FAMOUS MODERN GHOST STORIES

SELECTED, WITH AN INTRODUCTION

BY

DOROTHY SCARBOROUGH, Ph.D.

LECTURER IN ENGLISH, COLUMBIA UNIVERSITY
AUTHOR OF THE SUPERNATURAL IN MODERN ENGLISH FICTION, FUGITIVE VERSES, FROM A SOUTHERN PORCH, ETC.
COMPILER OF HUMOROUS GHOST STORIES

G.P. PUTNAM'S SONS
NEW YORK AND LONDON
The Knickerbocker Press

1921

Printed in the United States of America

To

ASHLEY HORACE THORNDIKE, Litt. D.
Professor of English, Columbia University

who guided my earlier studies in the supernatural

CONTENTS

• Introduction: The Imperishable Ghost
• The Willows
  
  • By Algernon Blackwood
• The Shadows on the Wall
  
  • By Mary E. Wilkins Freeman
• The Messenger
  
  • By Robert W. Chambers
• Lazarus
  
  • By Leonid Andreyev
• The Beast with Five Fingers
  
  • By W. F. Harvey
• The Mass of Shadows
  
  • By Anatole France
• What Was It?
  
  • By Fitz-James O'Brien
• The Middle Toe of the Right Foot
  
  • By Ambrose Bierce
• The Shell of Sense
  
  • By Olivia Howard Dunbar
• The Woman at Seven Brothers
  
  • By Wilbur Daniel Steele
• At the Gate
  
  • By Myla Jo Closser
• Ligeia
  
  • By Edgar Allan Poe
• The Haunted Orchard
  
  • By Richard Le Gallienne
• The Bowmen
  
  • By Arthur Machen
• A Ghost
  
  • By Guy de Maupassant

The Imperishable Ghost

INTRODUCTION

Ghosts are the true immortals, and the dead grow more alive all the time. Wraiths have a greater vitality to-day than ever before. They are far more numerous than at any time in the past, and people are more interested in them. There are persons that claim to be acquainted with specific spirits, to speak with them, to carry on correspondence with them, and even some who insist that they are private secretaries to the dead. Others of us mortals, more reserved, are content to keep such distance as we may from even the shadow of a shade. But there's no getting away from ghosts nowadays, for even if you shut your eyes to them in actual life, you stumble over them in the books you read, you see them on the stage and on the screen, and you hear them on the lecture platform. Even a Lodge in any vast wilderness would have the company of spirits. Man's love for the supernatural, which is one of the most natural things about him, was never more marked than at present. You may go a-ghosting in any company to-day, and all aspects of literature, novels, short stories, poetry, and drama alike, reflect the shadeless spirit. The latest census of the haunting world shows a vast increase in population, which might be explained on various grounds.

Life is so inconveniently complex nowadays, what with income taxes and other visitations of government, that it is hard for us to have the added risk of wraiths, but there's no escaping. Many persons of to-day are in the same mental state as one Mr. Boggs, told of in a magazine story, a rural gentleman who was agitated over spectral visitants. He had once talked at a séance with a speaker who claimed to be the spirit of his brother, Wesley Boggs, but who conversed only on blue suspenders, a subject not of vital interest to Wesley in the flesh. "Still," Mr. Boggs reflected, "I'm not so darn sure!" In answer to a suggestion regarding subliminal consciousness and dual personality as explanation of the strange things that come bolting into life, he said, "It's crawly any way you look at it. Ghosts inside you are as bad as ghosts outside you." There are others to-day who are "not so darn sure!"

One may conjecture divers reasons for this multitude of ghosts in late literature. Perhaps spooks are like small boys that rush to fires, unwilling to miss anything, and craving new sensations. And we mortals read about them to get vicarious thrills through the safe medium of fiction. The war made sensationalists of us all, and the drab everydayness of mortal life bores us. Man's imagination, always bigger than his environment, overleaps the barriers of time and space and claims all worlds as eminent domain, so that literature, which he has the power to create, as he cannot create his material surroundings, possesses a dramatic intensity, an epic sweep, unknown in actuality. In the last analysis, man is as great as his daydreams—or his nightmares!

Ghosts have always haunted literature, and doubtless always will. Specters seem never to wear out or to die, but renew their tissue both of person and of raiment, in marvelous fashion, so that their number increases with a Malthusian relentlessness. We of to-day have the ghosts that haunted our ancestors, as well as our own modern revenants, and there's no earthly use trying to banish or exorcise them by such a simple thing as disbelief in them. Schopenhauer asserts that a belief in ghosts is