called out:

"Pray for a miracle, Stevie! Pray for a miracle! You'll need it, old boy!"

The mad spirit which had incited them to the reckless fray broke forth anew and a medley of shouts arose.

"Jump in, boys! Now's the time!"

"Give him a cowardly egg or two—the kind that hits and runs!"

"Teach him that we will be obeyed!"

The latter came as a sort of chant, and was reiterated at intervals through the pandemonium of sound.

The fight raged on for minutes more, and still Stephen stood with his back against the wall, fighting, gasping, struggling, but bravely facing them all; a disheveled object with rotten eggs streaming from his face and hair, his clothes plastered with offensive yolks. Pat had him by the throat, but still he stood and fought as best he could.

Some one seized the bucket of water and deluged both. Some one else shouted, "Get the hose!" and more fellows tore off their coats and threw them down at Courtland's feet; some one tore Pat away, and the great fire-hose was turned upon the victim.

Gasping at last, and all but unconscious, he was set upon his feet, and harried back to life again. Over-powered by numbers, he could do nothing, and the petty torments that were applied amid a round of ringing laughter seemed unlimited; but still he stood, a man among them, his lips closed, a firm set about his jaw that showed their labor was in vain so far as making him obey their command was concerned. Not one word had he uttered since they entered his room.

"You can lead a horse to water, but you can't make him drink," shouted one onlooker. "Cut it out, fellows! It's no use! You can't set him cussing. He never learned how. He could easier lead in prayer. You have to teach him how. Better cut it out!"

More tortures were applied, but still the victim was silent. The hose had washed him clean again, and his face shone white from the drenching. Some one suggested it was getting late and the show would begin. Some one else suggested they must dress up Little Stevie for his first play. There was a mad rush for garments. Any garments, no matter whose. A pair of sporty trousers, socks of brilliant colors—not mates, an old football shoe on one foot, a dancing-pump on the other, a white vest and a swallow-tail put on backward, collar and tie also backward, a large pair of white-cotton gloves commonly used by workmen for rough work—Johnson, who earned his way in college by tending furnaces, furnished these. Stephen bore it all, grim, unflinching, until they set him up before his mirror and let him see himself, completing the costume by a high silk hat crammed down upon his wet curls. He looked at the guy he was and suddenly he turned upon them and smiled, his broad, merry smile! After all that he could see the joke and smile! He never opened his lips nor spoke—just smiled.

"He's a pretty good guy! He's game, all right!" murmured some one in Courtland's ear. And then, half shamedly, they caught him high upon their shoulders and bore him down the stairs and out the door.

The theater was some distance off. They bore down upon a trolley-car and took a wild possession. They sang their songs and yelled themselves hoarse. People turned and watched and smiled, setting this down as one more prank of those university fellows.

They swarmed into the theater, with Stephen in their midst, and took noisy occupancy. Opera-glasses were turned their way, and the girls nudged one another and talked about the man in the middle with the queer garments.

The persecutions had by no means ceased because they had landed their victim in a public place. They made him ridiculous at every breath. They took off his hat, arranged his collar, and smoothed his hair as if he were a baby. They wiped his nose with many a flourishing handkerchief, and pointed out objects of interest about the theater in open derision of his supposed ignorance, to the growing amusement of those of the audience who were their neighbors. And when the curtain rose on the most notoriously flagrant play the city boasted, they added to its flagrance by their whispered explanations and remarks.

Stephen, in his ridiculous garb, sat in their midst, a prisoner, and watched the play he would not have chosen to see; watched it with a face of growing indignation; a face so speaking in its righteous wrath that those about who saw him turned to look again, and somehow felt condemned for being there.

Sometimes a wave of anger would sweep over the young man, and he would turn to look about him with an impulse to suddenly break away and attempt to defy them all. But his every movement was anticipated, and he had the whole football team about him! There was no chance to move. He must stay it through, much as he disliked it. He must stand it in spite of the tumult of rage in his heart. He was not smiling now. His face had that set, grim look of the faithful soldier taken prisoner and tortured to give information about his army's plans. Stephen's eyes shone true, and his lips were set firmly together.

"Just one nice little cuss-word and we'll take you home," whispered a tormentor. "A single little word will do, just to show you are a man."

Stephen's face was gray with determination. His yellow hair shone like a halo about his head. They had taken off his hat and he sat with his arms folded fiercely across the back of "Andy" Roberts's nifty evening coat.

"Just one little real cuss to show you are a man," sneered the freshman.

But suddenly a smothered cry arose. A breath of fear stirred through the house. The smell of smoke swept in from a sudden open door. The actors paused, grew white, and swerved in their places; then one by one fled out of the scene. The audience arose and turned to panic, even as a flame swept up and licked the very curtain while it fell.

All was confusion!

The football team, trained to meet emergencies, forgot their cruel play and scattered, over seats and railing, everywhere, to fire-escapes and doorways, taking command of wild, stampeding people, showing their training and their courage.

Stephen, thus suddenly set free, glanced about him, and saw a few feet away an open door, felt the fresh breeze of evening upon his hot forehead, and knew the upper back fire-escape was close at hand. By some strange whim of a panic-maddened crowd but few had discovered this exit, high above the seats in the balcony; for all had rushed below and were struggling in a wild, frantic mass, trampling one another underfoot in a mad struggle to reach the doorways. The flames were sweeping over the platform now, licking out into the very pit of the theater, and people were terrified. Stephen saw in an instant that the upper door, being farthest away from the center of the fire, was the place of greatest safety. With one frantic leap he gained the aisle, strode up to the doorway, glanced out into the night to take in the situation; cool, calm, quiet, with the still stars overhead, down below the open iron stairway of the fire-escape, and a darkened street with people like tiny puppets moving on their way. Then turning back, he tore off the grotesque coat and vest, the confining collar, and threw them from him. He plunged down the steps of the aisle to the railing of the gallery, and, leaning there in his shirt-sleeves and the queer striped trousers, he put his hands like a megaphone about his lips and shouted:

"Look up! Look up! There is a way to escape up here! Look up!"

Some poor struggling ones heard him and looked up. A little girl was held up by her father to the strong arms reached out from the low front of the balcony. Stephen caught her and swung her up beside him, pointing her up to the door, and shouting to her to go quickly down the fire-escape, even while he reached out his other hand to catch a woman, whom willing hands below were lifting up. Men climbed upon the seats and vaulted up when they heard the cry and saw the way of