upon his side, and became still. The man in the grey cloak, holding the mask to his face, rushed down the grand staircase, sweeping aside all those who barred his path. He seemed possessed with strength and courage Homeric; odds were nothing. With a back hand-swing of his arm he broke one head; he smashed a face with the pommel; caught another by the throat and flung him headlong. In a moment he was out of the door. Down the steps he dashed, through the gate, thence into the street, a mob yelling at his heels. The light from the torches splashed him. A sharp gust of wind nearly tore the mask from his fingers. As he caught it, he ran full into a priest.

"Out of the way, then, curse you!"

Before the astonished priest, who was a young man, could rise from the pavement where the impact had sent him sprawling, the assailant had disappeared in the alley. He gained the door of the low tavern, flung it open, pushed by every one, upsetting several, all the while the bloody rapier in one hand and the mask held in place by the other. The astonished inmates of the tavern saw him leap like a huge bird and vanish through one of the windows, carrying the sash with him. But a nail caught the grey cloak, and it fluttered back to the floor. Scarce a moment had passed when the pursuers crowded in. When questioned, the stupefied host could only point toward the splintered window frame. Through this the men scrambled, and presently their yells died away in the distance.

A young man of ruddy countenance, his body clothed in the garments of a gentleman's lackey, stooped and gathered up the cloak.

"Holy Virgin!" he murmured, his eyes bulging, "there can not be two cloaks like this in Paris; it's the very same."

He crushed it under his arm and in the general confusion gained the alley, took to his legs, and became a moving black shadow in the grey. He made off toward the Seine.

Meanwhile terror stalked in the corridors of the hôtel. Lights flashed from window to window. The court was full of servants and mercenaries. For the master lay dead in the corridor above. A beautiful young woman, dressed in her night-robes, her feet in slippers, hair disordered and her eyes fixed with horror, gazed down at the lifeless shape. The stupor of sleep still held her in its dulling grasp. She could not fully comprehend the tragedy. Her ladies wailed about her, but she heeded them not. It was only when the captain of the military household approached her that she became fully aroused. She pressed her hand against her madly beating heart.

[Illustration: She pressed her hands against her madly beating heart.]

"Who did this?" she asked.

"A man in a mask, Madame," replied the captain, kneeling. He gently loosed the sword from the stiffening fingers. The master of twenty-five years was gone.

"In a mask?"

"Yes, Madame."

"And the motive ?"

"Not robbery, since nothing is disturbed about the hôtel save in monsieur's library. The drawers have all been pulled out."

With a sharp cry she crossed the corridor and entered the library. The open drawers spoke dumbly but surely.

"Gone!" she whispered. "We are all lost! He was fortunate in dying." Terror and fright vanished from her face and her eyes, leaving the one impassive and the other cold. She returned to the body and the look she cast on it was without pity or regret. Alive, she had detested him; dead, she could gaze on him with indifference. He had died, leaving her the legacy of the headsman's ax. And his play-woman? would she weep or laugh? … She was free. It came quickly and penetrated like a dry wine: she was free. Four odious years might easily be forgiven if not forgotten. "Take him to his room," she said softly. After all, he had died gallantly.

Soon one of the pursuers returned. He was led into the presence of his mistress.

"Have they found him?"

"No, Madame. He disappeared as completely as if the ground had swallowed him. All that can be added is that he wore a grey cloak."

"A grey cloak, did you say?" Her hand flew to her throat and her eyes grew wild again. "A grey cloak?"

"Yes Madame; a grey cloak with a square velvet collar."

"Ah!" said the captain, with a singular smile. He glanced obliquely at madame. But madame lurched forward into the arms of one of her waiting-women. She had fainted.

CHAPTER II

THE TOILET OF THE CHEVALIER DU CEVENNES

The Chevalier du Cévennes occupied the apartment on the first floor of the Hôtel of the Silver Candlestick, in the Rue Guénégaud. The apartment consisted of three rooms. In all Paris there was not to be found the like of them. They were not only elegant, they were simple; for true elegance is always closely allied to simplicity. Persian rugs covered the floors, rugs upon which many a true believer had knelt in evening prayer; Moorish tapestries hung from the walls, making a fine and mellow background for the various pieces of ancient and modern armor; here and there were Greek marbles and Italian vases; and several spirited paintings filled the gaps left between one tapestry and another. Sometimes the Chevalier entertained his noble friends, young and old, in these rooms; and the famous kitchens of Madame Boisjoli, the landlady of the Candlestick, supplied the delicacies of his tables. Ordinarily the Chevalier dined in the cheery assembly-room below; for, like all true gourmands of refinement, he believed that there is as much appetite in a man's ears and eyes as in his stomach, and to feed the latter properly there must be light, a coming and going of old and new faces, the rumor of voices, the jest, and the snatch of song.

At this moment the Chevalier was taking a bath, and was splashing about in the warm water, laughing with the joyous heart of a boy. With the mild steam rose the vague perfume of violets. Brave as a Crillon though he was, fearless as a Bussy, the Chevalier was something of a fop; not the mincing, lisping fop, but one who loved physical cleanliness, who took pride in the whiteness of his skin, the clarity of his eyes. There had been summer nights in the brilliant gardens of La Place Royale when he had been pointed out as one of the handsomest youths in Paris. Ah, those summer nights, the cymbals and trumpets of les beaux mousquetaires, the display of feathers and lace, unwrought pearls and ropes of precious stones, the lisping and murmuring of silks, the variety of colors, the fair dames with their hoods, their masks, their elaborate coiffures, the crowds in the balconies! All the celebrities of court might be seen promenading the Place; and to be identified as one above many was a plume such as all Mazarin's gold could not buy.

"My faith! but this has been a day," he murmured, gazing wistfully at his ragged nails. "Till I entered this tub there was nothing but lead in my veins, nothing but marble on my bones. Look at those boots, Breton, lad; a spur gone, the soles loose, the heels cracked. And that cloak! The mud on the skirts is a week old. And that scabbard was new when I left Paris. When I came up I looked like a swashbuckler in one of Scudéry's plays. I let no one see me. Indeed, I doubt if any would have recognized me. But a man can not ride from Rome to Paris, after having ridden from Paris to Rome, changing neither his clothes nor his horse, without losing some particle of his fastidiousness, and, body of Bacchus! I have lost no small particle of mine."

"Ah, Monsieur Paul," said the lackey, hiding the cast-off clothing in the closet, "I am that glad to see you safe and sound again!"

"Your own face is welcome, lad. What weather I have seen!" wringing his mustache and royal. "And Heaven forfend that another