beauty-loving temper of the Italian Renaissance. "Spenser is superior to his subject," says Taine, "comprehends it fully, frames it with a view to the end, in order to impress upon it the proper mark of his soul and his genius. Each story is modified with respect to another, and all with respect to a certain effect which is being worked out. Thus a beauty issues from this harmony,—the beauty in the poet's heart,—which his whole work strives to express; a noble and yet a laughing beauty, made up of moral elevation and sensuous seductions, English in sentiment, Italian in externals, chivalric in subject, modern in its perfection, representing a unique and admirable epoch, the appearance of paganism in a Christian race, and the worship of form by an imagination of the North."

CHRONOLOGICAL TABLE