You are here

قراءة كتاب Literary Taste: How to Form It With Detailed Instructions for Collecting a Complete Library of English Literature

تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

‏اللغة: English
Literary Taste: How to Form It
With Detailed Instructions for Collecting a Complete Library of English Literature

Literary Taste: How to Form It With Detailed Instructions for Collecting a Complete Library of English Literature

تقييمك:
0
No votes yet
المؤلف:
دار النشر: Project Gutenberg
الصفحة رقم: 1

The Project Gutenberg eBook, Literary Taste: How to Form It, by Arnold Bennett

Title: Literary Taste: How to Form It

Author: Arnold Bennett

Release Date: October 25, 2004 [eBook #13852]

Language: English

Character set encoding: ISO-8859-1

***START OF THE PROJECT GUTENBERG EBOOK LITERARY TASTE: HOW TO FORM IT***



E-text prepared by Jonathan Ingram, Alison Hadwin,
and the Project Gutenberg Online Distributed Proofreading Team








LITERARY TASTE

HOW TO FORM IT

WITH DETAILED INSTRUCTIONS FOR

COLLECTING A COMPLETE LIBRARY OF ENGLISH LITERATURE

BY

ARNOLD BENNETT

First Published 1909








CONTENTS

CHAPTER I

THE AIM    1

CHAPTER II

YOUR PARTICULAR CASE    9

CHAPTER III

WHY A CLASSIC IS A CLASSIC    18

CHAPTER IV

WHERE TO BEGIN    26

CHAPTER V

HOW TO READ A CLASSIC    34

CHAPTER VI

THE QUESTION OF STYLE    43

CHAPTER VII

WRESTLING WITH AN AUTHOR    59

CHAPTER VIII

SYSTEM IN READING    68

CHAPTER IX

VERSE    76

CHAPTER X

BROAD COUNSELS    91

CHAPTER XI

AN ENGLISH LIBRARY: PERIOD I    99

CHAPTER XII

AN ENGLISH LIBRARY: PERIOD II    108

CHAPTER XIII

AN ENGLISH LIBRARY: PERIOD III    114

CHAPTER XIV

MENTAL STOCKTAKING    127

CHAPTER I

THE AIM

At the beginning a misconception must be removed from the path. Many people, if not most, look on literary taste as an elegant accomplishment, by acquiring which they will complete themselves, and make themselves finally fit as members of a correct society. They are secretly ashamed of their ignorance of literature, in the same way as they would be ashamed of their ignorance of etiquette at a high entertainment, or of their inability to ride a horse if suddenly called upon to do so. There are certain things that a man ought to know, or to know about, and literature is one of them: such is their idea. They have learnt to dress themselves with propriety, and to behave with propriety on all occasions; they are fairly "up" in the questions of the day; by industry and enterprise they are succeeding in their vocations; it behoves them, then, not to forget that an acquaintance with literature is an indispensable part of a self-respecting man's personal baggage. Painting doesn't matter; music doesn't matter very much. But "everyone is supposed to know" about literature. Then, literature is such a charming distraction! Literary taste thus serves two purposes: as a certificate of correct culture and as a private pastime. A young professor of mathematics, immense at mathematics and games, dangerous at chess, capable of Haydn on the violin, once said to me, after listening to some chat on books, "Yes, I must take up literature." As though saying: "I was rather forgetting literature. However, I've polished off all these other things. I'll have a shy at literature now."

This attitude, or any attitude which resembles it, is wrong. To him who really comprehends what literature is, and what the function of literature is, this attitude is simply ludicrous. It is also fatal to the formation of literary taste. People who regard literary taste simply as an accomplishment, and literature simply as a distraction, will never truly succeed either in acquiring the accomplishment or in using it half-acquired as a distraction; though the one is the most perfect of distractions, and though the other is unsurpassed by any other accomplishment in elegance or in power to impress the universal snobbery of civilised mankind. Literature, instead of being an accessory, is the fundamental sine qua non of complete living. I am extremely anxious to avoid rhetorical exaggerations. I do not think I am guilty of one in asserting that he who has not been "presented to the freedom" of literature has not wakened up out of his prenatal sleep. He is merely not born. He can't see; he can't hear; he can't feel, in any full sense. He can only eat his dinner. What more than anything else annoys people who know the true function of literature, and have profited thereby, is the spectacle of so many thousands of individuals going about under the delusion that they are alive, when, as a fact, they are no nearer being alive than a bear in winter.

I will tell you what literature is! No—I only wish I could. But I can't. No one can. Gleams can be thrown on the secret, inklings given, but no more. I will try to give you an inkling. And, to do so, I will

Pages