bright—relentlessly bright, with a determined, irrelevant cheerfulness which no considerations of appropriateness could check and it was necessary to have "something to say for yourself" which in Miss Wilcox's hands, meant a series of pert tu quoques of the "you're another" variety. Her two other axioms, "Don't let them see that you care for them" and "feed the beasts," were alas! never put to the test as no man had ever considered the possibility of being loved by Miss Wilcox and the feeding stage had, in consequence, never been reached.

Nevertheless, in defence of her theses, Miss Wilcox was rough-toughed in public, while in private, she studied recipes and articles on cooking. As hope gradually began to give way to experience, Miss Wilcox came to the conclusion that she frightened men off. They regarded her, she imagined, as cold and indifferent and unapproachable. "I don't cheapen myself," she would say, forgetting her conservatory days. In her heart of hearts, she imagined herself in humble surrender, laying her strong personality at the feet of a still stronger one and being gently lifted up on to a pedestal. It was curious, she thought, that her wonderful, unique gift of tenderness should go unperceived. But how is one to show that one is tender? It is so difficult for a maiden lady, living alone. She saw visions of a huge man with whimsical, smiling eyes, who after seeing her two or three times would call at her cottage. He would stand in the door and simply say, "Ellen," and she would put her head on his shoulder and cry gently while he stroked her hair. "Does my loving you make you sad, little one?" he would say, and she would answer, "No, no, they are tears of happiness."

Miss Wilcox thought it would be delightful to be called "little one." And then, rather nervously and tremulously, she would murmur, "I am afraid I am not very beautiful," and he would laugh a deep, joyous laugh and say, "To me, you are the most beautiful woman in the world."

But it never happened. Even the chinless curate, whose voice without consonants gave the effect of an intoning bumble-bee, never took advantage of her suggestions (frequently repeated) that he should drop in to tea.

She tried to learn lawn-tennis and chess, but driving a ball into a net and studying problems in the Sunday papers becomes very monotonous. It was extraordinary how little provision life seemed to have made for superior people with fastidious tastes, whereas an empty head and a pretty face conquers the world! Miss Wilcox was very proud of the epigram, "empty heads and pretty faces." She used it frequently, more in sorrow than in anger. Vera was an excellent example. She was incapable of "conducting a conversation," she never read a book, but simply because her eyes sparkled and somehow or other, she always reminded you of a Shepperson drawing, she was invariably surrounded by a host of adorers. She was indifferent to the axioms, "boys will be boys" and "gentlemen are different." In her philosophy, "girls would be boys" and the difference between the sexes was simply one of what you might and might not do.

"A positive savage," Miss Wilcox would explain and then, "You should be more womanly, dear; men like a womanly woman." And Vera's eyes would sparkle maliciously, for men undoubtedly did like Vera.

I do not know at what moment in life, if ever, we realise that we are neither George Sands nor Juliets. Of course, if we are not beautiful, we recognise early that beauty is nothing. What are features? The only thing that matters is to have charm and expression. Then comes that horrible gnawing doubt of our own magnetism. Is it possible that, though we are not lovely, we are not irresistible either? That we will have to go through life belonging neither to the triumphantly beautiful nor to the triumphantly ugly? Miss Wilcox knew that she was not exactly clever. But after all, what is prettiness and "men don't like clever women." So she consoled herself with the thought that though her manner "permitted no liberties," the warm tenderness of her true nature must be apparent to the really discerning.

Poor Miss Wilcox! She had tried brightness and common-sense, Milton and lawn-tennis, the arch and the aloof. She would have liked to have been seductive and a little wicked, but she had found it easier to be dignified and very good. Easier but no more satisfactory. Evidently charm was a strange, mysterious thing, for which there was no recipe. A dangerous force governing many things and subject to no law.

Every one was kind to Miss Wilcox. Lady Mary (Vera's mother) was always asking her to picnics and lawn-tennis, parties and festivities of all sorts. On these occasions, Sir Harry invariably chaffed her about the curate, little knowing that his foolish jokes were a source of exquisite and almost guilty pleasure to her. Was it, she wondered, altogether fair to let him think that Mr. Simpson loved her? But she did enjoy it so much, the nervous agonising sense of expectancy and then the sudden hot blush. "Their little secret," Sir Harry called it and though, of course, it was very wicked of her to let him continue under a misapprehension, it was so difficult to clear the matter up, as, the more she protested, the more confused she became, the more he was bound to think that there was something in it.

Poor Miss Wilcox, battling with her conscience when Mr. Simpson's passion was an invention of Vera's to whom old maids and curates were simply stage properties. Vera with her long legs and her laughing eyes and her happy, unimaginative youth—how was she to know that the Simpsons of life stand for romance and mystery and longings unachieved? To some people the impossible is impossible. One fine day they wake up in the morning knowing that they will never hold the moon in their hands and with the certainty, perfect peace descends on them.

Miss Wilcox was not like that. She couldn't settle down to decorating the church and organising village entertainments. She woke up every morning sure that something was going to happen and went to bed every night dissatisfied in proportion to her confidence.

And then, quite close together, two things did happen. Miss Wilcox was left a small fortune and Vera became engaged to be married.

The wedding, of course, was a great dramatic event. The preparations engulfed everybody. What flowers should the triumphal arches be made of and were the fair or the dark bridesmaids to be considered in the bridesmaids' dresses? Miss Wilcox gave her advice freely and tied cards on to presents but she felt unaccountably depressed. This, of course, was because dear little Vera whom she had known since a child, whom she had loved as a child, was leaving them and plunging into this strange, unknown adventure. What an uncertain thing marriage, what an elusive thing happiness! At nights she would dream of white satin figures shrouded in white tulle veils, of shy, passionate bridegrooms and shy, radiant brides. Sometimes she would see Vera's face and sometimes her own and often in the morning, she would find her pillow wet. "It will be you and Simpson next," Sir Harry teased her. But somehow the remark no longer pleased her and she no longer blushed.

And then, one day she couldn't bear it any more. Without saying a word to any one she went to London. A thick orange fog greeted her, a wonderful, mysterious fog, creating immense prehistoric silhouettes, a fog which freed you from old accustomed sights and sounds so that your individuality seemed at last to be released and to belong exclusively to you.

Gratefully Miss Wilcox accepted this gift of privacy. London belonged to her, there were no prying eyes. Slowly she walked along the pavement peering into shop windows. It was difficult to see anything. At last she distinguished a blur of gold and jewels. She walked on and then back again. She stood still. Her heart was in her mouth. Resolutely she pushed the door open. The brightness blinded her, the sudden warmth made her feel dizzy. Weakly she sat on a chair. A sympathetic salesman asked