the artisanne cap as by something exquisitely fresh, proud and truthful.

My landlady's cap was as far removed from pretence as from vulgarity. Her hair was brown, smooth, old-fashioned and nun-like. I looked at her hand, which, having replaced the pen, was inviting me with a gesture of its handsome squared fingers to contribute my autograph, I made my note, pausing often to look up at my beautiful writing-mistress: "PAUL FLEMMING, American: from Paris to Marly—by way of the Rhine."

I had not finished, when, lowering her pretty head to scrutinize my crabbed handwriting, she cried, "It is certainly he, the américain-flamand! I was certain I could not be mistaken."

"Do you know me then, madame?'

"Do I know you? And you, do you not recognize me?"

"I protest, madame, my memory for faces is shocking; and, though there are few in the world comparable with yours—"

She interrupted me with a gesture too familiar to be mistaken. A tumbler was on the desk filled with goose-quills. Taking this up like a bouquet, and stretching it out at arm's length to an imaginary passer-by, she sang, with a mischievous professional brio, "Fresh roses to-day, all fresh! White lilacs for the bride, and lilies for the holy altar! pinks for the button of the young man who thinks himself handsome. Who buys my bluets, my paquerettes, my marguerites, my penseés?"

It was strangely like something I well knew, yet my mind, confused with the baggage of unexpected travel, refused to throw a clear light over this fascinating rencounter.

The little landlady threw her head back to laugh, and I saw a small rose-colored tongue surrounded with two strings of pearls: "Very well, Monsieur Flemming! Have you forgotten the two chickens?"

It was the exclamation by which, in his neat tavern, I had recognized my brave old friend Joliet: it was impossible, by the same shibboleth, to refuse longer an acquaintance with his daughter.

My entertainer, in fact, was no other than Francine Joliet, grown from a little female stripling into a distracting pattern of a woman. Twelve years had never thrown more fortunate changes over a growing human flower.

A Virtuoso.

The acquaintance being thus renewed, I could not but remember my last conversation with Joliet—his way of acquainting me with her absence from home, his mention of her godmother in Brussels, and his strange reticence as I pressed the subject. A slight chill, owing perhaps to the undue warmth of my admiration for this delicate creature, fell over my first cordiality. I asked a question or two, assuming a kind, elderly type of interest: "How do you find yourself here in Carlsruhe? Are you satisfactorily placed?"

"As well as possible, dear M. Flemming. I am a bird in its nest."

"Mated, no doubt, my dear?"

"No."

"You are not a widow, I hope, my poor little Francine?"

"No." She blushed, as if she had not been pretty enough before.

"They call you madame, you see."

"A mistress of a hotel, that is the usual title. Is it not the custom among the Indians of America?"

"The godmother who took care of you—you perceive how well I know your biography, my child—is she dead, then?"

"No, thank Heaven! She is quite well."

"She is doubtless now living in Carlsruhe?"

"No, at Brussels."

"Then why are you here? why have you quitted so kind a friend?"

My catechism, growing thus more and more brutal, might have been prolonged until bedtime, but on the arrival of a new traveler she left me there, with a pen in my hand and a quantity of delicious cobwebs in my head, saying gently, "I will see you this evening, kind friend."

The same evening, after a botanizing stroll in the adjoining wood—a treat that my tin box and I had promised each other—I found myself again with Francine. Full of curiosity as I was concerning her adventures, I determined that she should direct the conversation herself, and take her own pretty time to tell the more personal parts of the story.

The stage grisette is perpetually exploring the pockets of her apron. Francine, who wore a roundabout apron of a white and crackling nature, adorned her conversation by attending to the hem of hers. When she asked about my last interview with her father, she ironed that hem with the nail of her rosy little thumb; when she fell into reminiscences of her mother, she smoothed the apron respectfully and sadly; when she proposed a question or a doubt, she extracted little threads from the seam: at last, perfectly satisfied with the apron, she laid her two small hands in each other on its dainty snow-bank, and resigned herself to a perfect torrent of remarks about the horse, the van, the little cabin among the roses, the small one-eyed dog and the two chickens. Conversation, a thing which is manufactured by an American girl, is a thing which takes possession of a French girl.

All the while I remained uninstructed as to why my had left her protectress, why she was keeping house at Carlsruhe, and on what understanding her customers called her madame.

I was obliged to take next day a long alterative excursion among the trees of the Haardtwald: in fact, her gentle warmth, her freshness, her nattiness, the very protection she shed over me, were working sad mischief to my peace of mind. I came upon an old shepherd, who, with his music-book thrown into a bush in front of him, was leaning back against a tree and drawing sweet sounds out of a cornet-à-piston.

"Even so," I said, "did Stark the Viking hear the notes of the enchanted horn teaching every tree he came to the echo of his true-love's name."

But the churlish shepherd, the moment he caught sight of me, put up his pipe, whistled to his dogs and rejoined the flock. I was dissatisfied with his unsocial retreat. I felt, with renewed force, that a note was lacking to the full harmony of my life, and I threw myself upon a bank. I tried not to see the artificial roads of the forest, alive with city carriages. I believed myself lost in a primeval wood, and I examined the state of my heart. I perceived with concern that that organ was still lacerated. The languid, musical pageant of my youth streamed toward me again through the leafy aisles, and I remembered my high aspirings, my poems, my ideals: the floating vision of a Dark Ladye passed or looked up at me through the broken waves of Oblivion; she listened to my rhapsodies with the old puzzling silence; she confided to me certain Sibylline leaves out of her diary; then she receded, cold and unresponsive, a statue cut out of a shadow. I was obliged to untie my cravat. Finally, I fell asleep and dreamed of Mary Ashburton crowned with the neat workwoman's cap of Francine Joliet. I returned to dinner considerably exalted, and just touched with rheumatism.

The soup was glacial, the roast was steaming, the conversation was geographical. "Pray, M. Flemming," said my neighbor (he had been stealing a look at the register of visitors' names), "can cattle be wintered out of doors as far north as Pennsylvania, or only up to Virginia?"

"Pray," said another, "is not New York situated between the North River and the Hudson?"

The prayer of a third made itself audible: "Ought we to say 'Delightful Wyoming,' after Campbell, or Wyoming?"

"We ought to eat with thankfulness the good things set before us," I replied, with some presence of mind. "Excuse me, gentlemen," I added, to carry off my vivacity, "but I think informing conversation is a bore until after the nuts and