قراءة كتاب Some Chinese Ghosts

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Some Chinese Ghosts

Some Chinese Ghosts

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دار النشر: Project Gutenberg
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obtained these miraculous things, and apply the testimony of our senses to this mystery. The boy is no doubt telling the truth; yet his story passes my understanding." And all three proceeded toward the place of the habitation of Sië.


But when they had arrived at the shadiest part of the road, where the perfumes were most sweet and the mosses were greenest, and the fruits of the wild peach flushed most pinkly, Ming-Y, gazing through the groves, uttered a cry of dismay. Where the azure-tiled roof had risen against the sky, there was now only the blue emptiness of air; where the green-and-gold facade had been, there was visible only the flickering of leaves under the aureate autumn light; and where the broad terrace had extended, could be discerned only a ruin,—a tomb so ancient, so deeply gnawed by moss, that the name graven upon it was no longer decipherable. The home of Sië had disappeared!

All suddenly the High Commissioner smote his forehead with his hand, and turning to Pelou, recited the well-known verse of the ancient poet Tching-Kou:—

"Surely the peach-flowers blossom over
the tomb of SIË-THAO."

"Friend Pelou," continued Tchang, "the beauty who bewitched your son was no other than she whose tomb stands there in ruin before us! Did she not say she was wedded to Ping-Khang? There is no family of that name, but Ping-Khang is indeed the name of a broad alley in the city near. There was a dark riddle in all that she said. She called herself Sië of Moun-Hiao: there is no person of that name; there is no street of that name; but the Chinese characters Moun and hiao, placed together, form the character 'Kiao.' Listen! The alley Ping-Khang, situated in the street Kiao, was the place where dwelt the great courtesans of the dynasty of Thang! Did she not sing the songs of Kao-pien? And upon the brush-case and the paper-weight she gave your son, are there not characters which read, 'Pure object of art belonging to Kao, of the city of Pho-hai'? That city no longer exists; but the memory of Kao-pien remains, for he was governor of the province of Sze-tchouen, and a mighty poet. And when he dwelt in the land of Chou, was not his favorite the beautiful wanton Sië,—Sië-Thao, unmatched for grace among all the women of her day? It was he who made her a gift of those manuscripts of song; it was he who gave her those objects of rare art. Sië-Thao died not as other women die. Her limbs may have crumbled to dust; yet something of her still lives in this deep wood,—her Shadow still haunts this shadowy place."

Tchang ceased to speak. A vague fear fell upon the three. The thin mists of the morning made dim the distances of green, and deepened the ghostly beauty of the woods. A faint breeze passed by, leaving a trail of blossom-scent,—a last odor of dying flowers,—thin as that which clings to the silk of a forgotten robe; and, as it passed, the trees seemed to whisper across the silence, "Sië-Thao."


Fearing greatly for his son, Pelou sent the lad away at once to the city of Kwang-tchau-fu. And there, in after years, Ming-Y obtained high dignities and honors by reason of his talents and his learning; and he married the daughter of an illustrious house, by whom he became the father of sons and daughters famous for their virtues and their accomplishments. Never could he forget Sië-Thao; and yet it is said that he never spoke of her,—not even when his children begged him to tell them the story of two beautiful objects that always lay upon his writing-table: a lion of yellow jade, and a brush-case of carven agate.

Chinese calligraphy

The Legend of Tchi-Niu

A sound of gongs, a sound of song,—the song of the builders building the dwellings of the dead:—

Khiû tchî yîng-yîng.
Toû tchî hoûng-hoûng.
Tchŏ tchî tông-tông.
Siŏ liú pîng-pîng.

THE LEGEND OF TCHI-NIU.

In the quaint commentary accompanying the text of that holy book of Lao-tseu called Kan-ing-p'ien may be found a little story so old that the name of the one who first told it has been forgotten for a thousand years, yet so beautiful that it lives still in the memory of four hundred millions of people, like a prayer that, once learned, is forever remembered. The Chinese writer makes no mention of any city nor of any province, although even in the relation of the most ancient traditions such an omission is rare; we are only told that the name of the hero of the legend was Tong-yong, and that he lived in the years of the great dynasty of Han, some twenty centuries ago.


Tong-Yong's mother had died while he was yet an infant; and when he became a youth of nineteen years his father also passed away, leaving him utterly alone in the world, and without resources of any sort; for, being a very poor man, Tong's father had put himself to great straits to educate the lad, and had not been able to lay by even one copper coin of his earnings. And Tong lamented greatly to find himself so destitute that he could not honor the memory of that good father by having the customary rites of burial performed, and a carven tomb erected upon a propitious site. The poor only are friends of the poor; and among all those whom Tong knew; there was no one able to assist him in defraying the expenses of the funeral. In one way only could the youth obtain money,—by selling himself as a slave to some rich cultivator; and this he at last decided to do. In vain his friends did their utmost to dissuade him; and to no purpose did they attempt to delay the accomplishment of his sacrifice by beguiling promises of future aid. Tong only replied that he would sell his freedom a hundred times, if it were possible, rather than suffer his father's memory to remain unhonored even for a brief season. And furthermore, confiding in his youth and strength, he determined to put a high price upon his servitude,—a price which would enable him to build a handsome tomb, but which it would be well-nigh impossible for him ever to repay.


Accordingly he repaired to the broad public place where slaves and debtors were exposed for sale, and seated himself upon a bench of stone, having affixed to his shoulders a placard inscribed with the terms of his servitude and the list of his qualifications as a laborer. Many who read the characters upon the placard smiled disdainfully at the price asked, and passed on without a word; others lingered only to question him out of simple curiosity; some commended him with hollow praise; some openly mocked his unselfishness, and laughed at his childish piety. Thus many hours wearily passed, and Tong had almost despaired of finding a master, when there rode up a high official of the province,—a grave and handsome man, lord of a thousand slaves, and owner of vast estates. Reining in his Tartar horse, the official halted to read the placard and to consider the value of the slave. He did not smile, or advise, or ask any questions; but having observed the price asked, and the fine strong limbs of the youth, purchased him without further ado, merely ordering his attendant to pay the sum and to see that the necessary papers were made out.


Thus Tong found himself

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