranging her hair.

"Ah, Komatsu old maid. He not marry."

"No, no, Komatsu is a man," said Billie trying not to laugh. "Old maid is a woman who has no husband, like Miss Campbell."

"Old maid," repeated Onoye, and because of what happened that very evening, it was evident that the retentive Japanese memory had not lost the words.

In the afternoon there came a characteristic note from Mr. Campbell to his cousin.

"Tell O'Haru to put on the big pot and the little," it ran, "and to kill the fatted calf. I am going to cheer up my gloomy household by bringing four men home to dinner. If it were not for these flimsy little card houses, I would suggest a dance afterwards, but I couldn't answer for the walls and roof if two young Americans danced a two-step in the parlor."

"I am sure a two-step is no rougher than one of these storms of wind and rain," observed Miss Campbell, feeling a sudden loyalty toward everything American, including dances.

O'Haru was informed of the party and the house became at once a beehive of activity. Several of the little maids, without being told, took down all the dresses in the wardrobes and began drying them out with square boxes of red embers.

"I'd like to be done the same way," remarked Miss Campbell. "I think I am just as mildewed as my clothes."

The kitchen quarters of the house fairly vibrated with the stir of preparation. In the living rooms the air was dried with small charcoal stoves. The gardener was seen bringing in armfuls of flowers; and with all the activity and preparation, there was no noise, not a sound. It was positively uncanny.

Late in the afternoon Nancy slipped away from this noiseless busy scene and tripped demurely down a garden path toward the bridge. She was not exactly bent on mischief but she wanted to satisfy her curiosity about something. The rain had lessened considerably but it was still necessary for her to protect her recently arranged curls with her small blue silk umbrella. In her mackintosh of changeable silk in two shades of blue, she made a charming picture coming down the rain-soaked path. The garden itself was a thing of beauty. On the end of every pine needle hung a crystal drop, and through the thin veil of mist clinging to the shrubbery a clump of azaleas glowed like a crimson flame. Taking a path to the left, Nancy began the gentle and almost imperceptible descent to the little bridge. The air was filled with the perfume of wild roses and late plum blossoms. It was really a fairy land, this Japan; a place too exquisite and unreal for human beings to live in. She began to sing softly to herself Elinor's favorite song:

"'Know'st thou the land of the citron bloom?'"

As she approached the bridge she felt a little frightened for some reason. It was rather reckless of her to come down to this lonely place in the late afternoon even if it was their own premises. It was the first time she had done it and she decided it would be the last. But as long as she had come, she would see it through. Nancy could hardly explain to herself what she meant by "seeing it through."

She would stroll carelessly down the path, walk across the bridge, pause a moment and walk back again, not looking behind her of course, as, if she were observed, and she was sure she was not, she would pretend she was out for a walk and had not expected to meet anyone. Thus Nancy reasoned with herself, but by the time she had reached the bridge she had changed her mind and was about to turn and hasten back, when she noticed a beautiful tea rose that had been laid conspicuously on the hand rail of the bridge.

"He has been here," she thought. "He must have just gone. The rose is quite fresh."

Sticking its long stem through the buttonhole of her raincoat, she glanced about her curiously. Somehow, behind every clump of shrubs and every branching pine tree she felt black eyes staring at her and yet she was sure she was alone. Again she started for the house, feeling profoundly relieved that Yoritomo had not waited, if, indeed, it was he who had left the rose. Suddenly Nancy's heart jumped into her throat and she felt a cold chill down her spinal column,—and for no reason, except that standing in front of her was not a man, but a woman. The stranger was too tall to be a Japanese and she was dressed, moreover, in European clothes,—a beautifully fitting tailor-made suit and English traveling hat of stitched cloth. But there was something faintly suggestive of the Japanese about her face. Perhaps it was the slightly slanting eyes and the smooth olive skin. Her hair was much lighter than her eyes and quite fluffy; her features were regular and there was a graceful dignity in the poise of her head on her shoulders. Nancy concluded after a swift examination that she was, if peculiar looking, still strangely fascinating.

"May I ask your pardon for intruding on your beautiful gardens?" began the woman, speaking with a slightly English accent. "I did not expect to meet any one on this rainy afternoon."

Nancy wondered how she had got into the garden and where she had come from. These things the stranger did not explain. However, Nancy answered politely:

"It isn't my garden, but I am sure Mr. Campbell would be delighted to have other people enjoy it."

"You are a sweet child," said the woman, deliberately taking Nancy's chin in her hand and looking down at her, "a sweet, exquisite child."

After all, Nancy decided, this mysterious lady was both fascinating and beautiful.

"And who is Mr. Campbell?"

Nancy explained. In fact, after a few leading questions, she disclosed the entire history of the household; who they were, how long they expected to stay, and how they happened to be spending the summer in Japan.

"Is it possible that you are the Motor Maids who have ridden so many thousands of miles in a red car?" asked the stranger.

Nancy opened her eyes.

"Yes," she answered. "But we never dreamed we were so famous as that."

"Ah, you will find that Tokyo is not so far removed from the world," answered the woman, smiling gravely. "And Mr. Campbell is building a railroad, you say?"