acquaintance with the works of these two writers dates from this period. In New Salem there was one of those curious individuals sometimes found in frontier settlements, half poet, half loafer, incapable of earning a living in any steady employment, yet familiar with good literature and capable of enjoying it—Jack Kelso. He repeated passages from Shakespeare and Burns incessantly over the odd jobs he undertook or as he idled by the streams—for he was a famous fisherman—and Lincoln soon became one of his constant companions. The taste he formed in company with Kelso he retained through life. William D. Kelley tells an incident which shows that Lincoln had a really intimate knowledge of Shakespeare. Mr. Kelley had taken McDonough, an actor, to call at the White House; and Lincoln began the conversation by saying:

LINCOLN IN 1861.

From a photograph loaned by Mr. Frank A. Brown of Minneapolis, Minnesota. This beautiful photograph was taken, probably early in 1861, by Alexander Hesler of Chicago. It was used by Leonard W. Volk, the sculptor, in his studies of Lincoln, and closely resembles the fine etching by T. Johnson.

"'I am very glad to meet you, Mr. McDonough, and am grateful to Kelley for bringing you in so early, for I want you to tell me something about Shakespeare's plays as they are constructed for the stage. You can imagine that I do not get much time to study such matters, but I recently had a couple of talks with Hackett—Baron Hackett, as they call him—who is famous as Jack Falstaff, but from whom I elicited few satisfactory replies, though I probed him with a good many questions.'

THE STATE-HOUSE AT VANDALIA, ILLINOIS—NOW USED AS A COURT-HOUSE.

Vandalia was the State capital of Illinois for twenty years, and three different State-houses were built and occupied there. The first, a two-story frame structure, was burned down December 9, 1823. The second was a brick building, and was erected at a cost of $12,381.50, of which the citizens of Vandalia contributed $3,000. The agitation for the removal of the capital to Springfield began in 1833, and in the summer of 1836 the people of Vandalia, becoming alarmed at the prospect of their little city's losing its prestige as the seat of the State government, tore down the old capitol (much complaint being made about its condition), and put up a new one at a cost of $16,000. The tide was too great to be checked; but after the "Long Nine" had secured the passage of the bill taking the capital to Springfield, the money which the Vandalia people had expended was refunded. The State-house shown in this picture was the third and last one. In it Lincoln served as a legislator. Ceasing to be the capitol July 4, 1839, it was converted into a court-house for Fayette County, and is still so used.—J. McCan Davis.

LINCOLN'S SURVEYING INSTRUMENTS—PHOTOGRAPHED FOR McCLURE'S MAGAZINE.

After Lincoln gave up surveying, he sold his instruments to John B. Gum, afterward county surveyor of Menard County. Mr. Gum kept them until a few years ago, when he presented the instruments to the Lincoln Monument Association, and they are now on exhibition at the monument in Springfield, Ill.

FACSIMILE OF A TAVERN LICENSE ISSUED TO BERRY AND LINCOLN MARCH 6, 1833, BY THE COUNTY COMMISSIONERS' COURT OF SANGAMON COUNTY.

The only tavern in New Salem in 1833 was that kept by James Rutledge—a two-story log-structure of five rooms, standing just across the street from Berry and Lincoln's store. Here Lincoln boarded. It seems entirely probable that he may have had an ambition to get into the tavern business, and that he and Berry obtained a license with that end in view, possibly hoping to make satisfactory terms for the purchase of the Rutledge hostelry. The tavern of sixty years ago, besides answering the purposes of the modern hotel, was the dramshop of the frontier. The business was one which, in Illinois, the law strictly regulated. Tavern-keepers were required to pay a license fee, and to give bonds to insure their good behavior. Minors were not to be harbored, nor did the law permit liquor to be sold to them; and the sale to slaves of any liquors "or strong drink, mixed or unmixed, either within or without doors," was likewise forbidden. Nor could the poor Indian get any "fire-water" at the tavern or the grocery. If a tavern-keeper violated the law, two-thirds of the fine assessed against him went to the poor people of the county. The Rutledge tavern was the only one at New Salem of which we have any authentic account. It was kept by others besides Mr. Rutledge; for a time by Henry Onstott the cooper, and then by Nelson Alley, and possibly there were other landlords; but nothing can be more certain than that Lincoln was not one of them. The few surviving inhabitants of the vanished village, and of the country round about, have a clear recollection of Berry and Lincoln's store—of how it looked, and of what things were sold in it; but not one has been found with the faintest remembrance of a tavern kept by Lincoln, or by Berry, or by both. Stage passengers jolting into New Salem sixty-two years ago must, if Lincoln was an inn-keeper, have partaken of his hospitality by the score; but if they did, they all died many, many years ago, or have all maintained an unaccountable and most perplexing silence.—J. McCan Davis.

"'Your last suggestion,' said Mr. Lincoln, 'carries with it greater weight than anything Mr. Hackett suggested, but the first is no reason at all;' and after reading another passage, he said, 'This is not withheld, and where it passes current there can be no reason for withholding the other.'... And, as if feeling the impropriety of preferring the player to the parson, [there was a clergyman in the room] he turned to the chaplain and said: 'From your calling it is probable that you do not know that the acting plays which people crowd to hear are not always those planned by their reputed authors. Thus, take the stage edition of "Richard III." It opens with a passage from "Henry VI.," after which come portions of "Richard III.," then another scene from "Henry VI.," and the finest soliloquy in the play, if we may judge from the many quotations it furnishes, and the frequency with which it is heard in amateur exhibitions, was never seen by Shakespeare, but was written—was it not, Mr. McDonough?—after his death, by Colley Cibber."

"Having disposed, for the present, of questions relating to the stage editions of the plays, he recurred to his standard copy, and, to the evident surprise of Mr. McDonough, read or repeated from memory extracts from several of the plays, some of which embraced a number of lines.

"It must not be supposed that