You are here

قراءة كتاب William Lloyd Garrison, the Abolitionist

تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

‏اللغة: English
William Lloyd Garrison, the Abolitionist

William Lloyd Garrison, the Abolitionist

تقييمك:
0
No votes yet
المؤلف:
دار النشر: Project Gutenberg
الصفحة رقم: 5

as she had written to him her wish and longing, the boy went to her, saw the striking change, saw that the broken spirit of the saintly woman was day by day nearing the margin of the dark hereafter, into whose healing waters it would bathe and be whole again. The unspeakable experience of mother and son, during this last meeting is not for you and me, reader, to look into. Soon after Lloyd's return to Newburyport a cancerous tumor developed on her shoulder, from the effects of which she died September 3, 1823, at the age of forty-five. More than a decade after her death her son wrote: "She has been dead almost eleven years; but my grief at her loss is as fresh and poignant now as it was at that period;" and he breaks out in praise of her personal charms in the following original lines:

"She was the masterpiece of womankind—
In shape and height majestically fine;
Her cheeks the lily and the rose combined;
Her lips—more opulently red than wine;
Her raven locks hung tastefully entwined;
Her aspect fair as Nature could design;
And then her eyes! so eloquently bright!
An eagle would recoil before her light."

The influence of this superb woman was a lasting power for truth and righteousness in the son's stormy life. For a whole year after her death, the grief of the printer's lad over his loss, seemed to have checked the activity of his pen. For during that period nothing of his appeared in the Herald. But after the sharp edge of his sorrow had worn off, his pen became active again in the discussion of public men and public questions. It was a period of bitter personal and political feuds and animosities. The ancient Federal party was in articulo mortis. The death-bed of a great political organization proves oftentimes the graveyard of lifelong friendships. For it is a scene of crimination and recrimination. And so it happened that the partisans of John Adams, and the partisans of John Adams's old Secretary of State, Timothy Pickering, were in 1824 doing a thriving business in this particular line. Into this funereal performance our printer's apprentice entered with pick and spade. He had thus early a penchant for controversy, a soldier's scent for battle. If there was any fighting going on he proceeded directly to have a hand in it. And it cannot be denied that that hand was beginning to deal some manly and sturdy blows, whose resound was heard quite distinctly beyond the limits of his birthplace. His communications appeared now, not only in the Herald, but in the Salem Gazette as well. Now it was the Adams-Pickering controversy, now the discussion of General Jackson as a presidential candidate, now the state of the country in respect of parties, now the merits of "American Writers," which afforded his 'prentice hand the requisite practice in the use of the pen. He had already acquired a perfect knowledge of typesetting and the mechanical makeup of a newspaper. During his apprenticeship he took his first lesson in the art of thinking on his feet in the presence of an audience. The audience to be sure were the members of a debating club, which he had organized. He was very ambitious and was doubtless looking forward to a political career. He saw the value of extempore speech to the man with a future, and he wisely determined to possess himself of its advantage. He little dreamt, however, to what great use he was to devote it in later years. There were other points worth noting at this time, and which seemed to prophecy for him a future of distinction. He possessed a most attractive personality. His energy and geniality, his keen sense of humor, his social and bouyant disposition, even his positive and opinionated temper, were sources of popular strength to him. People were strongly drawn to him. His friends were devoted to him. He had that quality, which we vaguely term magnetic, the quality of attaching others to us, and maintaining over them the ascendency of our character and ideas.

In the midst of all this progress along so many lines, the days of his apprenticeship in the Herald office came to an end. He was just twenty. With true Yankee enterprise and pluck, he proceeded to do for himself what for seven years he had helped to do for another—publish a newspaper. And with a brave heart the boy makes his launch on the uncertain sea of local journalism and becomes editor and publisher of a real, wide-awake sheet, which he calls the Free Press. The paper was independent in politics and proved worthy of its name during the six months that Garrison sat in the managerial chair. Here is the tone which the initial number of the paper holds to the public: "As to the political course of the Free Press, it shall be, in the widest sense of the term, independent. The publisher does not mean by this, to rank amongst those who are of everybody's and of nobody's opinion; ... nor one of whom the old French proverb says: Il ne soit sur quel pied danser. [He knows not on which leg to dance.] Its principles shall be open, magnanimous and free. It shall be subservient to no party or body of men; and neither the craven fear of loss, nor the threats of the disappointed, nor the influence of power, shall ever awe one single opinion into silence. Honest and fair discussion it will court; and its columns will be open to all temperate and intelligent communications emanating from whatever political source. In fine we will say with Cicero: 'Reason shall prevail with him more than popular opinion.' They who like this avowal may extend their encouragement; and if any feel dissatisfied with it, they must act accordingly. The publisher cannot condescend to solicit their support." This was admirable enough in its way, but it was poor journalism some will say. And without doubt when judged by the common commercial standard it was poor journalism. In this view it is a remarkable production, but in another aspect it is still more remarkable in that it took with absolute accuracy the measure of the man. As a mental likeness it is simply perfect. At no time during his later life did the picture cease to be an exact moral representation of his character. It seems quite unnecessary, therefore, to record that he proceeded immediately to demonstrate that it was no high sounding and insincere declaration. For in the second number, he mentions with that singular serenity, which ever distinguished him on such occasions, the discontinuance of the paper on account of matter contained in the first issue, by ten indignant subscribers. "Nevertheless," he adds, "our happiness at the loss of such subscribers is not a whit abated. We beg no man's patronage, and shall ever erase with the same cheerfulness that we insert the name of any individual.... Personal or political offence we shall studiously avoid—truth never." Here was plainly a wholly new species of the genus homo in the editorial seat. What, expect to make a newspaper pay and not beg for patronage? Why the very idea was enough to make newspaperdom go to pieces with laughter. Begging for patronage, howling for subscribers, cringing, crawling, changing color like the chameleon, howling for Barabbas or bellowing against Jesus, all these things must your newspaper do to prosper. On them verily hang the whole law and all the profits of modern journalism. This is what the devil of competition was doing in that world when William Lloyd Garrison entered it. It took him up into an exceedingly high mountain, we may be certain, and offered him wealth, position, and power, if he would do what all others were doing. And he would not. He went on editing and publishing his paper for six months regardful only of what his reason approved—regardless always of the disapproval of others. Not once did he palter with his convictions or juggle with his self-respect for the

Pages