قراءة كتاب McClure's Magazine, Vol. 6, No. 3, February 1896

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McClure's Magazine, Vol. 6, No. 3, February 1896

McClure's Magazine, Vol. 6, No. 3, February 1896

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دار النشر: Project Gutenberg
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as poor as Lincoln; but that was not a serious obstacle, for their notes were accepted for the Herndon stock of goods. They had barely hung out their sign when something happened which threw another store into their hands. Reuben Radford had made himself obnoxious to the Clary's Grove Boys, and one night they broke in his doors and windows, and overturned his counters and sugar barrels. It was too much for Radford, and he sold out next day to William G. Green for a four-hundred-dollar note signed by Green. At the latter's request, Lincoln made an inventory of the stock, and offered him six hundred and fifty dollars for it—a proposition which was cheerfully accepted. Berry and Lincoln, being unable to pay cash, assumed the four-hundred-dollar note payable to Radford, and gave Green their joint note for two hundred and fifty dollars. The little grocery owned by James Rutledge was the next to succumb. Berry and Lincoln bought it at a bargain, their joint note taking the place of cash. The three stocks were consolidated. Their aggregate cost must have been not less than fifteen hundred dollars. Berry and Lincoln had secured a monopoly of the grocery business in New Salem. Within a few weeks two penniless men had become the proprietors of three stores, and had stopped buying only because there were no more to purchase.

THE EARLIEST PORTRAIT OF ABRAHAM LINCOLN (REPRINTED FROM FROM McCLURE'S FOR NOVEMBER).
THE EARLIEST PORTRAIT OF ABRAHAM LINCOLN. (REPRINTED FROM McCLURE'S FOR NOVEMBER).

From a daguerreotype in the possession of the Hon. Robert T. Lincoln, taken before Lincoln was forty, and first published in the McCLURE'S Life of Lincoln. Of the sixty or more portraits of Lincoln which will be published in this series of articles, thirty, at least, will be absolutely new to our readers; and of these thirty none is more important than this early portrait. It is generally believed that Lincoln was not over thirty-five years old when this daguerreotype was taken, and it is certainly true that it is the face of Lincoln as a young man. "About thirty would be the general verdict," says Mr. Murat Halstead in an editorial in the Brooklyn "Standard-Union," "if it were not that the daguerreotype was unknown when Lincoln was of that age. It does not seem, however, that he could have been more than thirty-five, and for that age the youthfulness of the portrait is wonderful. This is a new Lincoln, and far more attractive, in a sense, than anything the public has possessed. This is the portrait of a remarkably handsome man.... The head is magnificent, the eyes deep and generous, the mouth sensitive, the whole expression something delicate, tender, pathetic, poetic. This was the young man with whom the phantoms of romance dallied, the young man who recited poems and was fanciful and speculative, and in love and despair, but upon whose brow there already gleamed the illumination of intellect, the inspiration of patriotism. There were vast possibilities in this young man's face. He could have gone anywhere and done anything. He might have been a military chieftain, a novelist, a poet, a philosopher, ah! a hero, a martyr—and, yes, this young man might have been—he even was Abraham Lincoln! This was he with the world before him. It is good fortune to have the magical revelation of the youth of the man the world venerates. This look into his eyes, into his soul—not before he knew sorrow, but long before the world knew him—and to feel that it is worthy to be what it is, and that we are better acquainted with him and love him the more, is something beyond price."

LINCOLN IN 1859.
LINCOLN IN 1859.

From a photograph in the collection of H.W. Fay, De Kalb, Illinois. The original was made by S.M. Fassett, of Chicago; the negative was destroyed in the Chicago fire. This picture was made at the solicitation of D.B. Cook, who says that Mrs. Lincoln pronounced it the best likeness she had ever seen of her husband. Rajon used the Fassett picture as the original of his etching, and Kruell has made a fine engraving of it.

LINCOLN IN THE SUMMER OF 1860.
LINCOLN IN THE SUMMER OF 1860.

From a copy (made by E.A. Bromley of the Minneapolis "Journal" staff) of a photograph owned by Mrs. Cyrus Aldrich, whose husband, now dead, was a congressman from Minnesota. In the summer of 1860 Mr. M.C. Tuttle, a photographer of St. Paul, wrote to Mr. Lincoln requesting that he have a negative taken and sent to him for local use in the campaign. The request was granted, but the negative was broken in transit. On learning of the accident, Mr. Lincoln sat again, and with the second negative he sent a jocular note wherein he referred to the fact, disclosed by the picture, that in the interval he had "got a new coat." A few copies of the picture were made by Mr. Tuttle, and distributed among the Republican editors of the State. It has never before been reproduced. Mrs. Aldrich's copy was presented to her by William H. Seward, when he was entertained at the Aldrich homestead (now the Minneapolis City Hospital) in September, 1860. A fine copy of this same photograph is in the possession of Mr. Ward Monroe, of Jersey City, N.J.

William F. Berry, the partner of Lincoln, was the son of a Presbyterian minister, the Rev. John Berry, who lived on Rock Creek, five miles from New Salem. The son had strayed from the footsteps of the father, for he was a hard drinker, a gambler, a fighter, and "a very wicked young man." Lincoln cannot in truth be said to have chosen such a partner, but rather to have accepted him from the force of circumstances. It required only a little time to make it plain that the partnership was wholly uncongenial. Lincoln displayed little business capacity. He trusted largely to Berry; and Berry rapidly squandered the profits of the business in riotous living. Lincoln loved books as Berry loved liquor, and hour after hour he was stretched out on the counter of the store or under a shade tree, reading Shakespeare or Burns.

LINCOLN EARLY IN 1861.—PROBABLY THE EARLIEST PORTRAIT SHOWING HIM WITH A BEARD.
LINCOLN EARLY IN 1861.—PROBABLY THE EARLIEST PORTRAIT SHOWING HIM WITH A BEARD.

From a photograph in the collection of H.W. Fay of De Kalb, Illinois, taken probably in Springfield early in 1861. It is supposed to have been the first, or at least one of the first, portraits made of Mr. Lincoln after he began to wear a beard. As is well known, his face was smooth until about the end of 1860; and when he first allowed his beard to grow, it became a topic of newspaper comment, and even of caricature. A pretty story relating to Lincoln's adoption of a beard is more or less familiar. A letter written to the editor of the present Life, under date of December 6, 1895, by Mrs. Grace Bedell Billings, tells this story, of which she herself as a little girl was the heroine, in a most charming way. The letter will be found printed in full at the end of this article, on page 240.

His thorough

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