قراءة كتاب Punch, or the London Charivari, Volume 1, November 13, 1841

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Punch, or the London Charivari, Volume 1, November 13, 1841

Punch, or the London Charivari, Volume 1, November 13, 1841

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the tailor Simmons as that fulminated by the Alderman. ARTHUR and PETER would, doubtless, have been of one accord, Simmons avowed himself to be starving. Now, in this happy land—in this better Arcadia—every man who wants food is proved by such want an idler or a drunkard. The victor of Waterloo—the tutelary wisdom of England’s counsels—has, in the solemnity of his Parliamentary authority, declared as much. Therefore it is most right that the lazy, profligate tailor, with a scar in his throat, should mount the revolving wheel for one month, to meditate upon the wisdom of Dukes and the judgments of Aldermen!

We no more thought of dedicating a whole page to one Sir PETER LAURIE, than the zoological Mr. CROSS would think of devoting an acre of his gardens to one ass, simply because it happened to be the largest known specimen of the species. But, without knowing it, Sir PETER has given a fine illustration of the besetting selfishness of the times. Had LAURIE been born to hide his ears in a coronet, he could not have more strongly displayed the social insensibility of the day. The prosperous saddler, and the wretched, woe-begone tailor, are admirable types of the giant arrogance that dominates—of the misery that suffers.

There is nothing more talked of with less consideration of its meaning and relative value than—Life. Has it not a thousand different definitions? Is it the same thing to two different men?

Ask the man of independent wealth and sound body to paint Life, and what a very pretty picture he will lay before you. He lives in another world—has, as Sir Anthony Absolute says, a sun and moon of his own—a realm of fairies, with attending sprites to perform his every compassable wish. To him life is a most musical monosyllable; making his heart dance, and thrilling every nerve with its so-potent harmony. Life—but especially his life—is, indeed, a sacred thing to him; and loud and deep are his praises of its miracles. Like the departed ROTHSCHILD, “he does not know a better;” certain we are, he is in no indecent haste to seek it.

Demand of the prosperous man of trade—of the man of funds, and houses, and land, acquired by successful projects—what is Life? He will try to call up a philosophic look, and passing his chin through his hand—(there is a brilliant on his little finger worth at least fifty guineas)—he will answer, “Life, sir—Life has its ups and downs; but taken altogether, for my part, I think a man a great sinner, a very great sinner, who doesn’t look upon life as a very pretty thing. But don’t let’s talk of such dry stuff—take off your glass—hang it!—no heel-taps.”

Ask another, whose whole soul, like a Ready Reckoner, is composed of figures,—what is Life? He, perhaps, will answer, “Why, sir, Life—if you insure at our office—is worth more than at any other establishment. We divide profits, and the rate of insurance decreases in proportion,” &c. &c.; and thus you will have Life valued, by the man who sees nothing in it but a privilege to get money, as the merest article of commercial stock.

Inquire of many an Alderman what is Life? He will tell you that it is a fine, dignified, full-bellied, purple-faced creature, in a furred and violet-coloured gown. “Life,” he will say, “always has its pleasures; but its day of great delight is the Ninth of November. Life, however, is especially agreeable in swan-hopping season, when white-bait abounds at Blackwall and Greenwich, and when the Lord Mayor gives his Easter-ball; and ‘keeps up the hospitalities of his high office.’” Not, however, that life is without its graver duties—its religious observations. Oh, no! it is the duty of well-to-do Life to punish starving men for forgetting its surpassing loveliness—it is a high obligation of Life to go to church in a carriage, and confess itself a miserable sinner—it is the duty of Life to read its bible; and then the Alderman, to show that he is well versed in the volume, quotes a passage—“when the voice of the turtle is heard in the land.”

Now ask the Paisley weaver what is Life? Bid the famine-stricken multitudes of Bolton to describe with their white lips the surpassing beauty of human existence. Can it be possible that the glorious presence—the beneficent genius that casts its blessings in the paths of other men—is such an ogre, a fiend, to the poor? Alas! is he not a daily tyrant, scourging with meanest wants—a creature that, with all its bounty to others, is to the poor and destitute more terrible than Death? Let Comfort paint a portrait of Life, and now Penury take the pencil. “Pooh! pooh!” cry the sage LAURIES of the world, looking at the two pictures—“that scoundrel Penury has drawn an infamous libel. That Life! with that withered face, sunken eye, and shrivelled lip; and what is worse, with a suicidal scar in its throat! That Life! The painter Penury is committed for a month as a rogue and vagabond. We shall look very narrowly into these cases.”

We agree with the profound Sir PETER LAURIE that it is a most wicked, a most foolish act of the poor man to end his misery by suicide. But we think there is a better remedy for such desperation than the tread-mill. The surest way for the rich and powerful of the world to make the poor man more careful of his life is to render it of greater value to him.

Q.


PUNCH’S PENCILLINGS.—No. XVIII.

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