and twitter confidingly above your head; and the Maryland yellow-throat, flitting through the bushes like a little gleam of sunlight, calls "witchery, witchery, witchery!" That plaintive, forsaken, persistent note, never ceasing, even in the noonday silence, comes from the wood-pewee, drooping upon the bough of some high tree, and complaining, like Mariana in the moated grange, "weary, weary, weary!"

When the stream runs out into the old clearing, or down through the pasture, you find other and livelier birds,—the robins, with his sharp, saucy call and breathless, merry warble; the bluebird, with his notes of pure gladness, and the oriole, with his wild, flexible whistle; the chewink, bustling about in the thicket, talking to his sweetheart in French, "cherie, cherie!" and the song-sparrow, perched on his favourite limb of a young maple, dose beside the water, and singing happily, through sunshine and through rain. This is the true bird of the brook, after all: the winged spirit of cheerfulness and contentment, the patron saint of little rivers, the fisherman's friend. He seems to enter into your sport with his good wishes, and for an hour at a time, while you are trying every fly in your book, from a black gnat to a white miller, to entice the crafty old trout at the foot of the meadow-pool, the song-sparrow, close above you, will be chanting patience and encouragement. And when at last success crowns your endeavour, and the parti-coloured prize is glittering in your net, the bird on the bough breaks out in an ecstasy of congratulation: "catch 'im, catch 'im, catch 'im; oh, what a pretty fellow! sweet!"

There are other birds that seem to have a very different temper. The blue-jay sits high up in the withered-pine tree, bobbing up and down, and calling to his mate in a tone of affected sweetness, "salute-her, salute-her," but when you come in sight he flies away with a harsh cry of "thief, thief, thief!" The kingfisher, ruffling his crest in solitary pride on the end of a dead branch, darts down the stream at your approach, winding up his red angrily as if he despised you for interrupting his fishing. And the cat-bird, that sang so charmingly while she thought herself unobserved, now tries to scare you away by screaming "snake, snake!"

As evening draws near, and the light beneath the trees grows yellower, and the air is full of filmy insects out for their last dance, the voice of the little river becomes louder and more distinct. The true poets have often noticed this apparent increase in the sound of flowing waters at nightfall. Gray, in one of his letters, speaks of "hearing the murmur of many waters not audible in the daytime." Wordsworth repeats the same thought almost in the same words:

And Tennyson, in the valley of Cauteretz, tells of the river

It is in this mystical hour that you will hear the most celestial and entrancing of all bird-notes, the songs of the thrushes,—the hermit, and the wood-thrush, and the veery. Sometimes, but not often, you will see the singers. I remember once, at the close of a beautiful day's fishing on the Swiftwater, I came out, just after sunset, into a little open space in an elbow of the stream. It was still early spring, and the leaves were tiny. On the top of a small sumac, not thirty feet away from me, sat a veery. I could see the pointed spots upon his breast, the swelling of his white throat, and the sparkle of his eyes, as he poured his whole heart into a long liquid chant, the clear notes rising and falling, echoing and interlacing in endless curves of sound,

Other bird-songs can be translated into words, but not this. There is no interpretation. It is music,—as Sidney Lanier defines it,—

But it is not only to the real life of birds and flowers that the little rivers introduce you. They lead you often into familiarity with human nature in undress, rejoicing in the liberty of old clothes, or of none at all. People do not mince along the banks of streams in patent-leather shoes or crepitating silks. Corduroy and home-spun and flannel are the stuffs that suit this region; and the frequenters of these paths go their natural gaits, in calf-skin or rubber boots, or bare-footed. The girdle of conventionality is laid aside, and the skirts rise with the spirits.

A stream that flows through a country of upland farms will show you many a pretty bit of genre painting. Here is the laundry-pool at the foot of the kitchen garden, and the tubs are set upon a few planks close to the water, and the farmer's daughters, with bare arms and gowns tucked up, are wringing out the clothes. Do you remember what happened to Ralph Peden in The Lilac Sunbonnet when he came on a scene like this? He tumbled at once into love with Winsome Charteris,—and far over his head.

And what a pleasant thing it is to see a little country lad riding one of the plough-horses to water, thumping his naked heels against the ribs of his stolid steed, and pulling hard on the halter as if it were the bridle of Bucephalus! Or perhaps it is a riotous company of boys that have come down to the old swimming-hole, and are now splashing and gambolling through the water like a drove of white seals very much sun-burned. You had hoped to catch a goodly trout in that hole, but what of that? The sight of a harmless hour of mirth is better than a fish, any day.

Possibly you will overtake another fisherman on the stream. It may be one of those fabulous countrymen, with long cedar poles and bed-cord lines, who are commonly reported to catch such enormous strings of fish, but who rarely, so far as my observation goes, do anything more than fill their pockets with fingerlings. The trained angler, who uses the finest tackle, and drops his fly on the water as accurately as Henry James places a word in a story, is the man who takes the most and the largest fish in the long run. Perhaps the fisherman ahead of you is such an one,—a man whom you have known in town as a lawyer or a doctor, a merchant or a preacher, going about his business in the hideous respectability of a high silk hat and a long black coat. How good it is to see him now in the freedom of a flannel shirt and a broad-brimmed gray felt with flies stuck around the band.

In Professor John Wilson's Essays Critical and Imaginative, there is a brilliant description of a bishop fishing, which I am sure is drawn from the life: "Thus a bishop, sans wig and petticoat, in a hairy cap, black jacket, corduroy breeches and leathern leggins, creel on back and rod in hand, sallying from his palace, impatient to reach a famous salmon-cast ere the sun leave his cloud, . . . appears not only a pillar of his church, but of his kind, and in such a costume is manifestly on the high road to Canterbury and the Kingdom-Come." I have had the good luck to see quite a number of bishops, parochial and diocesan, in that style, and the vision has always dissolved my doubts in regard to the validity of their claim to the true apostolic succession.

Men's "little ways" are usually more interesting, and often more instructive than their grand manners. When they are off guard, they frequently show to better advantage than when they are on parade. I get more pleasure out of Boswell's Johnson than I do out of Rasselas or The Rambler. The Little Flowers of St. Francis appear to me far more precious than the most learned German and French analyses of his character. There is a passage in Jonathan Edwards' Personal Narrative, about a certain walk that he took in the fields near his father's house, and the blossoming of the flowers in the spring, which I would not exchange for the whole of