effect, as the revels went on as usual.

Besides being a poet, Morpheus was conducting Leo's education. Undertaken in the common way, this might have interfered with the delicate modes of thought required for the production of poems, but the Lazybones were never without ingenuity. Morpheus so arranged matters that Leo could study without damage to his father's poems. The books were marked for a month's study, and Leo's recitations consisted of a written essay which was to comprise all the knowledge acquired in that time. Thus writing and spelling were included, and made to do duty for the higher flights of his mind.

I do not tell how often Leo made his returns, neither do I mention how many papers Morpheus found no time to examine, but I may urge that Leo's out-door exercise demanded much attention, and that his father's excursions in Dream-land were equally exacting. But Leo, though he hated books, did not hate information. He knew every feathered thing by name as far as he could see it. He knew every oak and pine and fir and nut tree as a familiar friend. He knew every rivulet, every ravine, every rabbit-burrow. The streams seemed to him as melodious as the song-birds, and the winds had voices. He knew where to find the first blossom of spring and the latest of autumn, the ripest fruit and most abundant vines. He could tell just where the nests were and the number of eggs, whether of the robin or the waterfowl. He knew the sunniest bank and shadiest dell, the smoothest path, with its carpet of pine-needles and fringe of fern, or the roughest crag and darkest abyss. He could read the clouds like an open page, and predict fine weather or the coming storm. He knew where the deer couched and where they came to drink, and when the fawns would leave their mothers, and no trout was too cunning for him.

But he did not know the use of a rifle. He had all sorts of lures for the creatures he wanted to tame, but no ways of killing them. For why should he kill them? There was always food enough; he was seldom hungry, and these were his friends. He liked to look them in the eyes; he liked to win them to him, soothe their fears if they had any, and then watch their pretty joy when their liberty was regained. And how could he have done this if their blood had been upon his hands? How could he have quieted the throbbing little hearts if murder had been in his own?

Thus Leo spent his time, delightfully and innocently. If life were only a summer's day! But already winter was approaching. Discontent was brewing on the estate. Taxes were unpaid; tenants were grumbling at high rents; laborers were threatening and their wives complaining.

Frequently, in the very midst of composing a poem, Morpheus would be called to adjust a difficulty, settle a dispute, or revise an account. This so disturbed his delicate nerves that illness, or the appearance of it, was sure to follow. He would then take to his bed, refuse all but a little spiced wine, allowing no coarse food to pass his lips, and strive to remember the beautiful words of which he had intended to make verses; but, alas! the words had flown, as well as the ideas which had suggested them, like so many giddy little butterflies.

CHAPTER II

The monastery had been a grand old pile in its day; it was not one simple building, but a cluster of habitations which had grown with the growth and resources of the order which founded it. Like all feudal structures it had its means of defence—its moat and drawbridge, its tower of observation, and in its heavy gates and thick walls loop-holes and embrasures for weapons.

But grass grew now in the moat and birds nested in the embrasures, while Leo's dogs bounded through chapel and refectory and cloister, parts of the latter being converted into a stable.

Many of the walls had tumbled in hopeless confusion, but those of the buildings yet in use had carved buttresses and mullioned windows, on which much skill had been displayed.

Leo knew, or thought he knew, every nook and cranny of his home, for when it rained, or heavy fogs hung threateningly about, his rambles were confined to the various quarters of the monastery.

On such days the stone floors and bare walls were very inhospitable, but he would sometimes find a new passage to loiter in or a window-ledge to loll over and look from as he watched the rain drip from the carved nose of an ugly old monk whose head adorned the water-spout.

I don't know whether it ever occurred to Leo that this world is a busy one. The very persistence of the pouring rain might have suggested it, as well as the beehives down in the kitchen court, where some of his many friends were storing their winter provision, for bees as well as birds were familiar to him; but he had the true Lazybones instinct of not following a thought too far, and so he looked and lolled and yawned, wishing for fine weather, for a new lining to his ragged old coat, or soles to his slipshod shoes, but never once supposing that any effort of his own could gain them.

When it was cold the kitchen was apt to be his resort. It was a long and low apartment on the ground-floor, and its wide fireplace, with stone settle beside the hooks and cranes for pots and kettles, had doubtless been as cheery a corner for the old monks to warm their toes after a

foraging expedition as it was for Leo, who liked to smell the savory stews.

On the day of which I write the rain had fallen incessantly, and Leo had been more than usually disturbed by it, for cold and dreary though it was, the servants had turned him out of the kitchen. They would not have him there.

"Idle, worthless fellow!" said the cook; "he lolls about as a spy upon us, to repeat to the master every word he hears."

This was quite untrue and unjust, for Leo rarely conversed with his father, and seldom saw him since Morpheus took his meals as well as his woes to bed with him, as he had done at the present moment.

But the household was in revolt; the uneasiness from outside had crept within, and there was quarrelling among the servants.

"What shall I do?" said Leo to himself. "The rain is too heavy, or I would go out in it; but I have no place to get dry when I become soaked, and I can't go to bed in the daytime, as my father does. I wonder what he'd say if I went to him? Probably this: 'You have given wings to the finest of rhymes, and spoiled the

turn of an exquisite verse; now, sir, what atonement can you make for so great an injury? It's the world's loss, remember.' That's the way it always is when I disturb him. Heigh-ho! what a dull day!"

"A very dull day indeed, your highness."

Leo started, his yawn ending abruptly, and he turned more quickly than he had ever done in his life towards the sound which saluted him. Surely he had been alone. Who ever came to this corridor? He looked up and down its dingy length, but saw no one. He must have been mistaken. Then he listened. The wind swept wailing through its accustomed approaches; shutters and windows shook with the blast, but no footfall was to be heard. He turned to the diamond-paned lattice, and again watched the drops trickling from the nose of the water-spout. No one had spoken. Again he yawned prodigiously, but brought his jaws together with a snap which might have damaged his teeth; for, to his great surprise, a voice said,

"I think I could amuse you."

"And pray who are you?" asked Leo, feeling very queer, and as if he were talking to himself.

"That is of little consequence, so long as I do what I have proposed," was the reply.

"Very true," said Leo; "but I never before heard of a ghost in the daytime."

"I am no ghost, your highness; I'd scorn to be such a useless thing."

"What are you, then, and where are you?"

"You will find out what I am after a while; and as to where I am, why, I am