half buried in elder trees.

In the window hung a small placard—"Rooms to let." She knocked at the door, which was opened by a kindly-looking elderly woman.

"You have rooms to let?" said the faint, low voice. "I want two."

Then followed a few words as to terms, etc., and the transaction was concluded.

"Shall my son fetch your luggage?" asked the landlady, Mrs. Hirste.

"I have no luggage," she replied; then seeing something like a doubtful expression on the kindly face, she added; "I will pay you a month's money in advance."

That was quite satisfactory. Mrs. Hirste led the way to a pretty little parlor, which she showed with no little pride.

"This is the other room," she said, throwing open the door of a pretty white chamber. "And now, is there anything I can get for you?"

"No," replied the strange, weak voice. "I will ask when I want anything; for the present I only desire to be alone."

Mrs. Hirste withdrew, and her lodger immediately locked the door. Then she threw off the gray cloak and thick veil.

"I am alone," she said—"alone and safe. Oh, if my wretched life be worth gratitude, thank God! thank God!"

She repeated the words with a burst of hysterical weeping. She knelt by the little white bed and buried her face in her hands. Deep, bitter sobs shook her whole frame; from her white lips came a low moan that betokened anguish too great for words. Then, when the passion of grief had subsided and she was exhausted, she rose and stood erect. Then one saw how superbly beautiful she was, although her face was stained with tears.

She was still young, not more than three-and-twenty; her figure was of rarest symmetry; when the great world knew her it had been accustomed to say that her figure resembled that of the celebrated Diana for the Louvre; there was the marvelous, free-spirited grace and matchless perfection.

She had the face and head of a young queen, a face of peerless beauty; a white, broad brow that might have worn a crown; eyes of the dark hue of the violets, with long fringes that rested on a cheek perfect in shape and color; brows straight, like those of a Greek goddess; lips sweet and proud—they were white now, and quivering, but the beauty of the mouth was unchanged.

So she stood in all the splendor of her grand loveliness. There is over her whole figure and face that indescribable something which tells that she is wife and mother both, that look of completed life.

The hands, so tightly clasped, are white and slender. There is no attribute of womanly loveliness that does not belong to her.

After a time she went to the window. Great crimson roses, wet with dew, and odorous woodbine peeped in as she opened it. The night-wind was heavy with the perfume of the sleeping flowers, the golden stars were shining in the sky, and she raised her pale, lovely face to the radiant heavens.

"My God!" she prayed, "take pity on me, and before I realize what has happened, let me die!"

"Let me die!" No other prayer went from her lips, although she sat there from sunset until the early dawn of the new day flushed in the glorious eastern skies.

While she sits there, with that despairing prayer rising from the depths of her despairing heart, we will tell the story of Marian Arleigh's penance.

CHAPTER II.

"You cannot be cruel. You cannot think it is wrong to meet me. My whole life, with everything in it, belongs to you. If you told me to lie down here and die at your feet, I should do so and smile. Why do you say it is wrong, Marion?"

A lovely, child-like face was raised to the speaker.

"I do not know. I have a vague idea that anything requiring secrecy must be wrong. Is it not so?"

He laughed.

"No, sweet. What would the great diplomatists of the world say to such a theory? Rather try to believe that what is stolen is sweet."

She smiled, but the anxious expression still lingered on her lovely young face. He noticed it.

"As a rule, Marion, you are quite right. Concealments are odious. But there are exceptions—this is one—I love you; but I am only a poor artist, struggling to make a name. You, sweet, are rich and beautiful. From your high estate you smile upon me as a queen might smile on a subject. You are a true heroine. You are content 'to lose the world for love.'"

"I am content," said the girl, with a little sigh of supreme happiness; "but I wish it were all open and straightforward. I wish you would go to my guardian and tell him you love me. Then tell Miss Carleton. Indeed, she would not be angry."

"Do you know what would happen if I did as you advise, Marion?" he asked.

"Nothing would happen," she replied; "and they would be pleased to see me happy."

"You have to learn some of the world's lessons yet," he said. "If I were to go to Lord Ridsdale and say to him, 'My Lord, I love your ward and she loves me,' do you know what he would do?"

"No," she replied, slowly.

"He would send for you at once, and take such measures as would prevent me from ever seeing you again. If I were to tell him, Marion, we should be parted forever. Could you bear that, darling?"

"No," she replied, "I could not, Allan. If you think so, we—we will keep our secret a little longer."

"Thank you," he said, gratefully, kissing the little white hand clasped in his. "I knew you would not be cruel, Marion. You are so heroic and grand—so unlike other girls; you would not darken my solitary life for an absurd scruple—you would not refuse to see me, when the sight of you is the only sunbeam that cheers my life."

The beautiful face brightened at his words.

"You will write to me, Marion—and, darling, my heart lives on your words—they are ever present with me. When I read one of your letters it seems to me your voice is whispering, and that whisper makes the only music that cheers my day. Tell me in your letters once, and once again, that you will be my wife, that you will love me, and never care for any one else."

"I have told you so," she said; "but if the words please you, I will tell you over and over again, as you say. You know I love you, Allan."

"I know you are an angel!" cried the young man. "In all the wide world there is none like you."

Then he clasped the little white hands more tightly in his own, and whispered sweet words to her that brought a bright flush to her face and a love light to her eyes. She drooped her head with the coy, pretty shyness of a bird, listening to words that seemed to her all poetry and music.

It was a pretty love scene. The lovers stood at the end of an old-fashioned orchard; the fruit hung ripe on the trees—golden-brown pears and purple plums, the grass under foot was thick and soft, the sun had set, the dew was falling, and the birds had gone to rest.

The girl, standing under the trees, with downcast, blushing face and bright, clear eyes, was lovely as a poet's dream. She was not more than seventeen, and looked both young and childlike for that age. She had a face fair as a summer's morning, radiant with youth and happiness. Greuze might have painted her and immortalized her. She had a delicate color that was like the faint flush one sees inside a rose. She had eyes of the same beautiful blue as the purple heartsease, and great masses of golden-brown hair that fell in rich waves on her neck and shoulders.

She was patrician from the crown of her dainty head to the little feet; the slender, girlish figure was full of grace and symmetry, the white, rounded throat and beautiful shoulders were fit models for a sculptor. She had pretty white hands, with a soft, rose-leaf flush on the fingers. She was a lovely girl, fair, high-bred and elegant, and she gave promise of a most superb and magnificent womanhood. Such was Marion Arleigh on this June evening. The young man by her side was handsome after a certain style; the impression his face left upon every one was that he was not to be