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قراءة كتاب The Mirror of Literature, Amusement, and Instruction Volume 17, No. 479, March 5, 1831

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The Mirror of Literature, Amusement, and Instruction
Volume 17, No. 479, March 5, 1831

The Mirror of Literature, Amusement, and Instruction Volume 17, No. 479, March 5, 1831

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دار النشر: Project Gutenberg
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extend. Here the monks used to walk in bad weather, contriving the next day's dinner, or imagining excuses for detaining some of the many pretty female pilgrims who resorted, under various pretences, to this celebrated monastery. At present, it affords shelter to the veterans and gendarmes who keep guard over the prisoners below.

From various portions of the monastery, we obtain admirable views of sea and shore; but the most superb coup-d'oeil is from a tall slender tower, which shoots up above almost every other portion of the building. Hence are seen the hills and coasts of Brittany, the sea, the sandy plain stretching inland, with the rivers meandering through it, and the long sweep of shore which encompasses the Grève, with Avranches, and its groves and gardens, in the back ground. Close at hand, and almost beneath one's feet, as it were, is the barren rock called the Tombelaine, which, though somewhat larger than the Mont St. Michel, is not inhabited. Even this rock, however, was formerly fortified by the English; and several remains of the old towers are still found among the thorns and briers with which it is at present overrun. Several fanciful derivations of the word Tombelaine are given by antiquaries, some imagining it to have been formed of the words Tumba Beleni, or Tumba Helenae; and in support of the latter etymology, the following legend is told:—Helen, daughter of Hoël, King of Brittany, was taken away, by fraud or violence, from her father's court, by a certain Spaniard, who, having conducted her to this island, and compelled her to submit to his desires, seems to have deserted her there. The princess, overwhelmed with misfortune, pined away and died, and was buried by her nurse, who had accompanied her from Brittany.

At the Mont St. Michel was preserved, until lately, the enormous wooden cage in which state prisoners were sometimes confined under the old regime.

The most unfortunate of the poor wretches who inhabited this cage was Dubourg, a Dutch editor of a newspaper. This man having, in the exercise of his duty, written something which offended the majesty of Louis XIV., or some one of his mistresses, was marked out by the magnanimous monarch for vengeance; and the means which, according to tradition, he employed to effect his purpose, was every way worthy of the royal miscreant. A villain was sent from Avranches to Holland, a neutral state, with instructions to worm himself into the friendship and confidence of Dubourg, and, in an unguarded moment, to lead him into the French territories, where a party of soldiers was kept perpetually in readiness to kidnap him and carry him off. For two years this modern Judas is said to have carried on the intrigue, at the end of which period he prevailed upon Dubourg to accompany him on a visit into France, when the soldiers seized upon their victim, and hurried him off to the Mont St. Michel.

Confinement and solitude do not always kill. The Dutchman, accustomed, perhaps, to a life of indolence, existed twenty years in his cage, never enjoying the satisfaction of beholding "the human face divine," or of hearing the human voice, except when the individual entered who was charged with the duty of bringing him his provisions and cleaning his cell. Some faint rays of light, just such as enable cats and owls to mouse, found their way into the dungeon; and, by their aid, Dubourg, whom accident or the humanity of his keeper had put in possession of an old nail, and who inherited the passion of his countrymen for flowers, contrived to sculpture roses and other flowers upon the beams of his cage. Continual inaction, however, though it could not destroy life, brought on the gout, which rendered the poor wretch incapable of moving himself about from one side of the cage to the other; and he observed to his keeper, that the greatest misery he endured was inflicted by the rats, which came in droves, and gnawed away at his gouty legs, without his being able to move out of their reach or frighten them away.

Having examined the principal objects of curiosity at the mount, and learning that the tide was rising rapidly on the Grève, I descended from the fortress, and mounting my horse, set out on my return to Avranches.

My guide informed me that I had staid somewhat too long, and in fact, the sea, flowing and foaming furiously over the vast plain of sand, quickly surrounded the mount, and was at our heels in a twinkling. However, the guide sprang off with that long trot peculiar to fishermen, and was followed with great good will by the beast which had been so obstinate in the morning. We were joined in our retreat by a party of sportsmen, who appeared to have been shooting gulls upon the sands; but they could not keep up with the young fisherman, who stepped out like a Newmarket racer, and in a short time landed me safe at the Point of Pontorson, near the village of Courtils, where he resided.

By the way, we have just received Mr. St. John's Anatomy of Society, which we hope to notice in our next or subsequent number.


THE MONUMENT.

Once the object of general praise, from its loftiness and beauty, and till now the subject of censure, even among Protestants, from that inscription of which the Papists always complained, was the offspring of this period, and realized one of those decorations which Wren had lavished upon his air-drawn Babylon. This lofty column was ordered by the Commons, in commemoration of the extinction of the great fire and the rebuilding of the city: it stands on the site of the old church of St. Margaret, and within a hundred feet of the spot where the conflagration began. It is of the Doric order, and rises from the pavement to the height of two hundred and two feet, containing within its shaft a spiral stair of black marble of three hundred and forty-five steps. The plinth is twenty-one feet square, and ornamented with sculpture by Cibber, representing the flames subsiding on the appearance of King Charles;—beneath his horse's feet a figure, meant to personify religious malice, crawls out vomiting fire, and above is that unjustifiable legend which called forth the indignant lines of Pope—

"Where London's column pointing to the skies,

Like a tall bully, lifts his head and lies."4

The shaft, deeply fluted, measures fifteen feet diameter at the base, and diminishing according to the proportion of its order, terminates in a capital, crowned with a balcony, from the centre of which rises a circular pedestal, bearing a flaming urn of gilt bronze. The various notions of the architect concerning a suitable termination, are worth relating:—"I cannot," said he, "but commend a large statue as carrying much dignity with it, and that which would be more valuable in the eyes of foreigners and strangers. It hath been proposed to cast such a one in brass of twelve feet high for a thousand pounds. I hope we may find those who will cast a figure for that money of fifteen feet high, which will suit the greatness of the pillar, and is, as I take it, the largest at this day extant. And this would undoubtedly be the noblest finishing that can be found answerable to so goodly a work in all men's judgments." The King preferred a large ball of metal gilt. A phoenix was introduced in the wooden model of the pillar, but afterwards rejected by the architect himself, "because it would be costly, not easily understood at that height, and worse understood at a distance; and lastly, dangerous by reason of the sail the spread wings would carry in the wind." A statue of Charles, fifteen feet high, on a pedestal of two hundred, would have looked small and mean; the King resisted the compliment. This work, begun in 1671, was not completed till 1677; stone was scarce,

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