to the little images worn in the ears of the ultra devout.

"Of late," said the artist, "there has been a lively demand for the image of Arbino the god of fishing; the present being the principal season for that business. For Nadams (Nadam presides over love and wine), there has also been urgent call; it being the time of the grape; and the maidens growing frolicsome withal, and devotional."

Seeing that Hevaneva handled his wares with much familiarity, not to say irreverence, Babbalanja was minded to learn from him, what he thought of his trade; whether the images he made were genuine or spurious; in a word, whether he believed in his gods.

His reply was curious. But still more so, the marginal gestures wherewith he helped out the text.

"When I cut down the trees for my idols," said he, "they are nothing but logs; when upon those logs, I chalk out the figures of, my images, they yet remain logs; when the chisel is applied, logs they are still; and when all complete, I at last stand them up in my studio, even then they are logs. Nevertheless, when I handle the pay, they are as prime gods, as ever were turned out in Maramma."

"You must make a very great variety," said Babbalanja.

"All sorts, all sorts."

"And from the same material, I presume."

"Ay, ay, one grove supplies them all. And, on an average, each tree stands us in full fifty idols. Then, we often take second-hand images in part pay for new ones. These we work over again into new patterns; touching up their eyes and ears; resetting their noses; and more especially new-footing their legs, where they always decay first."

Under sanction of the Pontiff, Hevaneva, in addition to his large commerce in idols, also carried on the highly lucrative business of canoe-building; the profits whereof, undivided, he dropped into his private exchequer. But Mohi averred, that the Pontiff often charged him with neglecting his images, for his canoes. Be that as it may, Hevaneva drove a thriving trade at both avocations. And in demonstration of the fact, he directed our attention to three long rows of canoes, upheld by wooden supports. They were in perfect order; at a moment's notice, ready for launching; being furnished with paddles, out-riggers, masts, sails, and a human skull, with a short handle thrust through one of its eyes, the ordinary bailer of Maramma; besides other appurtenances, including on the prow a duodecimo idol to match.

Owing to a superstitious preference bestowed upon the wood and work of the sacred island, Hevaneva's canoes were in as high repute as his idols; and sold equally well.

In truth, in several ways one trade helped the other. The larger images being dug out of the hollow part of the canoes; and all knotty odds and ends reserved for the idol ear-rings.

"But after all," said the artificer, "I find a readier sale for my images, than for my canoes."

"And so it will ever be," said Babbalanja.—"Stick to thy idols, man! a trade, more reliable than the baker's."