قراءة كتاب Homes and How to Make Them

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Homes and How to Make Them

Homes and How to Make Them

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دار النشر: Project Gutenberg
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we've always looked upon these loose rocks and stones sprinkled about the country as a part of the original curse, and have never thought of turning them to any sensible use, though good old Dr. Hopkins seemed to have faith that their soft side would some time be discov

ered. Funny, isn't it, that we should burn so much fuel and spend so much labor making bricks and other artificial building-blocks, when there are piles of them ready made, that would only cost the hauling? Not always on the square, to be sure, although in some places the ground is full and running over with flat stones that can be laid up as easily as shingles. They would hardly need any mortar, and the brick trimmings you describe would be a nuisance, except for looks. Miles and miles of stone-walls you will see, up and down hillsides and across pastures that don't look worth their taxes. Once in a while the lower half of a cider-mill, the back side of a barn-yard shed, or something of that sort, is made of them; but the people in these parts seem to think it would be folly to use them for anything more dignified. I suppose, because they are too simple and natural,—just as the Almighty made them.

These square-cornered, flat-sided fellows are not the commonest kind, however; and I'm free to maintain that I don't want to build my house more than seventy-five feet high of the smooth cobbles that will scarcely hang together in a respectable stone-heap. I should expect the whole thing would come tumbling down some rainy night.

Mrs. John don't take to the notion of a stone house—not yet. Says they 're wofully old-fashioned and poky,—look like Canadians and poor folks. I just keep still and let her talk,—it's the best way.

Won't such walls be cold and damp? How am I to know whether the stones that I can find are fit to use? Send you a boxful by express?

Yours,

JOHN.


 

 

LETTER IX.

From the Architect.

A BROAD HOUSE IS BETTER THAN A HIGH ONE.

 

MY DEAR JOHN: It will not be necessary for you to send me a stone-heap or a section of pasture-wall for inspection. I would rather venture an opinion from your description.

Of course, these walls alone, if solid, as they doubtless must be, will be cold and damp; they must be furred off within to prevent moisture from condensing on the walls of the rooms. This furring should be done with light studs, secured to the floor timbers above

and below, having no connection with the stone walls, the inside of which may be left quite rough, whatever the "builders in the elder days of art" might say to such negligence. For greater permanence and security against fire, instead of wood furrings you may build a lining of brick, leaving an air space of several inches between it and the stone, very much in the same way as if the whole were of brick.

You say you would prefer not to build walls as high as a church tower of smooth cobblestones. Don't; it wouldn't be wise. Still I have seen them, of more humble dimensions, laid in good cement, as such walls always should be laid, that seem as firm as unbroken granite. But you will remember I only advise this mode of building on the condition that you are not ambitious of height. If you are, by all means curb your aspirations, or else

buy a city house six or seven stories in the air, where you can gratify your passion for going up and down stairs. There is the best reason in the world why a tall house in the country should look grim, gaunt, and awkward; it is thoroughly inconvenient and out of place. The area of arable land covered by human habitations does not yet interfere with agricultural products. So let us spread ourselves freely. When we have learned the beauty and the strength of co-operation for mutual helpful

ness, we shall see the prevailing mode of constructing houses in cities very much modified. Now they stand as books are placed on their shelves,—vertically and edgewise. They would hold just as many people, and be far more convenient, if they could be laid horizontally, one above the other.

BREADTH AND HEIGHT.

True, this would involve floors impervious to sound, and fire-proof,—by no means a fatal objection. Since we can neither "fly nor go" in the air, like birds and angels, it is well for us, having found our appropriate level, to abide thereon as far as may be. There is no doubt that where dwellings must be built compactly in "blocks," as we call them, the "flat" arrangement, each tenement being complete on one floor, is the cheapest and best. Even the fourth story in such a building is preferable to a house of eight or ten rooms, two on each floor. But this does not concern you, unless you have

a few thousands to invest in tenement-houses. In the right place I like an old-fashioned one-story house, but most people have a prejudice against anything so unpretending.

One other fact besides the worth of co-operation I hope the dwellers in cities will learn to recognize practically. When there were no swift and screaming locomotives, no cosey and comfortable horse-cars, no red and yellow omnibuses even, there was good reason why men must forego the boon of country air; must forget the color of the ground, the smell of the green things growing, and the shape of the heavens above them. But the reason no longer exists. Doubtless the business of a city should be as compact as possible; but for its dwellings, every consideration of comfort and happiness, of physical and moral well-being, demands that the inhabitants shall make the most of their migratory resources and—scatter; find

room to build, not tenements or residences, but homes for themselves and their children. In the old time safety was found by crowding together within mural walls. Now the case is reversed. Where the population is densest, temptations and dangers do most abound. We've outgrown the walls, let us overcome the evils that were bred within them.

There may be a prejudice against another quality of these stone walls. They are rough. Roughness means want of culture and labor; that implies want of money, and that is—unpardonable. But roughness does not mean any such thing. What are mouldings and frets and carvings but a roughening of otherwise smooth surfaces? Artists of all kinds seek to remove even the appearance of an unbroken plane, and nature abhors a flat exterior, never allows one, even in the most plastic material, if it can be broken. See the waves of the ocean, the

mimic billows on a snow-covered plain, the rugged grandeur of the everlasting hills. Fancy a pine, an oak, or an elm tree with trunk and limbs smoothly polished! What if the outside of your walls are somewhat uneven? Let them be so. The shadows will be all the richer, the vines will cling more closely, and maybe the birds will hang their nests in some sunny corner. Do not, then, try to improve the natural faces of the stones with pick and hammer; you will find it hard work, and, very likely, worse than thrown away.

I think you will like, both in exterior effect and in practical result, the plan of building the walls of the first story of stone with brick dressings, as described in my last letter, making the remainder of the house of wood, be the same more or less. If the sketches I send you do not make you in love with this style, or if you do not like to risk the experiment, examine

something already built before deciding against it. But first explore the country around you and see if the stony prospect is good.

SECOND STORY OF WOOD.

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