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قراءة كتاب De Carmine Pastorali Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684)
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De Carmine Pastorali Prefixed to Thomas Creech's translation of the Idylliums of Theocritus (1684)
not convinceing, yet they sufficiently shew that the employment of a Sheapard was sometime look’d upon to be such, as in those Fabulous times was not alltogether unbecomeing the Dignity of a Heroe, or the Divinity of a God: which consideration if it cannot be of force enough to procure excellence, yet certainly it may secure it from the imputation of baseness, since it was sometime lookt upon as fit for the greatest in Earth or Heaven.
But not to insist on the authority of Poets, Sacred Writt tells us that Jacob and Esau, two great men, were Sheapards; And Amos, one of the Royal Family, asserts the same of himself, for He was among the Sheapards of Tecua, following that employment: The like by Gods own appointment prepared Moses for a Scepter, as Philo intimates in his life, when He tells us, that a Sheapards Art is a suitable preparation to a Kingdome; the same He mentions in the Life of Joseph, affirming that the care a Sheapard hath over his Cattle, very much resembles that which a King hath over his Subjects: The same Basil in his Homily de S. Mamm. Martyre hath concerning David, who was taken from following the Ews great with young ones to feed Israel, for He says that the Art of feeding and governing are very near akin, and even Sisters: And upon this account I suppose twas, that Kings amongst the Greeks reckoned the name of Sheapard one of their greatest titles, for, if we believe Varro, amongst the Antients, the best and bravest was still a Sheapard: Every body knows that the Romans the worthiest and greatest Nation in the World sprang from Sheapards: The Augury of the Twelve Vulturs plac’t a Scepter in Romulus’s hand which held a Crook before; and at that time, as Ovid says,
Lucretius mentions an extraordinary happiness, and as it were Divinity in a Sheaperd’s life,
And this is the reason, I suppose, why the solitude of the Country, the shady Groves, and security of that happy Quiet was so grateful to the Muses, for thus Horace represents them,
Which Observation was first made by Mnasalce the Sicyonian in his Epigram upon Venus
For sometimes the Country is so raveshing and delightful, that twill raise Wit and Spirit even in the dullest Clod, And in truth, amongst so many heats of Lust and Ambition which usually fire our Citys, I cannot see what retreat, what comfort is left for a chast and sober Muse.
And to speak from the very bottome of my heart, (not to mention the integrity and innocence of Sheapards upon which so many have insisted, and so copiously declaimed) methinks he is much more happy in a Wood, that at ease contemplates this universe, as his own, and in it, the Sun and Stars, the pleasing Meadows, shady Groves, green Banks, stately Trees, flowing Springs, and the wanton windings of a River, fit objects for quiet innocence, than he that with Fire and Sword disturbs the World, and measures his possessions by the wast that lys about him: Augustus in the remotest East fights for peace, but how tedious were his Voyages? how troublesome his Marches? how great his disquiets? what fears and hopes distracted his designs? whilst Tityrus contented with a little, happy in the enjoyment of his Love, and at ease under his spreading Beech.
On the one side Melibœus is forc’t to leave his Country, and Antony on the other; the one a Sheapard, the other a great man, in the Common-Wealth; how disagreeable was the Event? the Sheapard could endure himself; and sit down contentedly under his misfortunes, whilst lost Antony,unable to hold out, and quitting all hopes both for himself and his Queen, became his own barbarous Executioner: Than which sad and deplorable fall I cannot imagine what could be worse, for certainly nothing is so miserable as a Wretch made so from a flowrishing & happy man; by which tis evident how much we ought to prefer before the gaity of a great and shining State, that Idol of the Crowd, the lowly simplicity of a Sheapards Life: for what is that but a perfect image of the state of Innocence, of that golden Age, that blessed time, when Sincerity and Innocence, Peace, Ease, and Plenty inhabited the Plains?
Take the Poets description
A harmless Life, and ignorant of deceit,
and free from fears with various sweet’s encrease,
And all’s or’e spread with the soft wings of Peace:
Here Oxen low, here Grots, and purling Streams,
And Spreading shades invite to easy dreams.
And thus Horace,
Such was the state of Innocence, &c.
And from this head I think the dignity of Bucolicks is sufficiently cleared, for as much as the Golden Age is to be preferred before the Heroick, so much Pastorals must excell Heroick Poems: yet this is so to be understood, that if we look upon the majesty and loftiness of Heroick Poems, it must be confest that they justly claim the preheminence; but if the unaffected neatness, elegant, graceful smartness of the expression, or the polite dress of a Poem be considered, then they fall short of Pastorals: for this sort flows with Sweet, Elegant, neat and pleasing fancies; as is too evident to every one that hath tasted the sweeter muses, to need a farther explication: for tis not probable that Asinius Pollio, Cinna, Varius, Cornelius Gallus, men of the neatest Wit, and that lived in the most polite Age, or that Augustus Cæsar the Prince of the Roman elegance, as well as of the common Wealth, should be so extreamly taken with Virgils Bucolicks, or that Virgil himself a man of such singular prudence, and so correct a judgment, should dedicate his Eclogues to those great Persons; unless he had known that there is somewhat more then ordinary Elegance in those sort of Composures, which the wise perceive, tho far above the understanding of the Crowd: nay if Ludovicus Vives, a very learned man, and admired for politer studies may be believed, there is somewhat more sublime and excellent in those Pastorals, than the Common sort of Grammarians imagine: This I shall discourse of in an other place, and now inquire into the Antiquity of Pastorals.
Since Linus, Orpheus, and Eumolpus were famous for their Poems, before the Trojan wars; those are certainly mistaken, who date Poetry from that time; I rather incline to their opinion who make it as old as the World it self; which Assertion as it ought to be understood of Poetry in general, so especially of Pastoral, which, as Scaliger delivers, was the most antient kind of Poetry, and resulting from the most antient way of Liveing: Singing first began amongst Sheapards as they fed their Flocks, either by the impulse of nature, or in imitation of the notes of Birds, or the whispering of Trees.
For since the first men were either Sheapards or Ploughmen, and Sheapards, as may be gathered out of Thucydides and Varro, were before