her violin by the side of the open piano; Lady Rosamund, who was at once scene-painter and stage-manager, as it were, got out some sheets of drawing-paper, on which she had sketched the various groups; and Lady Adela brought forth the MS. books of the play, which had been prepared under the careful (and necessary) supervision of Lionel Moore.

"Rockminster will have to figure as the audience," his eldest sister said, as she was looping up her long train of silver-gray satin preparatory to going out.

"That is a part I could play to perfection," put in Miss Lestrange's brother.

"Oh, no," Lady Adela remonstrated. "You may be wanted for Palæmon. You see, this is how it stands. The young shepherd was originally played at Drury Lane by a boy—and in Dublin by an actress; it is a boy's part, indeed. Well, you know, we thought Cis Yorke would snap at it; and she was eager enough at first; but"—and here Lady Adela smiled demurely—"I think her courage gave way. The boy's dress looked charming as Rose sketched it for her—and the long cloak made it quite proper, you know—and very picturesque, too—but—but I think she's frightened. We can't count on her. So we may have to call on you for Palæmon, Mr. Lestrange."

"And I have taken the liberty of cutting out the song, for it's rather stupid," said Lionel Moore, "so you've only got a few lines to repeat."

"The fewer the better," replied Mr. Percy Lestrange, who was possibly right in considering that, with his far-from-regular features and his red hair and moustache, his appearance as a handsome young swain should not have too much prominence given it.

Notwithstanding that it had been Miss Lestrange's audacious proposal that they should go masquerading in the open air, she was a wise young virgin, and she took care before going out to thrust a soft silk handkerchief into the square opening of her dress; the Ladies Sybil and Rosamund followed her example by drawing lace scarfs round their necks and shoulders; it was the young matron who was reprehensibly careless, and who, when the French windows were thrown open, went forth boldly, and without any wrap at all, into the cool air of the dawn. But for a second, as they stood on the little stone balcony above the steps leading down to the garden, this group of revellers were struck silent. The world looked so strange around them. In the mysterious gray light, that had no sort of kindly warmth in it, the grass of the lawn and the surrounding trees seemed coldly and intensely green; and cold and intense, with no richness of hue at all, were the colors of the flowers in the various plots and beds. Not a bird chirped as yet. Not a leaf stirred. But in this ghostly twilight the solitary gas lamps were beginning to show pale; and in the southern heavens the silver sickle of the moon, stealing over to the west, seemed to be taking the night with it, and leaving these faintly lilac skies to welcome the uprising of the new day.

At first, indeed, there was something curiously uncanny—something unearthly and phantasmal almost—in the spectacle of these figures, the women in white, the men in black, moving through this wan light; and their voices sounded strangely in the dead silence; but ere long a soft saffron tinge began to show itself in the east; one or two scraps of cloud in the violet skies caught a faint touch of the coming dawn; there was a more generous tone on the masses of foliage, on the flower-beds, and on the grass; and now the cheerful chirping of the birds had begun among the leaves. And what more beautiful surroundings could have been imagined for the production of any pastoral entertainment? The wide lawn was bounded on one side by a dense thicket of elms and limes and chestnuts, and on the other by a tall, dark hedge of holly; while here and there was a weeping-willow, round the stem of which a circular seat had been constructed, the pendulous branches enclosing a sort of rustic bower. As this fantastic performance went forward, the skies overhead slowly became more luminous; there was a sense of warmth and clear daylight beginning to tell; the birds were singing and chattering and calling everywhere; and the sweet, pure air of the morning, as it stirred, and no more than stirred, the trembling leaves, brought with it a scent of mignonette that seemed to speak of the coming of June.

Laura, in the person of Lady Adela Cunyngham, had reproached the faithless Damon (who was no other than Mr. Lionel Moore)—

—and Damon had replied (not mumbling his lines, as a privileged actor sometimes does at rehearsal, but addressing them properly to the hapless Laura)—

Then Lady Sybil took out her violin from its case and drew the bow across the strings.

"We'll let you off the song, if you like, Mr. Moore," Lady

Adela said to the young baritone, but in a very half-hearted kind of way.

"Oh, no," said he, pleasantly, "perhaps this may be my only rehearsal."

"The audience," observed Lord Rockminster, who, at a little distance, was lying back in a garden-chair, smoking a cigarette—"the audience would distinctly prefer to have the song sung."

Lady Sybil again gave him the key-note from the violin; and, without further accompaniment, he thus addressed his forsaken sweetheart: