very bread was to-morrow's bread; but these marvellous creatures could not be supplied by the management as improvements or luxuries of any kind. Peter seemed to have opened a door into a crystal-walled world peopled entirely by dryads.

He thought of dryads, because in pictures, beings called by that name were taller, slimmer, more graceful, more beautiful, and had longer legs than young females of mortal breed. There were five of them (at least he believed there were five), and though it was eleven o'clock in the morning, they were dressed as if for the prince's ball

in the story of "Cinderella." Unless on the stage, Peter had never seen such dresses or such girls.

He heard himself gasp; and afterward, when he and a wave together had banged the door shut, he hoped that he had said: "I beg your pardon." He was so confused, however, that he was not at all sure he had not blurted out "Good Lord!"

For a moment he stood as still as the sea would let him in front of the door, burning to open it again and see if the girls were really there. But, of course, he could not do that. He would have been almost inclined to believe they were wax figures if they had not moved, but they had moved.

They had been—sprawling is not a word to use in connection with dryads—yet certainly reclining, in easy chairs and on sofas, and had started up as the door opened to stare at him. One had laughed. Peter had shut the door on her laugh. He had brought away a vague impression that chairs, sofas, and carpet were pale gray, and that the dryads' dresses of wonderful tints, sparkling with gold and silver and jewels, had been brilliant as tropical flowers against the neutral background. Also, when he came to think of it, he wasn't sure that the walls were not mostly made of mirrors. That was why he could not be certain whether he had seen five dryads or five times five.

"The dryad door," he apostrophized it romantically, keeping his balance by standing with his feet apart, as old men stand before a fire. It was a very ordinary-looking door, and that made the romance for Peter in giving it such a name—just a white-painted door, so new

that it smelled slightly of varnish—yet behind it lay dreamland.

Of course Peter Rolls knew that the tall, incredibly lovely beings were not dryads and not dreams, although they wore low necks, and pearls and diamonds in their wonderful, waved hair, at eleven o'clock of a stormy morning on board an Atlantic liner. Still, he was blessed if he could think what they were, and what they were doing in that room of mirrors without any furniture which he could recall, except a very large screen, a few chairs, and a sofa or two.

The next best thing to the forbidden one—opening the door again to ask the beings point-blank whether they were pipe dreams or just mermaids—was to go on to the gymnasium and inquire there. Toward this end young Mr. Rolls (as he was respectfully called in a business house never mentioned by his sister) immediately took steps. But taking steps was as far as he got. Suddenly it seemed a deed you could not do, to demand of an imitation-camel's attendant why five young ladies wore evening dress in the morning in a room three doors away.

After all, why should a camel attendant dare to know anything about them? Perhaps they were merely amusing themselves and each other by trying on all their gladdest clothes. There might be girls who would think this a good way to kill time in a storm. Yes, conceivably there might be such girls, just as there might be sea serpents; but, though Peter Rolls was too shy to have learned much about the female of his species, the explanation did not appeal to his reason.

His mind would persist in making a mystery of the

mirror-walled room with its five dazzling occupants, and even the bumpings of the imitation camel could not jerk out of his head speculations which played around the dryad door. He was as curious as Fatima herself, and with somewhat the same curiosity; for, except that in one case the beautiful ladies had their heads, and in the other had lost them, there was a hint of resemblance between the two mysteries.

Peter Rolls wondered whether he would like to ask his sister Ena if she knew the visions, or even if, being a woman, she could form any theory to account for them. It would be interesting to see what she would say; but then, unless she were too seasick, she would probably laugh, and perhaps tell Lord Raygan.

As for the visions themselves, only one had spirit enough left in her to be able to laugh at being thought a dryad or a mystery. She alone of the five would have known what "dryad" means. And she could always laugh, no matter how miserable or how sick she was.

That day she was very sick indeed. They were all very sick, but she could not help seeing, at her worst, that it was funny.

"For heaven's sake, what are you giggling at?" snapped the longest, slimmest, most abnormal dryad, diaphanously draped in yellow, when she could gasp out an intelligible sentence after an exhausting bout of agony.

"Us," said the girl who could always laugh, a vision in silver.

"Us? I don't see anything funny about us!" groaned a tall dream in crimson and purple.

"Funny! I should think not!" snorted a fantasy in emerald.

"

It makes me worse to hear you laugh," squealed a radiance in rose.

"I wish we were all dead, especially Miss Child," snarled the last of the five, a symphony in black and all conceivable shades of blue. Because of this combination, the Miss Child in question had named her the "Bruise."

"Sorry! I'll try not to laugh again till the sea goes down," Miss Child apologized. "I wasn't laughing at any of you exactly, it was more the whole situation: us, dressed like stars of the Russian ballet and sick as dogs, pearls in our hair and basins in our hands, looking like queens and feeling like dolls with our stuffing gone."

"Don't speak of stuffing. It makes me think of sage and onions," quavered the tallest queen.

"Ugh!" they all groaned, except Winifred Child, who was to blame for starting the subject. "Ugh! Oh! Ugh!"

When they were better they lay back on their sofas, or leaned back in their chairs, their beautiful—or meant to be beautiful—faces pale, their eyes shut. And it was at this moment that Peter Rolls burst open the door.

As he had observed, the waxlike figures moved, sat upright, and stared. This sudden disturbance of brain balance made them all giddy, but the surprise of seeing a man, not a steward, at the door, was so great that for a moment or two it acted as a tonic. Nothing dreadful happened to any one of the five until after the smooth black head had been withdrawn and the door closed.

"A man!" breathed Miss Devereux, the abnormally tall girl in yellow chiffon over gold gauze.

"Yes, dear. I wonder what he wanted?" sighed Miss Carroll, the girl in rose.

The one in green was Miss Tyndale, the one in black and blue Miss Vedrine, all very becoming labels; and if they had Christian names of equal distinction to match, the alien known at home simply as "Win" had never heard them. They called each other Miss Devereux, Miss Carroll, Miss Tyndale, and Miss Vedrine, or else "dear."

"I wish we could think he wanted to see us!" remarked Miss Tyndale.

"I hope he didn't notice the basins," added Miss Vedrine

"I think we hid them with our trains," said Miss Carroll.

"Was he nice looking?" Miss Vedrine had courage to ask. She had wonderful red hair, only a little darker at the roots, and long, straight black eyelashes. A few of these had come off on her cheeks, but they were not noticeable at a distance.

"I don't know, I'm sure, dear," replied Miss Devereux, a fawn-eyed brunette, who was nearest the door. "There wasn't time to see. I just thought: 'Good heavens! have we got to parade?' Then, 'No, thank goodness, it's a man!' And he was gone."

"What should we do