conventional surface, and that he cherished an inarticulate longing for heroic and splendid deeds. The war had left him with a nervous malady which he had never entirely overcome; and this increased both his romantic dissatisfaction with his life and his inability to make a sustained effort to change it.

The sky had faded swiftly to pale orange; the distant buildings appeared to swim toward him in the silver air; and the naked trees barred the white slopes with violet shadows. In the topmost branches of an old sycamore the thinnest fragment of a new moon hung trembling like a luminous thread. The twilight was intensely still, and the noises of the city fell with a metallic sound on his ears, as if a multitude of bells were ringing about him. While he walked on past the bald outline of the restored and enlarged Capitol, this imaginary concert grew gradually fainter, until he heard above it presently the sudden closing of a window in the Governor's mansion—as the old gray house was called.

Pausing abruptly, the young man frowned as his eyes fell on the charming Georgian front, which presided like a serene and spacious memory over the modern utilitarian purpose that was devastating the Square. Alone in its separate plot, broad, low, and hospitable, the house stood there divided and withdrawn from the restless progress and the age of concrete—a modest reminder of the centuries when men had built well because they had time, before they built, to stop and think and remember. The arrested dignity of the past seemed to the young man to hover above the old mansion within its setting of box hedges and leafless lilac shrubs and snow-laden magnolia trees. He saw the house contrasted against the crude surroundings of the improved and disfigured Square, and against the house, attended by all its stately traditions, he saw the threatening figure of Gideon Vetch. "So it has come to this," he thought resentfully, with his gaze on the doorway where a round yellow globe was shining. Ragged frost-coated branches framed the sloping roof, and the white columns of the square side porches emerged from the black crags of magnolia trees. In the centre of the circular drive, invaded by concrete, a white heron poured a stream of melting ice from a distorted throat.

The shutters were not closed at the lower windows, and the firelight flickered between the short curtains of some brownish muslin. As Stephen passed the gate on his way down the hill, a figure crossed one of the windows, and his frown deepened as he recognized, or imagined that he recognized, the shadow of Gideon Vetch.

"Gideon Vetch!" At the sound of the name the young man threw back his head and laughed softly. A Gideon Vetch was Governor of Virginia! Here also, he told himself, half humorously, half bitterly, democracy had won. Here also the destroying idea had triumphed. In sight of the bronze Washington, this Gideon Vetch, one of "the poor white trash," born in a circus tent, so people said, the demagogue of demagogues in Stephen's opinion—this Gideon Vetch had become Governor of Virginia! Yet the placid course of Stephen's life flowed on precisely as it had flowed ever since he could remember, and the dramatic hand of Washington had not fallen. It was still so recent; it had come about so unexpectedly, that people—at least the people the young man knew and esteemed—were still trying to explain how it had happened. The old party had been sleeping, of course; it had grown too confident, some said too corpulent; and it had slept on peacefully, in spite of the stirring strength of the labour leaders, in spite of the threatening coalition of the new factions, in spite even of the swift revolt against the stubborn forces of habit, of tradition, of overweening authority. His mother, he knew, held the world war responsible; but then his mother was so constituted that she was obliged to blame somebody or something for whatever happened. Yet others, he admitted, as well as his mother, held the war responsible for Gideon Vetch—as if the great struggle had cast him out in some gigantic cataclysm, as if it had broken through the once solid ground of established order, and had released into the world all the explosive gases of disintegration, of destruction.

For himself, the young man reflected now, he had always thought otherwise. It was a period, he felt, of humbug radicalism, of windbag eloquence; yet he possessed both wit and discernment enough to see that, though ideas might explode in empty talk, still it took ideas to make the sort of explosion that was deafening one's ears. All the flat formula of the centuries could not produce a single Gideon Vetch. Such men were part of the changing world; they answered not to reasoned argument, but to the loud crash of breaking idols. Stephen hated Vetch with all his heart, but he acknowledged him. He did not try to evade the man's tremendous veracity, his integrity of being, his inevitableness. An inherent intellectual honesty compelled Stephen to admit that, "the demagogue", as he called him, had his appropriate place in the age that produced him—that he existed rather as an outlet for political tendencies than as the product of international violence. He was more than a theatrical attitude—a torrent of words. Even a free country—and Stephen thought sentimentally of America as "a free country"—must have its tyrannies of opinion, and consequently its rebels against current convictions. In the older countries he had imagined that it might be possible to hold with the hare and run with the hounds; but in the land of opportunity for all there was less reason to be astonished when the hunted turned at last into the hunter. Where every boy was taught that he might some day be President, why should one stand amazed when the ambitious son of a circus rider became Governor of Virginia? After all, a fair field and no favours was the best that the most conservative of politicians—the best that even John Benham could ask.

Yes, there was a cause, there was a reason for the miracle of disorder, or it would not have happened. The hour had called forth the man; but the man had been there awaiting the strokes, listening, listening, with his ear to the wind. It had been a triumph of personality, one of those rare dramatic occasions when the right man and the appointed time come together. This the young man admitted candidly in the very moment when he told himself that he detested the demagogue and all his works. A man who consistently made his bid for the support of the radical element! Who stirred up the forces of discontent because he could harness them to his chariot! A man who was born in a circus tent, and who still performed in public the tricks of a mountebank! That this man had power, Stephen granted ungrudgingly; but it was power over the undisciplined, the half-educated, the mentally untrained. It was power, as John Benham had once remarked with a touch of hyperbole, over empty stomachs.

There were persons in Stephen's intimate circle (there are such persons even in the most conservative communities) who contended that Vetch was in his way a rude genius. Judge Horatio Lancaster Page, for instance, insisted that the Governor had a charm of his own, that, "he wasn't half bad to look at if you caught him smiling," that he could even reason "like one of us," if you granted him his premise. After the open debate between Vetch and Benham—the great John Benham, hero of war and peace, and tireless labourer in the vineyard of public service—after this memorable discussion, Judge Horatio Lancaster Page had remarked, in his mild, unpolemical tone, that "though John had undoubtedly carried off the flowers of rhetoric, there was a good deal of wholesome green stuff about that fellow Vetch." But everybody knew that a man with a comical habit of mind could not be right.

Again the figure crossed the firelight between the muslin curtains, and to Stephen Culpeper, standing alone in the snow outside, that large impending presence embodied all that he and his kind had hated and feared for generations. It