to write notices for the daily and weekly papers, were naturally eager to see what "In the Fo'castle" and "The Deck of the Dauntless" were like. And these they did see in the next Act of this really capital Drama. And here came in a scene that will long be remembered to the honour of the British Navy and the National and Royal Theatre, Drury Lane. There came a mutiny, with the misguided GLENNEY at the head of it. Said Captain WILLIAM LUGG VERNON, after it was quelled, "We can't spare a man, and so I shall have Mr. GLENNEY flogged." "Don't do that," cried Lieutenant WARNER; "he is my brother and my friend, although he has given me a oner, owing to a misunderstanding. Captain, may I appeal to these men, and ask them in stirring language, to fight the foe." "You shall," replied his superior officer; "and, by arrangement with Mr. HENRY PETTITT, I will see that 'Rule Britannia' is played softly by an efficient orchestra while you are speaking to them." "A thousand thanks!" cried the eloquent WARNER; and then he let them have it. He told them that the enemy were waiting for them—that they had left Brest for the purpose of engaging in a first-class naval engagement. He pointed out that the other ships of the Fleet were on their way to the scrimmage. "Would the gallant Dauntless be the only laggard?" "No!" shouted the now-amenable-to-naval-discipline GLENNEY, and with the rest of the malcontents, he asked to be led to glory. It was indeed stirring to see the red-coats waving their hats on the tops of their bayonets, and the Blue Jackets brandishing their swords. In the enthusiasm of the moment, the entire ship's company seemed to have lost their heads, and cheers came from the deck, and the auditorium equally. It was a moment of triumph for everyone concerned! Everyone! And need I say anything more? Need I tell you how it came right in the end? How Miss MILLWARD (who was always on the eve of being married to someone) did actually go through a civil ceremony (the French were polite even in the days before Waterloo) with the Count, which, however, failed to count (as an old wag, with a taste for ancient jests, observed to a brother droll), because the Gallic nobleman got killed immediately after the ceremony? Need I hint that Mr. GLENNEY was falsely accused of murder, to be rescued at the right moment by the ever-useful and forgiving WARNER? Need I say that Mr. HENRY PETTITT was cheered to the echo for his piece, and Sir AUGUSTUS DRURIOLANUS for his stage management? No, for other chronicles have given the news already; and it is also superfluous to describe the fun of those excellent comedians, Mr. HARRY NICHOLLS and Miss FANNY BROUGH. All I can say is, if you want to see a good piece, well mounted, and capitally acted all round, why go to Old Drury, and you will agree with me (and the old wag with a taste for ancient jests) that Sir AUGUST-US might add September, October, November, and December to his signature, as A Sailor's Knot seems likely to remain tied to the Knightly Boards until it is time to produce the Christmas Pantomime. So heave away, my hearties, and good luck to you!

SONGS FOR THE PRO. AND CON. THEOSOPHICAL CONTROVERSIALISTS.—"All round Mahatmas," "He's a jolly good Chela!" "Row, Brothers, Row!" and "Why did my 'Masters' sell me?"

CRICKETANA. YOUNG LADIES V. BOYS.

Fair Batter (ætat. 18). "NOW, JUST LOOK HERE, ALGY JONES—NONE OF YOUR PATRONAGE! YOU DARE TO BOWL TO ME WITH YOUR LEFT HAND AGAIN, AND I'LL BOX YOUR EARS!"

"NOTHING BUT THE TRUTH."

A Scene very freely adapted from "The Critic."

Enter Mr. PUNCH, First Commissioner of Police, Inspector, and Constables.

Commissioner. Oh! very valiant Constables: one is the Inspector himself, the others are ordinary P.C.'s. And now I hope you shall hear some better language. I was obliged to be plain and intelligible in my manifesto, because there was so much matter-of-fact ground for remonstrance, and even chiding; but still, 'i faith, I am proud of my men, who, in point of fact, are fine fellows.

Mr. P. Unquestionably! But let us listen—unobserved, if so it may be.

Mr. P. There it is, Mr. Commissioner; they admit your by no means soft impeachment.

Commissioner. Nay, listen yet awhile!

[All take hands and raise their truncheons.

All. We are—all resolved.

Inspector. To pull—and swear—together?

All. To pull—and swear—together.

Inspector. All?

All. All!

Mr. P. Nem. con. Egad!

Commissioner. Oh, yes! When they do agree in the Force, their unanimity is wonderful!

Inspector. Then let's embrace this resolution, and "Keep it with a constant mind—and now—"

[Kneels.

Mr. P. What the plague, is he going to pray?

Commissioner. Yes—hush! In great emergencies—on the Stage or in the Force—there's nothing like a prayer in chorus.

Inspector. "O MENDEZ PINTO!"

Mr. P. But why should he pray to MENDEZ PINTO?

Commissioner. Oh, "the Knight, PINTO-MENDEZ FERDINANDO," as POE calls him, is the tutelary genius of Bards—and Bobbies! Hush!

1st P.C. Yet do not rise—hear me! [Kneels.

2nd P.C. And me! [Kneels.

3rd P C. And me! [Kneels.

Inspector. Now swear—and pray—all together!