play?" he said in a voice as wonderful as the smile. By that time I had reefed in my ruffles around my feet and pushed in all my hairpins. Billy stood spread-legged as near in front of me as he could get and said in the rudest possible tone of voice:

"Get away from my Molly, man!"

I never was so mortified in all my life and I scrambled to my feet and came over to the fence to get between him and Billy.

"It's a lovely day, isn't it, Judge Wade?" I asked with the greatest interest, which I didn't really feel, in the weather; but what could I think of to say? A woman is apt to keep the image of a good many of the grand men she sees passing around her in queer niches in her brain, and when one steps out and speaks to her for the first time it is confusing. Of course I have known the judge and his mother all my life, for she is one of Aunt Adeline's best friends, but I had a feeling from the look in his eyes that that very minute was the first time he had ever seen me. It was lovely and I blushed some more as I put my hand up to my cheek so I wouldn't have to look right at him.

"About the loveliest day that ever happened in Hillsboro," he said, and there was still more of the delicious smile, "though I hadn't noticed it so especially until—"

But I never knew what he had intended to say, for Billy suddenly swelled up like a little turkey-cock and cut out with his switch at the judge.

"Git, man, git, and let my Molly alone!" he said, in a perfect thundertone of voice; but I almost laughed, for it had such a sound in it like Doctor John's at his most positive times with Billy and me.

"No, no, Billy, the judge is just looking over the fence at our flowers! Don't you want to give him a rose?" I hurried to say as the smile died out of Judge Wade's face and he looked at Billy intently.

"How like John Moore the youngster is," he said, and his voice was so cold to Billy that it hurt me, and I was afraid Billy would notice it. Coldness in people's voices always makes me feel just like ice-cream tastes. But Billy's answer was still more rude.

"You better go, man, before I bring my father to sic our dog on you," he exploded, and before I could stop him his thin little legs went trundling down the garden path toward home.

Then the judge and I both laughed. We couldn't help it. When two people laugh straight into each other's eyes something feels dangerous and you get closer together. The judge leaned farther over the fence and I went a little nearer before I knew it.

"You don't need to keep a personal dog, do you, Mrs. Carter?" he asked, with a twinkle that might have been a spark in his eyes, and just at that moment another awful thing happened. Aunt Adeline came out on the front porch and said in the most frozen tone of voice:

"Mary, I wish to speak to you in the house," and then walked back through the front door without even looking in Judge Wade's direction, though he had waved his hat with one of his mother's own smiles when he had seen her before I did. One of my most impossible habits is, when there is nothing else to do I laugh. I did it then and it saved the day, for we both laughed into each others eyes a second time, and before we realized it we were within whispering distance.

"No, I don't—don't—need any dog," I said softly, hardly glancing out from under my lashes because I was afraid to risk looking straight at him again so soon. I could fairly feel Aunt Adeline's eyes boring into my back.

"It would take the hydra-headed monster of—may I bring my mother to call on you and the—Mrs. Henderson?" he asked and poured the wonder smile all over me. Again I almost caught my breath.

"I do wish you would, Aunt Adeline is so fond of Mrs. Wade!" I said in a positive flutter that I hope he didn't see, but I am afraid he did, for he hesitated as if he wanted to say something to calm me, then bowed mercifully and went on down the street. He didn't put on the hat he had held in his hand all the while he stood by the fence until he had looked back and bowed again. Then I felt still more fluttered as I went into the house, but I received the third cold plunge of the day when I reached the front hall.

"Mary," said Aunt Adeline in a voice that sounded as if it had been buried and never resurrected, "if you are going to continue in such an unseemly course of conduct I hope you will remove your mourning, which is an empty mockery and an insult to my own widowhood."

"Yes, Aunt Adeline, I'll go take it off this very minute," I heard myself answer her airily to my own astonishment. I might have known that if I ever got one of those smiles it would go to my head! Without another word I sailed into my room and closed the door softly.

I wonder if God could have realized what a tender thing He was leaving exposed to life in the garden of the world after He had finished making a woman? Traditionally, we are created out of rose-leaves and star-dust and the harmony of the winds, but we need a steel-chain netting to fend us. Slowly I unbuttoned that black dress that symbolized the ending of six years of the blackness of a married life, from which I had been powerless to fend myself, and the rosy dimpling thing in snowy lingerie with tags of blue ribbon that stood in front of my mirror was as new-born as any other hour-old similar bundle of linen and lace in Hillsboro, Tennessee. Fortunately, an old, year-before-last, white lawn dress could be pulled from the top shelf of the closet in a hurry, and the Molly that came out of that room was ready for life—and a lot of it quick and fast.

And again, fortunately, Aunt Adeline had retired with a violent headache and black Judy was carrying her in a hot water-bottle with a broad grin on her face. Judy sees the world from the kitchen window and understands everything. She had laid a large thick letter on the hall table where I couldn't fail to see it.

I took possession of it and carried it to a bench in the garden that backs up against the purple sprayed lilacs and is flanked by two rows of tall purple and white iris that stand in line ready for a Virginia reel with a delicate row of the poet's narcissus across the broad path. I love my flowers. I love them swaying on their stems in the wind, and I like to snatch them and crush the life out of them against my breast and face. I have been to bed every night this spring with a bunch of cool violets against my cheek and I feel that I am going to flirt with my tall row of hollyhocks as soon as they are old enough to hold up their heads and take notice. They always remind me of very stately gentlemen and I have wondered if the fluffy little butter and eggs weren't shaking their ruffles at them.

A real love-letter ought to be like a cream puff with a drop of dynamite in it. Alfred's was that kind. I felt warm and happy down to my toes as I read it and I turned around so old Lilac Bush couldn't peep over my shoulder at what he said.

He wrote from Rome this time, where he had been sent on some sort of diplomatic mission to the Vatican, and his letter about the Ancient City on her seven hills was a prose-poem in itself. I was so interested that I read on and on and forgot it was almost toast-apple time.

Of course, anybody that is anybody would be interested in Father Tiber and the old Colosseum, but what made me forget the one slice of dry toast and the apple was the way he seemed to be connecting me up with all those wonderful old antiquities that had never even seen me. Because of me