flower-plots and stretches of comfortable vegetables in front and on each side of it; flower plots and vegetable borders, by the way, on which it was almost death to set foot, and about which we held a curious belief,—namely, that my grandfather went round and measured any footprints that he saw, to compare the measurement at night with the boots put out for brushing; to avoid which we were accustomed, by a strategic movement of the foot to make the mark longer....

"So much for the garden; now follow me into the house. On entering the door you had before you a stone paved lobby.... There stood a case of foreign birds, two or three marble deities from India and a lily of the Nile in a pot, and at the far end the stairs shut in the view. With how many games of 'tig' or brick-building in the forenoon is the long low dining room connected in my mind! The storeroom was a most voluptuous place, with its piles of biscuit boxes and spice tins, the rack for buttered eggs, the little window that let in the sunshine and the flickering shadows of leaves, and the strong sweet odor of everything that pleaseth the taste of men....

"Opposite the study was the parlor, a small room crammed full of furniture and covered with portraits, with a cabinet at the side full of foreign curiosities, and a sort of anatomical trophy on the top. During a grand cleaning of the apartment I remember all the furniture was ranged on a circular grass plot between the churchyard and the house. It was a lovely still summer evening, and I stayed out, climbing among the chairs and sofas. Falling on a large bone or skull, I asked what it was. Part of an albatross, auntie told me. 'What is an albatross?' I asked, and then she described to me this great bird nearly as big as a house, that you saw out miles away from any land, sleeping above the vast and desolate ocean. She told me that the Ancient Mariner was all about one; and quoted with great verve (she had a duster in her hand, I recollect)—

'With my crossbow
I shot the albatross.'

... Willie had a crossbow, but up to this date I had never envied him its possession. After this, however, it became one of the objects of my life."

With many playmates, free to roam and romp as he chose, his illness forgotten, it is no wonder he says he felt as if he led two lives, one belonging to Edinburgh and one to the country, and that Colinton ever remained an enchanted spot to which it was always hard to say good-by.

CHAPTER III

THE LANTERN BEARER

"Perhaps there lives some dreamy boy, untaught
In school, some graduate of the field or street,
Who shall become a master of the art,
An admiral sailing the high seas of thought,
Fearless and first, and steering with his fleet
For lands not yet laid down on any chart."

—LONGFELLOW.

School days began for Louis in 1859, but were continually interrupted by illness, travel, and change of school. His father did not believe in forcing him to study; so he roamed through school according to his own sweet will, attending classes where he cared to, interesting himself in the subjects that appealed to him—Latin, French, and mathematics—neglecting the others and bringing home no prizes, to Cummie's distress.

Certain books were his prime favorites at this time. "Robinson Crusoe," he says, "and some of the books of Mayne Reid and a book called Paul Blake—Swiss Family Robinson also. At these I played, conjured up their scenes and delighted to hear them rehearsed to seventy times seven.

"My father's library was a spot of some austerity; the proceedings of learned societies, cyclopædias, physical science and above all, optics held the chief place upon the shelves, and it was only in holes and corners that anything legible existed as if by accident. Parents' Assistant, Rob Roy, Waverley and Guy Mannering, Pilgrim's Progress, Voyages of Capt. Woods Rogers, Ainsworth's Tower of London and four old volumes of Punch—these were among the chief exceptions.

"In these latter which made for years the chief of my diet, I very early fell in love (almost as soon as I could spell) with the Snob Papers. I knew them almost by heart ... and I remember my surprise when I found long afterward that they were famous, and signed with a famous name; to me, as I read and admired them, they were the works of Mr. Punch."

Two old Bibles interested him particularly. They had belonged to his grandfather Stevenson and contained many marked passages and notes telling how they had been read aboard lighthouse tenders and on tours of inspection among the islands.

After he was thirteen his health was greatly improved and he was able to enjoy the comradeship of other lads, though he never cared greatly for sports. He was the leader of a number of boys who used to go about playing tricks on the neighbors—"tapping on their windows after nightfall, and all manner of wild freaks."

"Crusoing" was a favorite game and its name stood for all picnicking in the open air, building bonfires and cooking apples, but the crowning sport of all was "Lantern Bearing," a game invented by himself and shared by a dozen of his cronies.

"Toward the end of September," he says, "when school time was drawing near and the nights were already black, we would begin to sally from our respective villas, each equipped with a tin bull's-eye lantern.... We wore them buckled to the waist upon a cricket belt, and over them, such was the rigor of the game, a buttoned top-coat. They smelled noxiously of blistered tin; they never burned aright, though they would always burn our fingers; their use was naught; the pleasure of them merely fanciful; and yet a boy with a bull's-eye under his top-coat asked for nothing more.

"When two of these asses met there would be an anxious, 'Have you your lantern?' and a gratified 'Yes,' That was the shibboleth, and a very needful one too; for as it was the rule to keep our glory contained, none could recognize a lantern-bearer, unless like a polecat, by the smell.

"The essence of this bliss was to walk by yourself in the black night, the slide shut, the top-coat buttoned, not a ray escaping whether to conduct your footsteps or make your glory public, a mere pillar of darkness in the dark, and all the while, deep down in the privacy of your fool's heart, to know you had a bull's-eye at your belt and exult and sing over the knowledge."

In later years one of the Lantern Bearers describes Louis as he was then. "A slender, long legged boy in pepper and salt tweeds, with an undescribable influence that forced us to include him in our play as a looker on, critic and slave driver.... No one had the remotest intention of competing with R.L.S. in story making, and his tales, had we known it, were such as the world would listen to in silence and wonder."

At home and at his last school he was always starting magazines. The stories were illustrated with much color and the magazines circulated among the boys for a penny a reading. One was called The Sunbeam Magazine, an illustrated miscellany of fact, fiction, and fun, and another The School Boy Magazine. The latter contained four stories and its readers must have been hard to satisfy if they did not have their fill of horrors—"regular crawlers," Louis called them. In the first tale, "The Adventures of Jan Van Steen," the hero is left hidden in a boiler under which a fire is lit. The second is a "Ghost Story" of robbers in a deserted castle.... The third is called, "by curious anticipation of a story he was to write later on, 'The Wreckers.'"

Numerous plays and novels he began but they eventually found their fate in the trash basket. An exception to this was a small green pamphlet of twenty pages called "The Pentland Rising, a page of history, 1666." It was published through his father's interest on the