on the surface, clinging together and forming islets which float ashore on the beaches, where the inhabitants of a village on the left bank of the Strom-fiord gather them up, split, broken (though sometimes whole), and always stripped of bark and branches. The mountain which receives at its base the assaults of Ocean, and at its summit the buffeting of the wild North wind, is called the Falberg. Its crest, wrapped at all seasons in a mantle of snow and ice, is the sharpest peak of Norway; its proximity to the pole produces, at the height of eighteen hundred feet, a degree of cold equal to that of the highest mountains of the globe. The summit of this rocky mass, rising sheer from the fiord on one side, slopes gradually downward to the east, where it joins the declivities of the Sieg and forms a series of terraced valleys, the chilly temperature of which allows no growth but that of shrubs and stunted trees.

The upper end of the fiord, where the waters enter it as they come down from the forest, is called the Siegdahlen,—a word which may be held to mean "the shedding of the Sieg,"—the river itself receiving that name. The curving shore opposite to the face of the Falberg is the valley of Jarvis,—a smiling scene overlooked by hills clothed with firs, birch-trees, and larches, mingled with a few oaks and beeches, the richest coloring of all the varied tapestries which Nature in these northern regions spreads upon the surface of her rugged rocks. The eye can readily mark the line where the soil, warmed by the rays of the sun, bears cultivation and shows the native growth of the Norwegian flora. Here the expanse of the fiord is broad enough to allow the sea, dashed back by the Falberg, to spend its expiring force in gentle murmurs upon the lower slope of these hills,—a shore bordered with finest sand, strewn with mica and sparkling pebbles, porphyry, and marbles of a thousand tints, brought from Sweden by the river floods, together with ocean waifs, shells, and flowers of the sea driven in by tempests, whether of the Pole or Tropics.

At the foot of the hills of Jarvis lies a village of some two hundred wooden houses, where an isolated population lives like a swarm of bees in a forest, without increasing or diminishing; vegetating happily, while wringing their means of living from the breast of a stern Nature. The almost unknown existence of the little hamlet is readily accounted for. Few of its inhabitants were bold enough to risk their lives among the reefs to reach the deep-sea fishing,—the staple industry of Norwegians on the least dangerous portions of their coast. The fish of the fiord were numerous enough to suffice, in part at least, for the sustenance of the inhabitants; the valley pastures provided milk and butter; a certain amount of fruitful, well-tilled soil yielded rye and hemp and vegetables, which necessity taught the people to protect against the severity of the cold and the fleeting but terrible heat of the sun with the shrewd ability which Norwegians display in the two-fold struggle. The difficulty of communication with the outer world, either by land where the roads are impassable, or by sea where none but tiny boats can thread their way through the maritime defiles that guard the entrance to the bay, hinder these people from growing rich by the sale of their timber. It would cost enormous sums to either blast a channel out to sea or construct a way to the interior. The roads from Christiana to Trondhjem all turn toward the Strom-fiord, and cross the Sieg by a bridge some score of miles above its fall into the bay. The country to the north, between Jarvis and Trondhjem, is covered with impenetrable forests, while to the south the Falberg is nearly as much separated from Christiana by inaccessible precipices. The village of Jarvis might perhaps have communicated with the interior of Norway and Sweden by the river Sieg; but to do this and to be thus brought into contact with civilization, the Strom-fiord needed the presence of a man of genius. Such a man did actually appear there,—a poet, a Swede of great religious fervor, who died admiring, even reverencing this region as one of the noblest works of the Creator.

Minds endowed by study with an inward sight, and whose quick perceptions bring before the soul, as though painted on a canvas, the contrasting scenery of this universe, will now apprehend the general features of the Strom-fiord. They alone, perhaps, can thread their way through the tortuous channels of the reef, or flee with the battling waves to the everlasting rebuff of the Falberg whose white peaks mingle with the vaporous clouds of the pearl-gray sky, or watch with delight the curving sheet of waters, or hear the rushing of the Sieg as it hangs for an instant in long fillets and then falls over a picturesque abatis of noble trees toppled confusedly together, sometimes upright, sometimes half-sunken beneath the rocks. It may be that such minds alone can dwell upon the smiling scenes nestling among the lower hills of Jarvis; where the luscious Northern vegetables spring up in families, in myriads, where the white birches bend, graceful as maidens, where colonnades of beeches rear their boles mossy with the growth of centuries, where shades of green contrast, and white clouds float amid the blackness of the distant pines, and tracts of many-tinted crimson and purple shrubs are shaded endlessly; in short, where blend all colors, all perfumes of a flora whose wonders are still ignored. Widen the boundaries of this limited ampitheatre, spring upward to the clouds, lose yourself among the rocks where the seals are lying and even then your thought cannot compass the wealth of beauty nor the poetry of this Norwegian coast. Can your thought be as vast as the ocean that bounds it? as weird as the fantastic forms drawn by these forests, these clouds, these shadows, these changeful lights?

Do you see above the meadows on that lowest slope which undulates around the higher hills of Jarvis two or three hundred houses roofed with "noever," a sort of thatch made of birch-bark,—frail houses, long and low, looking like silk-worms on a mulberry-leaf tossed hither by the winds? Above these humble, peaceful dwellings stands the church, built with a simplicity in keeping with the poverty of the villagers. A graveyard surrounds the chancel, and a little farther on you see the parsonage. Higher up, on a projection of the mountain is a dwelling-house, the only one of stone; for which reason the inhabitants of the village call it "the Swedish Castle." In fact, a wealthy Swede settled in Jarvis about thirty years before this history begins, and did his best to ameliorate its condition. This little house, certainly not a castle, built with the intention of leading the inhabitants to build others like it, was noticeable for its solidity and for the wall that inclosed it, a rare thing in Norway where, notwithstanding the abundance of stone, wood alone is used for all fences, even those of fields. This Swedish house, thus protected against the climate, stood on rising ground in the centre of an immense courtyard. The windows were sheltered by those projecting pent-house roofs supported by squared trunks of trees which give so patriarchal an air to Northern dwellings. From beneath them the eye could see the savage nudity of the Falberg, or compare the infinitude of the open sea with the tiny drop of water in the foaming fiord; the ear could hear the flowing of the Sieg, whose white sheet far away looked motionless as it fell into its granite cup edged for miles around with glaciers,—in short, from this vantage ground the whole landscape whereon our simple yet superhuman drama was about to be enacted could be seen and noted.

The winter of 1799-1800 was one of the most severe ever known to Europeans. The Norwegian sea was frozen in all the fiords, where, as a usual thing, the violence of the surf kept the ice from forming. A wind, whose effects were like those of the Spanish levanter, swept the ice of the Strom-fiord, driving the snow to the upper end of the gulf. Seldom indeed could the people