he obeyed with alacrity; and in the warmth of the smoking-room revelled in the picture of his tame capitalist pacing a cold deck, lost to the sea's welter in thoughts of that marvellous last act.

But it was a first act which was engaging Peter Rolls's attention, and he, though the only male character in it (by choice), had to learn his part as he went on.

The play began by his joining the leading lady. (This has been done before, but seldom with such a lurch and on such sloping boards.)

It would have been a mockery to say "good evening" on a night so vile, and Mr. Rolls began by asking Miss Child if he might walk with her.

"

Or tango," said she. "This deck is teaching me some wonderful new steps."

"I wish you'd teach them to me," said Peter.

"I can't, but the ship can."

"Did you ever dance the tango?" he wanted to know.

"Yes. In another state of existence."

This silenced him for an instant. Then he skipped at least two speeches ahead, whither his thoughts had flown. "Say, Miss Child, I wish you'd tell me something about yourself."

"There isn't anything interesting to tell, thank you, Mr. Rolls."

"If that's your only reason, I think you might let me judge. Honestly, I don't want to intrude or be curious. But you're so different from the others."

"I know I'm not pretty. That's why I have to be so painfully sweet. I got the engagement only by a few extra inches. Luckily it isn't the face matters so much," she chattered on. "I thought it was. But it's legs; their being long; Mme. Nadine engages on that and your figure being right for the dresses of the year. So many pretty girls come in short or odd lengths, you find, when they have to be measured by the yard, at bargain price."

Peter laughed.

"You're not meant to laugh there," she said. "It's a solemn fact."

"But you always laugh."

"That's because I'm what you'd call 'up against' life. It gives me such a funny point of view."

"That's part of what I want to talk about. Please don't keep trying to turn the subject. Unless you think

I have no business seizing the first chance when I find you alone, to––"

"It isn't that," said Win. "I think you're very kind to take the slightest interest. But really there is nothing to tell. Just the usual sort of thing."

"It doesn't seem exactly usual to me for a girl about nineteen years old––"

"Twenty!"

"—to be leaving home alone and starting for a new country."

"Not alone. Mme. Nadine might be furious if she were spoken of as my chaperon; but she is, all the same. Not that an emigrant needs a chaperon."

"You an emigrant!"

"Well, what else am I?"

"I've been thinking of you as a dryad."

"A poor, drenched dryad, thousands of miles from her native woods. Do you know, my veil is soaked?"

"I'll get you a sou'wester hat to-morrow."

"Does the barber keep them as well as Balm of Gilead?"

"No, but my sister does. She keeps one. And she doesn't want it. I shall annex it."

"Oh! I couldn't take it!"

"If you don't, I'll throw it overboard."

"Were the chocolates hers?"

"Yes."

"And the books?"

"Some were mine. But not the ones Miss Devereux says are pretty. Look here, Miss Child, another thing she says is that you are not with Nadine as a permanence. What does that mean, if you don't much mind my asking?"

"

Not what you think. I'm not going to be discharged. I was engaged only for the voyage, to take the place of a prettier girl with still longer legs who fell through at the last moment—literally. She stepped into one of those gas-hole places in the street. And I stepped into her shoes—lucky shoes!—sort of seven-league ones, bringing me across the sea, all the way to New York free, for nothing. No! I hope not for nothing. I hope it is to make my fortune."

"I hope so, too," said Peter gravely. "Got any friends there besides me?"

"Thanks for putting it so, Mr. Balm of Gilead. Why, I've heard that everybody in America is ready to be a friend to lonely strangers!"

"I guess your informant was almost too much of an optimist. Couldn't you be serious for just a minute? You know, I feel quite well acquainted with you—and the others, of course. But they are different. And they are 'permanences' with Nadine. That's the kind of thing they're fit for. I don't worry about them, and I shan't worry about you, either, if you tell me you have friends or know what you are going to do when you land."

"I can't tell you that," Win answered in a changed tone, as if suddenly she were weary of trying to "frivol." "But I have hopes; and I have two letters of introduction and a respectable, recommended boarding-house and a little money left, so I really believe I shall be all right, thank you. My people thought my wanting to come showed 'my wild spirit,' so I'm anxious to prove as soon as I can—not to them any more, but to myself—that I can live my own life in a new world without coming to grief."

"

Why not prove to them any more?"

"Oh—because no one is going to care much. As I said, my native woods are far behind, and most of the trees are cut down. Not a dryad of the true dryad family left, and this one is practically forgotten already. Her niche was all grown over with new bark long ago, so it was more than time she ceased to haunt the place."

"I'm afraid you've had a great sorrow," said Peter.

"It was hardly big enough for that word—this thing that's sent me seeking my fortune—though it began with a sorrow long ago."

"Some one you loved died?" Peter had a simple, direct way of asking questions that led you on.

"My mother. When I was fourteen—not old enough to be of much use to my father and the baby brother. So my father had to get some one to be a kind of housekeeper and superior nurse. He's a clergyman. I don't look like a clergyman's daughter, perhaps—and he thought I didn't behave like one, especially after the housekeeper came. She's the kind who calls herself 'a lady housekeeper.' I don't know if you have them in America. She and I had rows—and that upset father. He didn't want to get rid of her because she managed things splendidly—him and the baby and the vicarage—and influential old ladies said she 'filled a difficult position satisfactorily.' So it was simpler to get rid of me. I went to boarding-school."

"Did you like that?"

"I loved it. After the first year I didn't go home even for the holidays. Often I visited—girls were nice to me. But I didn't make the most of my time—I'm furious with myself for that now. I learned nothing—nothing, really,

except the things I wanted to learn. And those are always the ones that are least useful."

"I found that, too," said Peter, "at Yale."

"It didn't matter for you. You have the Balm of Gilead."

"That's my father's."

"What's his is yours, I suppose."

"He says so. But—we all have our own trouble. Mine's not living up to my principles, or even knowing exactly what they are—being all in a turmoil. But it's yours I want to talk about."

"I've forbidden myself the word 'trouble.' It builds a wall. And I've just broken through my wall. I could have done it sooner and better if I'd learned more difficult things, that's all. When I wanted to do something for myself—why, I couldn't do a thing that was any good in a busy world. I'd had no training except for my voice."

"There! I thought you sounded as if you had a voice!"

"I thought so, too. But that was another of my mistakes."

"I bet it wasn't."

"You'd lose your money, Mr. Rolls. I spent most of mine before I found out. You see, my mother left a little. It wasn't to come to me till I was twenty-one, but all sorts of things happened. My father kept me at school till a year and a half ago because he didn't know what to do with me. Then