safety; and some stayed and worked bravely beside Stephen, wrenching up the seats and piling them for a ladder to help the women up. More just clambered up and fled to the fire-escape, out into the night and safety.

But Stephen had no thought of flight. He stayed where he was, with aching back, cracking muscles, sweat-grimed brow, and worked, his breath coming in quick, sharp gasps as he frantically helped man, woman, child, one after another, like sheep huddling over a flood.

Courtland was there.

He had lingered a moment behind the rest in the corner of the dormitory corridor, glancing into the disfigured room; water, egg-shells, ruin, disorder everywhere! A little object on the floor, a picture in a cheap oval metal frame, caught his eye. Something told him it was the picture of Stephen Marshall's mother that he had seen upon the student's desk a few days before, when he had sauntered in to look the new man over. Something unexplained made him step in across the water and debris and pick it up. It was the picture, still unscarred, but with a great streak of rotten egg across the plain, placid features. He recalled the tone in which the son had pointed out the picture and said, "That's my mother!" and again he followed an impulse and wiped off the smear, setting the picture high on the shelf, where it looked down upon the depredation like some hallowed saint above a carnage.

Then Courtland sauntered on to his room, completed his toilet, and followed to the theater. He had not wanted to get mixed up too much in the affair. He thought the fellows were going a little too far with a good thing, perhaps. He wanted to see it through, but still he would not quite mix with it. He found a seat where he could watch what was going on without being actually a part of it. If anything should come to the ears of the faculty he wanted to be on the side of conservatism always. That Pat McCluny was not just his sort, though he was good fun. But he always put things on a lower level than college fellows should go. Besides, if things went too far a word from himself would check them.

Courtland was rather bored with the play, and was almost on the point of going back to study when the cry arose and panic followed.

Courtland was no coward. He tore off his handsome overcoat and rushed to meet the emergency. On the opposite side of the gallery, high up by another fire-escape he rendered efficient assistance to many.

The fire was gaining in the pit; and still there were people down there, swarms of them, struggling, crying, lifting piteous hands for assistance. Still Stephen Marshall reached from the gallery and pulled up, one after another, poor creatures, and still the helpless thronged and cried for aid.

Dizzy, blinded, his eyes filled with smoke, his muscles trembling with the terrible strain, he stood at his post. The minutes seemed interminable hours, and still he worked, with heart pumping painfully, and mind that seemed to have no thought save to reach down for another and another, and point up to safety.

Then, into the midst of the confusion there arose an instant of great and awful silence. One of those silences that come even into great sound and claim attention from the most absorbed.

Paul Courtland, high in his chosen station, working eagerly, successfully, calmly, looked down to see the cause of this sudden arresting of the universe; and there, below, was the pit full of flame, with people struggling and disappearing into fiery depths below. Just above the pit stood Stephen, lifting aloft a little child with frightened eyes and long streaming curls. He swung him high and turned to stoop again; then with his stooping came the crash; the rending, grinding, groaning, twisting of all that held those great galleries in place, as the fire licked hold of their supports and wrenched them out of position.

One instant Stephen was standing by that crimson-velvet railing, with his lifted hand pointing the way to safety for the child, the flaming fire lighting his face with glory, his hair a halo about his head, and in the next instant, even as his hand was held out to save another, the gallery fell, crashing into the fiery, burning furnace! And Stephen, with his face shining like an angel's, went down and disappeared with the rest, while the consuming fire swept up and covered them.

Paul Courtland closed his eyes on the scene, and caught hold of the door by which he stood. He did not realize that he was standing on a tiny ledge, all that was left him of footing, high, alone, above that burning pit where his fellow-student had gone down; nor that he had escaped as by a miracle. There he stood and turned away his face, sick and dizzy with the sight, blinded by the dazzling flames, shut in to that tiny spot by a sudden wall of smoke that swept in about him. Yet in all the danger and the horror the only thought that came was, "God! That was a man!"

CHAPTER II

Paul Courtland never knew how he had been saved from that perilous position high up on a ledge in the top of the theater, with the burning, fiery furnace below him. Whether his senses came back sufficiently to guide him along the narrow footing that was left, to the door of the fire-escape, where some one rescued him, or whether a friendly hand risked all and reached out to draw him to safety.

He only knew that back there in that blank daze of suspended time, before he grew to recognize the whiteness of the hospital walls and the rattle of the nurse's starched skirt along the corridor, there was a long period when he was shut in with four high walls of smoke. Smoke that reached to heaven, roofing him away from it, and had its foundations down in the burning fiery pit of hell where he could hear lost souls struggling with smothered cries for help. Smoke that filled his throat, eyes, brain, soul. Terrible, enfolding, imprisoning smoke; thick, yellow, gray, menacing! Smoke that shut his soul away from all the universe, as if he had been suddenly blotted out, and made him feel how stark alone he had been born, and always would be evermore.

He seemed to have lain within those slowly approaching walls of smoke a century or two ere he became aware that he was not alone, after all. There was a Presence there beside him. Light, and a Presence! Blinding light. He reasoned that other men, the men outside of the walls of smoke, the firemen perhaps, and by-standers, might think that light came from the fire down in the pit, but he knew it did not. It radiated from the Presence beside him. And there was a Voice, calling his name. He seemed to have heard the call years back in his life somewhere. There was something about it, too, that made his heart leap in answer, and brought that strange thrill he used to have as a boy in prep. school, when his captain called him into the game, though he was only a substitute.

He could not look up, yet he could see the face of the Presence now. What was there so strangely familiar, as if he had been looking upon that face but a few moments before? He knew. It was that brave spirit come back from the pit. Come, perhaps, to lead him out of this daze of smoke and darkness. He spoke, and his own voice sounded glad and ringing:

"I know you now. You are Stephen Marshall. You were in college. You were down there in the theater just now, saving men."

"Yes, I was in college," the Voice spoke, "and I was down there just now, saving men. But I am not Stephen Marshall. Look again."

And suddenly he understood.

"Then you are Stephen Marshall's Christ! The Christ he spoke of in the class that day!"

"Yes, I am Stephen Marshall's Christ. He let me live in Him. I am the Christ you sneered at and disbelieved!"

He looked and his heart was stricken with shame.

"I did not understand. It was against reason. But had not seen you then."

"And now?"

"Now? What do you want of me?"