sliced tomatoes with sprigs of green parsley, fresh butter, fresh cream, a great slab of heavenly cake, a wicker basket of Elberta peaches, rain-cooled, odorous, delicious, and a pot of steaming coffee. On the edge of the tray was a cluster of rain-washed roses.

"No," Alicia doubted, "this is not true: it can't be!—Sophy, do you see it, too?"

He motioned her to take the tray; and his ear-rings swung, and all his bracelets set up a silver tinkling. An automobile honked outside in the street shut off by our garden trees, and a dog barked. Our jinnee cocked a cautious head and a listening ear, thrust the tray upon Alicia, and with inconceivable swiftness vanished around a corner.

"Let's hurry and eat it before it, too, takes to its heels," said Alicia, practically. Without further ado we dragged forward a small table, and fell to. Aladdin probably tasted fare like that, the first time he rubbed the magic lamp.

When we had polished the last chicken bone, and had that comfortable feeling that nothing can give so thoroughly as a good meal, Alicia carefully examined the china and silver.

"Old blue-and-white English china; English silver initialed 'R.H.G.' Sophy, handle this prayerfully: it's an apostle spoon. Think of having a jinnee fetch you your coffee, and of stirring it with an apostle spoon."

She spoke reverently. Alicia is the sort who flattens her nose against antique-shop windows, and would go without dessert for a month of Sundays and trudge afoot to save carfare, if thereby she might buy an old print, or a bit of pottery; just as I am content to admire the print or the pottery in the shop window, feeling sure that when they are finally sold to somebody better able to buy them, something else I can admire just as much will take their place. Mine is a philosophy not altogether to be despised, though Alicia rejects it. She handled the blue-and-white ware with tender hands, laid the silver together, and set the tray upon the window-ledge. Then, on a leaf of my pocket memorandum—she never carries one of her own—she scribbled the following absurdity and pinned it to the linen cover:

Ariel, accept the gratitude of mortals set down hungry in the house of Sycorax. Gay and kind spirit, when we broke your bread you broke her spell: the wishbone of your chicken has cooked her goose! Maker of Music, Donator of Dinners, thanks!

"And now," said she, "having been serenaded, and satisfied with nothing short of perfection, let's go up-stairs, Sophy, and decide where we shall sleep to-night."

We chose the front room because of a gate-legged table that Alicia wanted to say her prayers beside, and because of the particularly fine portrait of a colonial gentleman above the mantel, a very handsome man in claret-colored satin, with a vest of flowered gold brocade, a gold-hilted sword upon which his fine fingers rested, and a pair of silk-stockinged legs of which he seemed complacently aware.

"I wish you weren't dead," Alicia told him regretfully. "Your taste in clothes is above all praise, though I fancy you were somewhat too vain of your legs, sir. I never knew before that men had legs like that, did you, Sophy?"

"I take no pleasure in the legs of a man." I quoted the Psalmist acridly enough.

"Don't pay any attention to Sophy," Alicia advised the portrait, naughtily. "Just to prove how much we both admire you, you shall have Ariel's roses." She had brought them up-stairs with us, and now she walked over to the mantel to place them beneath the picture.

"Why!" exclaimed Alicia, "why!" and she held up nothing more remarkable than a package of cigarettes, evidently left there recently, for it was not dusty.

"I dare say Judge Gatchell forgot it, when he was looking over the house. That reminds me: the silver you admired so much was marked 'G.' Then, in all probability, Judge Gatchell sent us that spread, and very thoughtful it was of him, I must say."

"Rheumatic old judges don't smoke superfine cigarettes, Sophy, nor send black tray-bearers in terra-cotta robes out on rainy days for the entertainment of strange ladies. No: this is something, or somebody, young. But since when did Ariel take to tobacco?"

"Let's go down-stairs," I suggested, "and wait for that old darky, if he is a real darky and ever means to return." I did not fancy those big forlorn rooms, with their great beds that didn't seem made for people to sleep and dream in, but to stay awake and worry over their sins—and then die in.

The down-stairs halls had grown darker, and the rain came down in a gray sheet, so that the open window seemed a hole cut into it. The tray we had left on the window-ledge was gone. In its place was nothing more romantic than a freshly filled and trimmed kerosene lamp, two candles, and a box of matches.

When our Jehu finally returned he rummaged out some firewood from the sooty kitchen and built us a fire in the hall. He was a pleasant old negro, garrulous and kindly, by name Adam King, or, as he informed us, "Unc' Adam" to all Hyndsville folks.

"Uncle Adam," Alicia asked, while he was drying himself before the blazing logs, "Uncle Adam, who's the violinist around here?"

Uncle Adam looked at the Yankee lady a bit doubtfully. The old fellow was slightly deaf, but he would have died rather than admit it.

"Wellum," he told us, "since ol' Mis' Scarlett's gone, folks does say de doctor is. Dat's 'cause ob de Hynds' blood in 'im. All dem Hyndses was natchelly de violentest kind o' pussons, an' Doctor, he ain't behin' de do'." He rubbed his hands and chuckled. "Lawd, yes! I know de Doctor, man an' boy, an' he suttinly rips an' ta'hs when he's riled! You ought ter seen 'im de day ol' Mis' Scarlett let fly wid 'er shot-gun an' blowed de tails spang off'n two of 'is hens an' de haid off'n 'is prize rooster! De fowls come thoo' de haidge, an' ol' Mis' grab 'er gun an' blaze away. De Doctor hear de squallation, an' come flyin' outer de office an' right ovah de haidge. I 'uz totin' fiahwood fo' ol' Mis' dat day, an' I drap een de bushes; it ain't no place fo' sensible niggahs when white folks grab shot-guns. Doctor see me an' holler: 'Adam! git outer dem bushes, you ol' fool! You my witness what dis hellion's done to my fowls!'

"Ol' Mis' Scarlett she s'anter ter de winder wid 'er gun sort o' hangin' loose, an' holler: 'Adam! Come outer dem bushes 'fo' I pickle yo' hide! You my witness ob dis ruffian trispassin' on my prop'ty an' cussin' an' seducin' a ol' woman widout 'er consent,' she says. 'Has I retched my age,' says ol' Mis' Scarlett, 'to have his fowls ruinin' my gyardin', an' him whut's a dunghill rooster himself flyin' ovah my fences unbeknownst?'

"'If there evah was a leather-hided ol' hen ripe foh roastin' on Beelzebub's own griddle, it's you, you gallows ol' witch!' says Doctor, shakin' 'is fist up at her.

"'Aha! I got a plain case!' says ol' Mis', grim-like. 'I'll have a warrant out foh you dis day, Geddes, you owdacious villyum!'

"And she done it. Yas'm. An' dey done sont de shariff atter me for witness, all two bofe o' dem."

"Well, and what did you do?" I asked, curiously. I was getting a side-light on Great-Aunt Sophronisba.

"Me? I got on muh knees an' wrastled wid de speret," said Uncle Adam. "I done tuck mah troubles to de Lawd, whichin He 'bleeged ter know I cyant deal wid ol' Mis' Scarlett an' de Doctor. Missis, I prayed!"

"Oh! And what happened then?"

The old man looked around him, cautiously, and lowered his voice: "Wellum, Mis' Scarlett she tuck an' went an' up an' died. Yessum! She done daid. An' next thing we-all heah, she 'd went an' lef de Hynds place to youna, 'stead ob de Doctor, or dat furriner."

"She had Hynds relatives, then? I didn't know."

"Wellum, de Doctor an' ol' Mis' Scarlett wuz cousins. Dat's how come dey could fight so powerful. Ain't you nevah had no relations to fight wid, ma'ams?"

We explained, regretfully, that we hadn't.

"Den you ain't nevah knowed, an' you ain't nevah gwine