a statuette. Likely Whitaker would see even in that some form of paternal oppression.

"Whitaker," flung out Kenny indignantly, "Brian plays but one instrument in this studio and we have a dozen. Wasn't it precisely like him to pick out that damned psaltery there with the crooked stick? I mean—wasn't it like him to pick out something with a fiendish appendage that could be lost, and keep the studio in an uproar when he wanted to play it?"

Whitaker laughed in spite of himself. The psaltery stick was famous.

Moreover, Brian—Brian, mind you, who talked of truth with hair-splitting piety—Brian had that very day at noon forced his father to the telling of a lie.

"But he wasn't here," said Whitaker, mystified. "He lunched with me."

"The fact remains," insisted Kenny with dignity. "I myself told Garry Rittenhouse he'd gone up to Reynolds to collect some money. And Garry, thinking he had come back, believed it."

"Kenny," said Whitaker, his patience quite gone, "are you mad? How on earth did Brian force you into that lie?"

"By not coming home," said Kenny sulkily. "If he'd come home as a lad should, I needn't have told it. You can see that for yourself."

Whitaker dazedly threw up his hands.

Having successfully baffled his opponent with the brilliancy of his unreason, Kenny enlarged upon the humiliation he must experience when Garry learned the truth. At a familiar climax of self-glorification, in which Kenny claimed he had saved Brian from no end of club-gossip by his timely evasion of the truth, Whitaker lost his temper and went home.

He left his host in a dangerous mood of quiet.

It was a quiet unlike Kenny, who hated to think, and presently he flung his pipe across the studio, fuming at what seemed to him unprecedented disorder. It was getting on his nerves. No man could work in such a hodge-podge. Even inspiration was likely to be chaotic and futuristic. Small blame to Brian if he resented it all. To-morrow, if Reynolds deigned to appear with his check, he would summon Mrs. Haggerty, and the studio should have a cleaning that the mercenary old beldame would remember. Kenny vaguely coupled Mrs. Haggerty with the present disorder and resented both, his defiant eyes lingering with new interest upon a jumble of musical instruments in a corner.

With a muffled objurgation he fell upon the jumble and began to overhaul it. The object sought defied his fevered efforts to unearth it and with teeth set, he ransacked the studio, resentfully flinging a melee of hindrances right and left.

The telephone rang.

"Kenny," said Garry's patient voice, "what in Heaven's name are you doing? What hit the wall?"

"I'm hunting the stick to that damned psaltery," snapped Kenny and banged the receiver into the hook, one hand as usual clenched frenziedly in his hair.

Later, with the studio a record of earthquake, he found it under a model stand and wiping his forehead anchored it to the psaltery for good and all with a shoestring.

Horribly depressed he thumped on the wall for Garry, who came at once, wondering wryly if Brian had come in and the need again was mediation.

"You might as well know," began Kenny at once, "that Brian didn't go up to Reynolds for me this noon—"

Garry stared.

"It was a lie," flung out Kenny with a jerk, "a damnable, deliberate, indecent lie. Whitaker says he's gone for good." His look was wistful and indignant. "Garry, what's wrong?" he demanded. "What on earth is it? Why couldn't things have gone on as they were, without God knows how many people picking me for a target? As far as I can see I'm merely maintaining my usual average of imperfection and all the rest of the world has gone mad."

"I suppose, Kenny," began Garry lamely, "you must be starting a new cycle. Jan could tell you. He talks a lot about the cycle of dates and the philosophy of vibrations—"

"I know that I regard the truth as something sacred, to be handled with delicacy and discretion," began Kenny with bitter fluency. "I'm an unsuccessful parent with an over-supply of hair and teeth, afflicted with hairbrained, unquenchable youth. I'd be a perennial in the Land of the Young and could hobnob indefinitely with his Flighty Highness, the King of Youth. I'm forty-four years young and highly temperamentalized. I've made a mess of parenting Brian and I'm an abject failure."

Garry looked at him.

"Just what are you talking about?" he asked.

"I know," pursued Kenny elaborately, "that it's unfortunate I haven't wrecked my own life when I'm an accidental success at wrecking Brian's. I'm full of cobwebs. I damn irrefutable things and I've forced Brian to a profession of sunsets to gratify my vanity. Can you personally, Garry, think of anything else?"

"Sit down!" said Garry. "You're about as logical as a lunatic—"

"Tell Whitaker, do," begged Kenny. "There's one he missed. Garry, what's back of all this turmoil? What's the real reason for Brian's brain-storm? I'm sick to death of Whitaker's wordy arabesque and abuse. I want facts."

"Brian said it all last night," reminded Garry. "It's just another case of a last straw."

"You honestly mean that the ancestors of the straw are the sunsets, the disorder here—the—the—" He thumped the table. "Garry, I don't lie. I swear I don't. I hate a liar. I mean a dishonorable liar. A lie is an untruth that harms. That's my definition. Any man embroiders sordid fact on occasion."

"On occasion!" admitted Garry.

Kenny, with his eye upon the fern in the window, missed the significance. It had registered his sincere regret—that fern—at the need of pawning Brian's fishing rods and golf clubs. Like Brian! He had failed utterly to comprehend the delicacy of the tribute.

Finding this point upon which he dwelt with some length equally over-nice for Garry's perception, Kenny in a huff sent him home, watered the fern, without in the least understanding the impulse, and went to bed. And dreaming as usual, he seemed to be hunting cobwebs with a gun made of ferns. He found them draped over huge pillars of ice, marked in Brian's familiar sunset colors. Truth. And when panting and sweating he had swept them all away with a wedge of cheese he seemed to hear Whitaker's voice—calling him a failure.

Kenny felt that he had been visited by Far Darrig, the Gaelic bringer of bad dreams.

CHAPTER III

IN THE GAY AND GOLDEN WEATHER

Spring came early and with the first marsh hawk Brian was on the road, his eager youth crying out to the spring's hope and laughter. Everywhere he caught the thrill of it. Brooks released from an armor of ice went singing by him. Hill and meadow deepened verdantly into smiles. A little while now and the whole green earth in its tenderness would dimple exquisitely, with every dimple a flower. Mother Earth, moistening the bare brown fields for the plough with a capricious tear or so for the banished winter, was beginning again. And so was he. Hope swelled wistfully within him like song in the throat of the bluebird and sap in the trees. With the sun warm upon his face and the gladness of spring in his veins, he sang with Pippa that "God's in his Heaven, all's right with the world!"

Well, New York, thank God, lay to the back of him, veiling her realities and truth in glitter, defying nearness. Every human thing that made for life lay there as surely as it lay here in God's quieter world, but you never came close to it.

So he tramped away to green fields and hills and winding quiet roads, spring riding into his heart, invincible and bold.

An arbutus filled him with the wonder of things, a sense of eternity, a swift, inexplicable compassion, a longing for service to the needs of men. His ears thrilled to the song of the earth and the whistle of the ploughman turning up the fresh brown earth. He filled his lungs with the wind of the open country, drank in