قراءة كتاب Idolatry: A Romance

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‏اللغة: English
Idolatry: A Romance

Idolatry: A Romance

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دار النشر: Project Gutenberg
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nor overcome forbid my opening it. Next, two pails of the best cold water at your earliest convenience. Hurry, now, there's a Hebe!"

"Very good, sir," giggles Hebe, retreating down passage.

It is to be supposed that it was the plebeian body-servant that carried on this unideal conversation, and that the patrician soul had nothing to do with it. The ability to lay the burden of lapses from good taste, and other goods, upon the shoulders of the flesh, is sometimes convenient and comforting.

Balder Helwyse, master and man, turns away from the door, and catches sight of a white-robed, hairy-headed reflection in the looking-glass, the phantom face of which at once expands in a genial expression of mirth; an impalpable arm is outstretched, and the mouth seems thus to speak:—

"Stick to your bath, my good fellow, and the evil things of this life shall not get hold of you. Water is like truth,—purifying, transparent; a tonic to those fouled and wearied with the dust and vanity of this transitional phenomenon called the world. Patronize it! be thy acquaintance with it constant and familiar! Remember, my dear Balder, that this slave of thine is the medium through which something better than he (thyself, namely) is filtered to the world, and the world to thee. Go to, then! if the filter be foul, shall not that which is filtered become unclean also?"

Here the rhetorical phantom was interrupted by the sound of a very good violin, touched with unusual skill, in the next room. The phantom vanished, but Mr. Helwyse seated himself softly upon the bed, listening with full enjoyment to every note; his very toes seeming to partake of his appreciation. Music is the mysterious power which makes body and soul—master and man—thrill as one string. The musician played several bars, beautiful in themselves, but unconnected; and ever and anon there sounded a discordant note, like a smirch upon a fair picture. The execution, however, showed a master hand, and the themes betrayed the soul of a true musician, albeit tainted with some subtile deformity.

"Heard him last night, and fell asleep, dreaming of a man with the brain of a devil and an angel's heart.—Drop in on him presently, and have him down to breakfast. If young, shall be our brother,—so long as there's anything in him. If—as I partly suspect—old, and a father, marry his daughter. But no; such a fiddler as he can't be married, unless unhappily." Mr. Helwyse runs his hands dreamily through his tangled mane, and shakes it back. If philosophical, he seems also to be romantic and imaginative, and impressionable by other personalities. It is, to be sure, unfair to judge a man from such unconsidered words as he may let fall during the first half-hour after waking up in the morning; were it otherwise, we should infer that, although he might take a genuine interest in whomever he meets, it would be too analytical to last long, except where the vein was a very rich one. He would pick the kernel out of the nut, but, that done, would feel no sentimental interest in the shell. Too much of this! and yet who can help drawing conclusions (and not always incorrectly) from the first sight and sound of a new acquaintance?

There is a knock at the door, and Mr. Helwyse calls out, "Hullo? Ah! the cold water, emblem of truth. Thank you, Hebe; and scamper away as fast as you can, for I'm going to open the door!"

We also will retire, fastidious reader, and employ the leisure interval in packing an imaginary carpet-bag for a short journey. Our main business, during the next few days, is with Mr. Helwyse, and since there will be no telling what becomes of him after that, he must be followed up pretty closely. A few days does not seem much for the getting a satisfactory knowledge of a man; nevertheless, an hour, rightly used, may be ample. If he will continue his habit of thinking aloud, will affect situations tending to bring out his leading traits of character; if we may intrude upon him, note-book in hand, in all his moods and crises,—with all this in addition to discretionary use of the magic mirror,—it will be our own fault if Mr. Helwyse be not turned inside out. Properly speaking, there is no mystery about men, but only a great dulness and lethargy in our perceptions of them. The secret of the universe is no more a secret than is the answer to a school-boy's problem. A mathematician will draw you a triangle and a circle, and show you the trigonometrical science latent therein. But a profounder mathematician would do as much with the equation man!

While Mr. Helwyse is still lingering over his toilet, his neighbor the fiddler, whom he had meant to ask to breakfast, comes out of his room, violin-box in hand, walks along the passage-way, and is off down stairs. An odd-looking figure; those stylish clothes become him as little as they would a long-limbed, angular Egyptian statue. Fashion, in some men, is an eccentricity, or rather a violence done to their essential selves. A born fop would have looked as little at home in a toga and sandals, as did this swarthy musician, doctor, priest, or whatever he was, in his fashion-plate costume. Then why did he wear it?

There are other things to be followed up before attending to that question. But the man is gone, and Balder Helwyse has missed this opportunity of making his acquaintance. Had he been an hour earlier,—had any one of us, for that matter, ever been an hour earlier or later,—who can tell how the destinies of the world would be affected! Luckily for our peace of mind, the hypothesis involves an impossibility.


IV.

A BRAHMAN.

Whoever has been in Boston remembers, or has seen, the old Beacon Hill Bank, which stood, not on Beacon Hill, indeed, but in that part of School Street now occupied by the City Hall. You passed down by the dirty old church, on the northeast corner of School and Tremont Streets, which stands trying to hide its ugly face behind a row of columns like sooty fingers, and whose School-Street side is quite bare, and has the distracted aspect peculiar to buildings erected on an inclined plane;—passing this, you came in sight of the bank, a darksome, respectable edifice of brick, two stories and a half high, and gambrel-roofed. It stood a little back from the street, much as an antiquated aristocrat might withdraw from the stream of modern life, and fancy himself exclusive. The poor old bank! Its respectable brick walls have contributed a few rubbish-heaps to the new land in the Back Bay, perhaps; and its floors and gambrel-roof have long since vanished up somebody's chimney; only its money—its baser part—still survives and circulates. Aristocracy and exclusivism do not pay.

The bank, perhaps, took its title from the fact that it owed its chief support to the Beacon Hill families,—Boston's aristocracy; and Boston's standard names appeared upon its list of managers. If business led you that way, you mounted the well-worn steps, and entered the rather strict and formal door, over which clung the weather-worn sign,—faded gold lettering upon a rusty black background. Nothing that met your eyes looked new, although everything was scrupulously neat. Opposite the doorway, a wooden flight of stairs mounted to the next floor, where were the offices of some old Puritan lawyers. Leaving the stairs on your left, you passed down a dusky passage, and through a glass door, when behold! the banking-room, with its four grave bald-headed clerks. But you did not come to draw or deposit, your business was with the President. "Mr. MacGentle in?" "That way, sir." You opened a door with "Private" painted in black letters upon its ground-glass panel. Another bald-headed gentleman, with a grim determination about the mouth, rose up from his table and barred your way. This was Mr. Dyke, the breakwater against which the waves of would-be intruders into the inner seclusion often broke themselves in vain; and unless you had a genuine pass, your expedition ended there.

Our pass—for we, too,

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