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قراءة كتاب Discourse on Criticism and of Poetry From Poems On Several Occasions (1707)

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Discourse on Criticism and of Poetry
From Poems On Several Occasions (1707)

Discourse on Criticism and of Poetry From Poems On Several Occasions (1707)

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دار النشر: Project Gutenberg
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(an Author whom you us'd to praise, and whom therefore I admire) that some Persons, who would be Poets, which they cannot be, become Criticks which they can be. The censorious Grin, and the loud Laugh, are common and easy things, according to Juvenal; and according to Scripture, the Marks of a Fool. These Men are certainly in a deplorable Condition, who cannot be witty, but at another's Expence, and who take an unnatural kind of Pleasure in being uneasy at their Own.

Rules they can write, but, like the College Tribe,
Take not that Physick which their Rules prescribe.
I scorn to praise a plodding, formal Fool,
Insipidly correct, and dull by Rule:
Homer, with all his Nodding, I would chuse,
Before the more exact Sicilian Muse.
Who'd not be Dryden; tho' his Faults are great,
Sooner than our Laborious Laureat?
Not but a decent Neatness, I confess,
In Writing is requir'd, as well as Dress.
Yet still in both the unaffected Air
Will always please the Witty and the Fair.

I would not here be thought to be a Patron of slovenly Negligence; for there is nothing which breeds a greater Aversion in Men of a Delicate Taste. Yet you know, Sir, that, after all our Care and Caution, the Weakness of our Nature will eternally mix it self in every thing we write; and an over curious Study of being correct, enervates the Vigour of the Mind, slackens the Spirits, and cramps the Genius of a Free Writer. He who creeps by the Shore, may shelter himself from a Storm, but likely to make very few Discoveries: And the cautious Writer, who is timorous of disobliging the captious Reader, may produce you true Grammar, and unexceptionable Prosodia, but most stupid Poetry.

In vitium culpæ ducit fuga, si caret arte.

A slavish Fear of committing an Oversight, betrays a Man to more inextricable Errours, than the Boldness of an enterprizing Author, whose artful Carelesness is more instructive and delightful than all the Pains and Sweat of the Poring and Bookish Critick.

Some Failings, like Moles in a beautiful Countenance, take nothing from the Charms of a happy Composure, but rather heighten and improve their Value. Were our modern Reflecters Masters of more Humanity than Learning, and of more Discernment than both, the Authors of the Past and Present Ages, would have no reason to complain of Injustice; nor would that Reflection be cast upon the best-natur'd Nation in the World, that, when rude and ignorant, we were unhospitable to Strangers, and now, being civiliz'd, we expend our Barbarity on one another. Homer would not be so much the Ridicule of our Beaux Esprits; when, with all his Sleepiness, he is propos'd as the most exquisite Pattern of Heroic Writing, by the Greatest of Philosophers, and the Best of Judges. Nor is Longinus behind hand with Aristotle in his Character of the same Author, when he tells us that the Greatness of Homer's Soul look'd above little Trifles (which are Faults in meaner Capacities) and hurry'd on to his Subject with a Freedom of Spirit peculiar to himself. A Racer at New-market or the Downs, which has been fed and drest, and with the nicest Caution prepared for the Course, will stumble perhaps at a little Hillock; while the Wings of Pegasus bear him o'er Hills and Mountains,

Sub pedibusq; videt nubes & sydera—

Such was the Soul of Homer: who is more justly admir'd by those who understand him, than he is derided by the Ignorant: Whose Writings partake as much of that Spirit, as he attributes to the Actions of his Heroes; and whose Blindness is more truly chargeable on his Criticks, than on Himself: who, as he wrote without a Rule, was himself a Rule to succeeding Ages. Who as much deserves that Commendation which Alcibiades gave to Socrates, when he compar'd him to the Statues of the Sileni, which to look upon, had nothing beautiful and ornamental; but open them, and there you might discover the Images of all the Gods and Goddesses.

Who knows the secret Springs of the Soul, and those sudden Emotions, which excite illustrious Men, to act and speak out of the Common Road? They seem irregular to Us by reason of the Fondness and Bigottry we pay to Custom, which is no Standard to the Brave and the Wise. The Rules we receive in our first Education, are laid down with this Purpose, to restrain the Mind; which by reason of the Tenderness of our Age and the ungovernable Disposition of Young Nature, is apt to start out into Excess and Extravagance. But when Time has ripen'd us, and Observation has fortify'd the Soul, we ought to lay aside those common Rules with our Leading strings; and exercise our Reason with a free, generous and manly Spirit. Thus a Good Poet should make use of a Discretionary Command; like a Good General, who may rightly wave the vulgar Precepts of the Military School (which may confine an ordinary Capacity, and curb the Rash and Daring) if by a new and surprizing Method of Conduct, he find out an uncommon Way to Glory and Success.

Bocalin, the Italian Wit, among his other odd Advertisements, has this remarkable one, which is parallel to the present Discourse. When Tasso (says he) had presented Apollo with his Poem, call'd Giurasalemme Liberata; the Reformer of the Delphic Library, to whose Perusal it was committed, found fault with it, because it was not written according to the Rules of Aristotle; which affront being complain'd of, Apollo was highly incens'd, and chid Aristotle for his Presumption in daring to prescribe Laws and Rules to the high Conceptions of the Virtuosi, whose Liberty of Writing and Inventing, enrich'd the Schools and Libraries with gallant Composures; and to enslave the Wits of Learned Men, was to rob the World of those alluring Charms which daily flow'd from the Productions of Poets, who follow the Dint of their own unbounded Imagination. You will find the rest in the 28th Advertisement.

The Moral is instructive; because to judge well and candidly, we must wean our selves from a slavish Bigotry to the Ancients. For, tho' Homer and Virgil, Pindar and Horace be laid before us as Examples of exquisite Writing in the Heroic and Lyric Kind, yet, either thro' the Distance of Time, or Diversity of Customs, we can no more expect to find like Capacities, than like Complexions. Let a Man follow the Talent that Nature has furnish'd him with, and his own Observation has improv'd, we may hope to see Inventions in all Arts, which may dispute Superiority with the best of the Athenian and Roman Excellencies.

Nec minimum meruêre decus vestigia Græca Ausi deserere.——

It is another Rule of the same Gentleman, that we should attempt nothing beyond our Strength: There are some modern Milo's who have been wedg'd in that Timber which they strove to rend. Some have fail'd in the Lyric Way who have been excellent in the Dramatic. And, Sir, would you not think a Physician would gain more Profit and Reputation by Hippocrates and Galen well-studied, than by Homer and Virgil ill-copied?

Horace, who was as great a Master of Judgment, as he was an Instance of Wit, would have laid the Errours of an establish'd Writer on a pardonable Want of Care, or excus'd them by the Infirmity of Human Nature; he would have wondred at the corrupt Palates now a-days, who quarrel with their Meat, when the Fault is in their Taste. To reform which, if our Moderns would lay aside the malicious Grin and drolling Sneer, the Passions and Prejudices to Persons and Circumstances, we should have better Poems, and juster Criticisms. Nothing casts a greater Cloud on the

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