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قراءة كتاب A Book of Scoundrels

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A Book of Scoundrels

A Book of Scoundrels

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دار النشر: Project Gutenberg
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A BOOK OF SCOUNDRELS


By Charles Whibley



To the Greeks
FOOLISHNESS



I desire to thank the Proprietors of the 'National Observer,' the
'New Review,' the 'Pall Mall Gazette,' and 'Macmillan's Magazine,'
for courteous permission to reprint certain chapters of this book.













INTRODUCTION

There are other manifestations of greatness than to relieve suffering or to wreck an empire. Julius Cæsar and John Howard are not the only heroes who have smiled upon the world. In the supreme adaptation of means to an end there is a constant nobility, for neither ambition nor virtue is the essential of a perfect action. How shall you contemplate with indifference the career of an artist whom genius or good guidance has compelled to exercise his peculiar skill, to indulge his finer aptitudes? A masterly theft rises in its claim to respect high above the reprobation of the moralist. The scoundrel, when once justice is quit of him, has a right to be appraised by his actions, not by their effect; and he dies secure in the knowledge that he is commonly more distinguished, if he be less loved, than his virtuous contemporaries.

While murder is wellnigh as old as life, property and the pocket invented theft, late-born among the arts. It was not until avarice had devised many a cunning trick for the protection of wealth, until civilisation had multiplied the forms of portable property, that thieving became a liberal and an elegant profession. True, in pastoral society, the lawless man was eager to lift cattle, to break down the barrier between robbery and warfare. But the contrast is as sharp between the savagery of the ancient reiver and the polished performance of Captain Hind as between the daub of the pavement and the perfection of Velasquez.

So long as the Gothic spirit governed Europe, expressing itself in useless ornament and wanton brutality, the more delicate crafts had no hope of exercise. Even the adventurer upon the road threatened his victim with a bludgeon, nor was it until the breath of the Renaissance had vivified the world that a gentleman and an artist could face the traveller with a courteous demand for his purse. But the age which witnessed the enterprise of Drake and the triumph of Shakespeare knew also

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