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قراءة كتاب Life and Gabriella: The Story of a Woman's Courage

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‏اللغة: English
Life and Gabriella: The Story of a Woman's Courage

Life and Gabriella: The Story of a Woman's Courage

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دار النشر: Project Gutenberg
الصفحة رقم: 8

strength and vigour which suggested a gallant boy rather than the slighter and softer frame of a girl.

While she stood there, Gabriella thought regretfully of all that it would mean to give up her half-dependent and wholly ladylike existence and go to work in a shop. Necessity not choice was driving her; and in spirit she looked back almost wistfully to the securely circumscribed lot of her grandmother. For there was little of the rebel in her temperament; and had she been free to choose, she would have instinctively selected, guided by generations of gregarious ancestors, the festive girlhood which Cousin Pussy had so ardently described. She wanted passionately all the things that other girls had, and her only quarrel, indeed, with the sheltered life was that she couldn't afford it. In the expressive phrase of Cousin Jimmy, the sheltered life "cost money," and to cost money was to be beyond the eager grasp of Gabriella.

The door opened as if yielding under protest, and Marthy entered, still hurriedly tying the strings of the clean apron she had slipped on over her soiled one before answering the door-bell.

"Yo' beau done come, Miss Ella. Ain't you gwine?"

"No, I'm not going to the party, Marthy, but ask him to wait just a minute."

"He's settin' over yonder in de parlour wid his overcoat on."

"Well, ask him to take it off; I'll be there in a moment." She spoke as gravely as Marthy had done, yet in her face there was a light play of humour.

Two years ago she would have thrilled with joy at the thought that Arthur was waiting for her; but in those two years since her engagement she had grown to look upon her first love as the gossamer, fairylike romance of a child. For months she had known that the engagement must be broken sooner or later; and she knew now, while she listened to Marthy's shuffling feet hastening to deliver her message, that she must break it to-night. In the dim pool of her mirror a face looked back at her that was not the face of Arthur Peyton; she saw it take form there as one sees a face grow gradually into life from the dimness of dreams. It was, she told herself to-night, the very face of her dream that she saw.

"Well, I must get it over," she said with a sternness which gave her a passing resemblance to the Saint Memin portrait of the Reverend Bartholomew Berkeley; "I've got to get it over to-night, and whatever happens I've got to be honest." Then, with a last glance at the sleeping children, she lowered the gas, and went across the darkened hail, which smelt of pickles and bacon because one end of it was used as a storeroom.

The parlour had been swept since the family council had deliberated there over Jane's destiny. The scraps of cambric had been gathered up from the threadbare arabesques in the carpet; the chairs had been placed at respectable distances apart; the gas-jets in the chandelier were flaming extravagantly under the damaged garlands; and the sewing machine had been wheeled into the obscurity of the hail, for it would have humiliated Gabriella's mother to think that her daughter received young men in a room which looked as if somebody had worked there.

When Gabriella entered, Arthur Peyton was standing in front of the fireplace, gazing abstractedly at his reflection in the French mirror. Though his chestnut hair was carefully brushed, he had instinctively lifted his hand to smooth down an imaginary lock, and while he did this, he frowned slightly as if at a recollection that had ruffled his temper. His features were straight and very narrow, with the look of sensitiveness one associates with the thoroughbred, and the delicate texture of his skin emphasized this quality of high-breeding, which was the only thing that one remembered about him. In his light-gray eyes there was a sympathetic expression which invariably won the hearts of old ladies, and these old ladies were certain to say of him afterward, "such a gentleman, my dear—almost of the old school, you know, and we haven't many of them left in this hurrying age."

He had done well, though not brilliantly, at college, for his mind, if unoriginal, had never given anybody, not even his mother, the least bit of trouble. For three years he had worked with admirable regularity in the office of his uncle, Carter Peyton, one of the most distinguished lawyers in the Virginia of his period, and it was generally felt that young Arthur Peyton would have "a brilliant future." For the present, however, he lived an uneventful life with his widowed mother in a charming old house, surrounded by a walled garden, in Franklin Street. Like the house, he was always in perfect order; and everything about him, from his loosely fitting clothes and his immaculate linen to his inherited conceptions of life, was arranged with such exquisite precision that it was impossible to improve it in any way. He knew exactly what he thought, and he knew also his reason, which was usually a precedent in law or custom, for thinking as he did. His opinions, which were both active and abundant, were all perfectly legitimate descendants of tradition, and the phrase "nobody ever heard of such a thing," was quite as convincing to him as to Mrs. Carr or to Cousin Jimmy Wrenn.

"Gabriella, aren't you going?" he asked reproachfully as the girl entered.

"Oh, Arthur, we've had such a dreadful day! Poor Jane has left Charley for good and has come home, with all the children. We've been busy dividing them among us, and we're going to turn the dining-room into a nursery.

"Left Charley? That's bad, isn't it?" asked Arthur doubtfully.

"I feel so sorry for her, Arthur. It must be terrible to have love end like that."

"But she isn't to blame. Everybody knows that she has forgiven him again and again."

"Yes, everybody knows it," repeated Gabriella, as if she drew bitter comfort from the knowledge, "and she says now that she will never, never go back to him."

For the first time a shadow appeared in Arthur's clear eyes.

"Do you think she ought to make up her mind, darling, until she sees whether or not he will reform? After all, she is his wife."

"That's what mother says, and yet I believe Charley is the only person on earth mother really hates. Now Cousin Jimmy and I will do everything we can to keep her away from him."

"I think I shouldn't meddle if I were you, dearest. She'll probably go back to him in the end because of the children.

"But I am going to help her take care of the children," replied Gabriella stanchly. "Of course, my life will be entirely different now, Arthur," she added gently. "Everything is altered for me, too, since yesterday. I have thought it all over for hours, and I am going to try to get a place in Brandywine's store."

"In a store?" repeated Arthur slowly, and she saw the muscles of his mouth tighten and grow rigid.

"Mother doesn't like the idea any more than you do, but what are we to come to if we go on in the old aimless way? One can't make a living out of plain sewing, and though, of course, Charley will be supposed to provide for his children, he isn't exactly the sort one can count on. Brandywine's, you see, is only a beginning. What I mean is that I am obliged to learn how to support myself."

"But couldn't you work just as well in your home, darling?

"People don't pay anything for home work. You must see what I mean, Arthur."

"Yes, I see," he replied tenderly; but after a moment's thought, he went on again with the gentle obstinacy of a man whose thinking had all been done for him before he was born. "I wish, though, that you would try to hold out a little longer, working at home with your mother. In a year or two we shall be able to marry."

"I couldn't," said Gabriella, shaking her head. "Don't urge me, Arthur."

"If you would only consent to live with mother, we might marry now," he pursued, after a minute, as if he had not heard her.

"But it wouldn't be fair to her, and how could I ask her to take mother and Jane and the children? No, I've thought it all out,

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