grazing, and sought the house of his friends. The house was dark and the doors were fastened. He knocked, and a startling echo, an audible darkness, came from the valley. He knocked again, and a voice cried from the street:

"Who's that?"

"Helloa, is that you, my boy?"

There was no answer, but a figure rushed through the darkness, seized DeGolyer, and in a hoarse whisper said:

"Come where there's a light."

"Why, what's the matter, Henry?"

"Come where there's a light."

DeGolyer followed him to a wretched place that bore the name of a public-house, and went with him into a room. A lamp sputtered on a shelf. Young Sawyer caught DeGolyer's hands.

"I have waited so long for you to come back to this dreadful place. I am all alone. Uncle is dead."

DeGolyer sat down without saying a word. He sat in silence, and then he asked:

"When did he die?"

"About two weeks after you left."

"Did he kill himself?"

"Good God, no! Why did you think that?"

"Oh, I didn't really think it—don't know why I said it."

"He was sick only a few days, and the strangest thing has come to light! He seemed to know before he was taken sick that he was going to die, and he spent nearly a whole day in writing—writing something for me—and the strangest thing has come to light. I can hardly realize it. Here it is; read it. Don't say a word till you have read every line of it. Strangest thing I ever heard of."

And this is what DeGolyer read by the light of the sputtering lamp:

"Years ago there lived in Salem, Mass., two brothers, George and Andrew Witherspoon. Their parents had passed away when the boys were quite young, but the youngsters had managed to get a fair start in life. Without ado let me say that I am Andrew Witherspoon. My brother and I were of different temperaments. He had graces of mind, but was essentially a business man. I prided myself that I was born to be a thinker. I worshiped Emerson. I know now that a man who would willingly become a thinker is a fool. When I was twenty-three—and George nearly twenty-one—I fell in love with Caroline Springer. There was just enough of poetry in my nature to throw me into a devotion that was almost wild in its intensity, and after my first meeting with her I knew no peace. The chill of fear and the fever of confidence came alternating day by day, and months passed ere I had the strength of nerve to declare myself; but at last the opportunity and the courage came together. I was accepted. She said that if I had great love her love might be measured by my own, and that if I did not think that I could love her always she would go away and end her days in grief. The wedding day was appointed. But when I went to claim my bride she was gone—gone with my brother George. To-day, an old man, I look back upon that time and see myself raving on the very brink of madness. I had known that George was acquainted with Caroline Springer—indeed, I had proudly introduced him to her. I will tell my story, though, and not discourse. But it is hard for an old man to be straightforward. If he has read much he is discursive, and if he has not read he is tedious with many words. I didn't leave Salem at once. I met George, and he did not even attempt to apologize for the wrong he had done me. He repeated the fool saying that all is fair in love. 'You ought to be glad that you discovered her lack of love in time,' he said. This was consolation, surely. My mind may never have been well-balanced, and I think that at this time it tilted over to one side, never to tilt back. And now my love, trampled in the mire, arose in the form of an evil determination. I would do my brother and his wife an injury that could not be repaired. I did not wish them dead; I wanted them to live and be miserable. A year passed, and a boy was born. I left my native town and went west. I lived there nearly three years, and then I sent to a Kansas newspaper an account of my death. It was printed, and I sent my brother a marked copy of the paper. Two weeks later I was in Salem. I wore a beard, kept myself close, and no one recognized me. I waited for an opportunity. It came, and I stole my brother's boy. I went to Boston, to Europe, back to America; lived here and there, and you know the rest. My dear boy, I repented somewhat, and it was my intention, at some time, to restore you to your parents, but you yourself were their enemy; you crept into my heart and I could not pluck you out. For a time the story of your mysterious disappearance filled the newspapers. You were found in a hundred towns, year after year, and when your sensation had run its course, you became the joke of the paragraphers. It was no longer, 'Who struck Billy Patterson?" but 'Who stole Henry Witherspoon?' Once I saw your father in New Orleans. He had come to identify his boy; but he went away with another consignment added to his large stock of disappointment. Finally all hope was apparently abandoned and even the newspapers ceased to find you.

"Your father and mother now live in Chicago. George Witherspoon is one of the great merchants of that city, and is more than a millionaire. This is why I have so often told you that one day you would be worth money. You were young and could afford to wait; I was old, and to me the present was everything, and you were the present.

"For some time I have been threatened with sudden death; I have felt it at night when you were asleep; and now I have written a confession which for years I irresolutely put aside from day to day. I charge you to bury me as Andrew Witherspoon, for in the grave I hope to be myself, with nothing to hide. Write at once to your father, and after settling up my affairs, which I urge you not to neglect, you can go to him. In the commercial world a high place awaits you, and though I have done you a great wrong, I hope that your recollection of my deep love for you may soften your resentment and attune your young heart to the sweet melody of forgiveness.

"ANDREW WITHERSPOON."

DeGolyer folded the paper, returned it to Henry and sat in silence. He looked at the smoking lamp and listened to the barking of the hungry dogs.

"What do you think, Hank?"

"I don't know what to think."

"But ain't it the strangest thing you ever heard of?"

"Yes, it is strange, and yet not so strange to me. It is simply the sequel to a well-known story. In the streets of New Orleans, years ago, when I could scarcely carry a bundle of newspapers, I cried your name. The story was getting old then, for I remember that the people paid but little attention to it."

They sat for a time in silence. Young Witherspoon spoke, but DeGolyer did not answer him. They heard a guitar and a Spanish love song.

"Yes, it is strange," said DeGolyer, coming hack from a wandering reverie. "It is strange that I should be here with you;" and under a quickening of his newspaper instincts, he added, "and I shall have the writing of it."

"But wait awhile before you let your mind ran on on that, Hank. I don't want to be described and talked about so much. I know it can't be kept out of the papers, but we'll discuss that after a while. Now, let me tell you what I've done. I wrote to—to—father—don't that sound strange? I wrote to him and sent him a copy of uncle's paper—I would have sent the original, but I wanted to show that to you. I also sent a note that mother—there it is again—wrote to uncle a long time ago, and a lock of hair and some other little tricks. I told him to write to me, and here's his letter. It came nearly four weeks ago. And think, Hank, I've got a sister—grown and handsome, too, I'll bet."

Ecstasy had almost made the letter incoherent. It was written first by one and then another hand, with frequent interchanges; and DeGolyer; who fancied that he could pick character oat of the marks of a pen, thought that a mother's heart had overflowed and that a hard, commercial hand had cramped itself to a strange employment—the expression of affection. The father deplored