for several years, I relinquished the design, destroyed the materials, and meant to give up the thought for ever. But the intention revived in 1780, and the work followed.

I may be accused of quitting the regular trammels of history, and sporting in the fields of remark: but, although our habitation justly stands first in our esteem, in return for rest, content, and protection; does it follow that we should never stray from it? If I happen to veer a moment from the polar point of Birmingham, I shall certainly vibrate again to the center. Every author has a manner peculiar to himself, nor can he well forsake it. I should be exceedingly hurt to omit a necessary part of intelligence, but more, to offend a reader.

If GRANDEUR should censure me for sometimes recording the men of mean life, let me ask, Which is preferable, he who thunders at the anvil, or in the senate? The man who earnestly wishes the significant letters, ESQ. spliced to the end of his name, will despise the question; but the philosopher will answer, "They are equal."

Lucrative views have no part in this production: I cannot solicit a kind people to grant what they have already granted; but if another finds that pleasure in reading, which I have done in writing, I am paid.

As no history is extant, to inform me of this famous nursery of the arts, perfection in mine must not be expected. Though I have endeavoured to pursue the road to truth; yet, having no light to guide, or hand to direct me, it is no wonder if I mistake it: but we do not condemn, so much as pity the man for losing his way, who first travels an unbeaten road.

Birmingham, for want of the recording hand, may be said to live but one generation; the transactions of the last age, die in this; memory is the sole historian, which being defective, I embalm the present generation, for the inspection of the future.

It is unnecessary to attempt a general character, for if the attentive reader is himself of Birmingham, he is equally apprized of that character; and, if a stranger, he will find a variety of touches scattered through the piece, which, taken in a collective view, form a picture of that generous people, who merit his esteem, and possess mine.

THE

CONTENTS.