from ill-looking, with his dark, narrow eyes, wide brows, and tapering face. His manners are gentle, subdued, insinuating, and altogether he seems to please Helen; she condescends to him,—more than condescends, perhaps. Meantime, alas! there is a secret opposition in progress, embodied in the shapely person of that bright-eyed gypsy of a girl whom her mistress Helen calls Salome. There is no question as to Salome's complete subjection to the attractions of the young embryo clergyman; she pursues him with eyes and heart, and seeing him by Helen's side, she is miserably but dumbly jealous.

How is this matter to end? Manetho's devotion to Helen seems unwavering; yet sometimes it is hard not to suspect a secret understanding between him and Salome. He has ceased to wear his ring, and once we caught a diamond-sparkle from beneath the thick folds of lace which cover Helen's bosom; but, on the other hand, we fear his arm has been round the gypsy's graceful waist, and that she has learnt the secret of the private chamber. Is demure Manetho a flirt, or do his affections and his ambition run counter to each other? Helen would bring him the riches of this world,—but what should a clergyman care for such vanities?—while Salome, to our thinking, is far the prettier, livelier, and more attractive woman of the two. Brother Hiero, whimsical and preoccupied, sees nothing of what is going on. He is an antiquary,—an Egyptologist, and thereto his soul is wedded. He has no eyes nor ears for the loves of other people for one another.—

Provoking! The uneasy sleeper has moved again, and disorganized, beyond remedy, the events of a whole year. Judging from such fragments as reach us, it must have been a momentous epoch in our history. From the beginning, a handsome, stalwart, blue-eyed man, with a great beard like a sheaf of straw, shoulders upon the scene, and thenceforth becomes inextricably mixed up with dark-eyed Helen. We recognize in him an old acquaintance; he was on the lateen-sailed boat that went up the Nile; it was he who swung himself from the vessel's side, and pulled Manetho out of the jaws of death,—a fact, by the way, of which Manetho remained ignorant until his dying day. With this new arrival, Helen's supremacy in the household ends. Thor—so they call him—involuntarily commands her, and so her subjects. Against him, the Reverend Manetho has not the ghost of a chance. To his credit is it that he conceals whatever emotions of disappointment or jealousy he might be supposed to feel, and is no less winning towards Thor than towards the rest of the world. But is it possible that the talisman still hides in Helen's bosom? Does the conflict which it symbolizes beset her heart?

The enchanted mirror is still again, and a curious scene is reflected from it. A large and lofty room, windowless, lit by flaring lamps hung at intervals round the walls; the panels contain carvings in bas-relief of Egyptian emblems and devices; columns surround the central space, their capitals carved with the lotos-flower, their bases planted amidst papyrus leaves. A border of hieroglyphic inscription encircles the walls, just beneath the ceiling. In each corner of the room rests a red granite sarcophagus, and between each pair of pillars stands a mummy in its wooden case. At that end farthest from the low-browed doorway—which is guarded by two great figures of Isis and Osiris, sitting impassive, with hands on knees—is raised an altar of black marble, on which burns some incense. The perfumed smoke, wavering upwards, mingles with that of the lamps beneath the high ceiling. The prevailing color is ruddy Indian-red, relieved by deep blue and black, while brighter tints show here and there. Blocks of polished stone pave the floor, and dimly reflect the lights.

In front of the altar stands a ministerial figure,—none other than Manetho, who must have taken orders,—and joins together, in holy matrimony, the yellow-bearded Thor and the dark-haired Helen. Master Hiero, his round, snub-nosed face red with fussy emotion, gives the bride away; while Salome, dressed in white and looking very pretty and lady-like, does service as bridesmaid,—such is her mistress's whim. She seems in even better spirits than the pale bride, and her black eyes scarcely wander from the minister's rapt countenance.

But a few hours later, when bride and groom are gone, Salome,—who, on some plausible pretext of, her own, has been allowed to remain with brother Hiero until her mistress returns from the wedding-tour,—- Salome appears in the secret chamber, where the Reverend Manetho sits with his head between his hands. We will not look too closely at this interview. There are words fierce and tender, tears and pleadings, feverish caresses, incoherent promises, distrustful bargains; and it is late before they part. Salome passes out through the great tomb-like hall, where all the lamps save one are burnt out; and the young minister remains to pursue his holy meditations alone.

We are too discreet to meddle with the honeymoon; but, passing over some eight months, behold the husband and wife returned, to plume their wings ere taking the final flight. Another strange scene attracts us here.

The dusk of a summer evening. Helen, with a more languid step and air than before marriage, saunters along a path through the trees, some distance from the house. She is clad in loose-flowing drapery, and has thrown a white shawl over her head and shoulders. Reaching a bench of rustic woodwork, she drops weariedly down upon it.

Manetho comes out all at once, and stands before her; he seems to have darkened together from the shadow of the surrounding trees. Perhaps a little startled at his so abrupt appearance, she opens her eyes with a wondering haughtiness; but, at the same time, the light pressure of the enchanted ring against her bosom feels like a dull sting, and her heart beats uncomfortably. He begins to speak in his usual tone of softest deference; he sits down by her, and now she is paler, glances anxiously up the path for her delaying husband, and the hand that lifts her handkerchief to her lips trembles a little. Is it at his words? or at their tone? or at what she sees lurking behind his dusky eyes, curdling beneath his thin, dark skin, quivering down to the tips of his long, slender fingers?

All in a moment he bursts forth, without warning, without restraint, the fire of the Egyptian sun boiling in his blood and blazing in his passion. He seizes her soft white wrist,—then her waist; he presses against his, her bosom,—what a throbbing!—her cheek to his,—how aghast! He pours hot words in torrents into her ears,—all that his fretting heart has hoarded up and brooded over these months and years! all,—sparing her not a thought, not a passionate word. She tries to repel him, to escape, to scream for help; but he looks down her eyes with his own, holds her fast, and she gasps for breath. So the serpent coils about the dove, and stamps his image upon her bewildered brain.

Verily, the Reverend Manetho has much forgotten himself. The issue might have been disastrous, had not Helen, in the crisis of the affair, lost consciousness, and fallen a dead weight in his arms. He laid her gently on the bench, fumbled for a moment in the bosom of her dress, and drew out the diamond ring. Just then is heard the solid step of Thor, striding and whistling along the path. Manetho snaps the golden chain, and vanishes with his talisman; and he is the first to appear, full of sympathy and concern, when the distracted husband shouts for help.

Next morning, two little struggling human beings are blinking and crying in a darkened room, and there is no mother to give them milk, and cherish them in her bosom. There sits the father, almost as still and cold as what was his wife. She did not speak to him, nor seem to know him, to the last. He will never know the truth; Manetho comes and goes, and reads the burial-service, unsuspected and unpunished. But Salome follows him away from the grave, and some words pass between them. The man