قراءة كتاب Punch, or the London Charivari, Volume 152, April 4, 1917

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Punch, or the London Charivari, Volume 152, April 4, 1917

Punch, or the London Charivari, Volume 152, April 4, 1917

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دار النشر: Project Gutenberg
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if his voice were trained," suggested the lark.

Meanwhile the frog croaked away lustily, but no one listened to him. "The jury must vote by ballot," he said as he finished the last croak.

"Of course we must," twittered the jury.

The frog won by eight votes to two.

"I voted for the nightingale," whispered the crow to the toad.

"So did I," whispered the toad.


A LOSS.

For many reasons the passing of the poster is to be welcomed. For one thing, it robbed the papers themselves of that element of surprise which is one of life's few spices; for another, it added to life's many complexities by forcing the reader into a hunt through the columns which often ended in disappointment: in other words the poster's promise was not seldom greater than the paper's performance. Then, again, it was often offensive, as when it called for the impeachment of an effete "old gang," many of whose members had joined the perfect new; or redundant, as when it demanded twenty ropes where one would have sufficed.

But, even although the streets may be said to have been sweetened by the absence of posters, days will come, it must be remembered, when we shall badly miss them. It goes painfully to one's heart to think that the embargo, if it is ever lifted, will not be lifted in time for most of the events which we all most desire, events that clamour to be recorded in the large black type that for so many years Londoners have associated with fatefulness. Such as ("reading from left to right"):—

FALL
OF
METZ.
  STRASBURG
FRENCH
AGAIN.
  ALLIES
CROSS
THE
RHINE.
  FLIGHT
OF
CROWN
PRINCE.
   
 
RUSSIANS
NEARING
BERLIN.
 
 
 
 
BRITISH
AND
FRENCH
NEARING
BERLIN.
 
  REVOLUTION
IN
GERMANY.
  FALL
OF
BERLIN.
  THE
KAISER
A
CAPTIVE.
  VICTORY!
And Finally—
 
 
AMERICA
DECLARES
WAR.
 
 
  PEACE!

It will be hard to lose these.


FRITZ'S APOLOGIA.

Yes, war is horrible and hideous—

It jars upon my sense fastidious,

My "noble instincts," to decline

To actions that are not divine.

So, when I mutilate your pictures,

So far from meriting your strictures,

Compassion rather is my due

For doing what I hate to do.

It grieves my super-saintly soul

Even to smash a china bowl;

To carry off expensive clocks

My tender conscience sears and shocks;

I really don't enjoy at all

Hacking to bits a panelled hall,

Rare books with priceless bindings burning,

Or boudoirs into cesspools turning.

My heart invariably bleeds

When I'm engaged upon these deeds,

And teardrops of the largest size

Fall from my heav'n-aspiring eyes.

But, though my sorrow is unfeigned,

Still discipline must be maintained;

And, when the High Command says, "Smash,

Bedaub with filth, loot, hack and slash,"

I do it (much against the grain)

Because, though gentle and humane,

When dirty work is to be done

I always am a docile Hun.


"It is proposed to collect from Nottinghamshire householders bones and fat for the extraction of glycerine."—Christian World.

Poor "lambs"!


"Lady Companion Wanted, immediately, by young married woman; servant kept, and there are no children: applicant must be well educated, well read, well-bred, and of impeachable character."—Provincial Paper.

So as to give her employer something to talk about?


"'Baghdad' written large on the wall of the terminus in English and Arabic reminded them that they had arrived. In the booking office, now deserted, there had been a rush for tickets to Constantinople. The last train had gone out at 2 a.m. A supper officer discovered the way-bill."—Daily Paper.

A poor substitute if he was looking for the bill-of-fare.


From an Egyptian picture-palace programme:—

"Sensationing.           Dramatic.

MARINKA'S HEART.

Great drama, in 3 parts, of a poignancy interest,

assisting with anguish at the terrible

peripeties of a Young Girl, falling in hand, of

Bohemian bandits.

Pictures of this film are celicious, being taken

at fir trees and mountan's of the Alpes.—

Great success.

Comic.           Silly laughter."

The translator of the French original was probably justified in his rendering of "fou rire."


PROTESTS OF AN AMMUNITION MULE.

GET A MOVE ON! OH—GET A MOVE ON!
WHAT ON EARTH'S HE STOPPING FOR? Mule. "WHAT ON EARTH'S HE STOPPING FOR?
NOW WHAT'S THE TROUBLE? NOW WHAT'S THE TROUBLE?
WELL, OF ALL THE - WELL, OF ALL THE—
YOU WAIT FOR ME NOW HERE, HOLD ON—YOU WAIT FOR ME NOW. HANG THESE FLIES!".


ADMIRAL DUGOUT.

He had done with fleets and squadrons, with the restless roaming seas,

He had found the quiet haven he desired,

And he lay there to his moorings with the dignity and ease

Most becoming to Rear-Admirals (retired);

He was bred on "Spit and Polish"—he was reared to "Stick and String"—

All the things the ultra-moderns never name;

But a storm blew up to seaward, and it meant the Real Thing,

And he had to slip his cable when it came.

So he hied him up to London for to hang about Whitehall,

And he sat upon the steps there soon and late,

He importuned night and morning, he bombarded great and small,

From messengers to Ministers of State;

He was like a guilty conscience, he was like a ghost unlaid,

He was like a debt of which you can't get rid,

Till the Powers that Be, despairing, in a fit of temper said,

"For the Lord's sake give

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