Boase and Ishmael passed the mill door and went on to the house. There the door stood open, as did the further one at the end of the cool, straight passage that looked dark by contrast with the yard beyond, where, under the blazing sun, a little girl was feeding some fowls. The whole scene, set in the black oblong of the doorway, was compact of blue and flame colour—the blue of the frock and the shadows and the pale flame of the gravel where the shadows lay and the deeper flame fowls clustered. The man and the boy looked through for a moment in silence, then Phoebe turned and saw them.

Phoebe Lenine, being a woman of some eight years old, shook the remains of the corn off her small blue lap with no signs of haste or discomposure, and, turning her back, called to a hidden corner of the yard.

"Faëther! Faëther! Passon's come to see you!"

"How d'you know I haven't called to see you, Miss Phoebe?" asked Boase, stepping into the passage. She ran and seized him by the knees, flinging back her head so that her dark curls hung away from her softly-rounded face. Her pouting mouth, always slightly open to show a hint of two little front teeth, laughed up at him, her dove's eyes narrowed with her mirth. Of Ishmael she took no more notice than if he had not been there, and he leant against the doorpost, scraping the earth with the toe of his hard little boot, his thumbs stuck in his belt.

"I be gwain to help cry the Neck over to Cloom!" announced Phoebe—to the Parson and at Ishmael—"and I be gwain to stay to th' supper, and maybe I'll dance wi' a chap. There's Maister Jacka's John-Willy would be proud to dance wi' I!"

"So you're fond of dancing, Phoebe?" asked the Parson.

"Sure 'nough! Dancen' and singen'—that's life, that is. Ef you can't dance and sing I don't see no good in liven'! I don't hold wi' chaps who think of nawthen but wanten' to be saved. Time 'nough for that when gettin' on for thirty!"

Ishmael winced at the hit, and the Parson laughed as he tied two of
Phoebe's ringlets into a bow under her chin.

"There are ways and ways of remembering the Creator in the days of your youth, Phoebe," he said, "and one of them's by dancing and singing—if it's with the right kind of chap. I don't think much of Jacka's John-Willy; if you really want to be a great lady to-night you must get Ishmael to dance with you. He's going to be master of the feast, and perhaps if you ask him very nicely he'll dance with you just once."

This view of Ishmael as a person of importance was a new one to
Phoebe, and she looked at him as though appraising him afresh.

"I don't ask no chaps to dance wi' I," she announced loftily. "Faëther's just comen' to see you, Da Boase."

She wriggled her sleek little otter-like head under his arm and slipped past him as she spoke. Then:

"Like to see the pigs?" she asked Ishmael carelessly. "Da ringed 'en the marnen'."

"Don't mind if I do," answered Ishmael, still scraping the gravel.

"Naden't come ef 'ee don't want to more'n thet!" retorted Phoebe, "and I could have shown 'ee where the old pig was killed. There's been a dark place on the stones ever since. I saw it killed, I did, Ishmael Ruan. I saw Da stick in the knife and the blood come all out, I ded!"

"So 'a ded, my 'andsome, so 'a ded!" applauded the miller, whose big form, powdery white, had appeared in the passage.

The Parson felt decidedly sick. He was country-born himself, and, being no mere dreamer of dreams, realised that it was as well that country people should not flinch at the less poetic side of their lives, but this callousness struck him as horrible in a young child like Phoebe. Yet as he saw Ishmael wince he regretted the very sensibility in the boy, the lack of which had shocked him in Phoebe. He knew Ishmael had a horror of blood and disagreeable sights, and the thought of how often the boy would have to encounter them struck at his heart.

"I won't see it," said Ishmael, pressing himself back against the house wall; "I won't see where no pig was killed." Then, afraid lest Phoebe should taunt him with his fear: "But I'll come and see the pigs, though I don't s'pose they're as fine as ours. They were ringed yesterday was a week, and even the piggy-widden's bigger than most pigs."

"Ours is bigger, ours is bigger!" cried Phoebe indignantly, "and you'm nawthen but a gëat coward, Ishmael Ruan. I don't want my pigs to set eyes on 'ee!"

She sauntered away across the yard, but turned her head as she reached the far end, and glanced back at Ishmael. He hesitated, pride fighting with longing; then he also began to saunter—aimlessly at first; then, giving up the struggle, he frankly followed her. Lenine chuckled softly.

"Talk o' the way o' a man wi' a maid—'tes nawthen to the way o' a maid wi' a man, is it, Passon? She'll be one for the chaps, she will!"

Boase assented, laughing, then his eyes saddened, as he watched the two little figures, side by side now, disappear round the corner of the pig-styes. It suddenly struck him as rather horrible that anything so innocent as Ishmael still was should develop into a man, even a healthy, clean-living man; such a pity that the instinct that was the cause of charming play with Phoebe should ever become desire. It was a feeling that a mother might have had, and Boase smiled at it even as he gave a sigh to the pity of inexorable things.

"So you're bringing Phoebe over to Cry the Neck, Sam?" he asked casually. Sam Lenine nodded.

"Gwain be there, Passon?"

"Maybe. Fact is, Sam, I thought it would be a good opportunity to sit that boy at the head of the table—"

Lenine nodded again, but waited in silence.

"You're an influential man," continued Boase, "and the way you speak of him and treat things generally would rather give the lead to the people round here."

For the third time the miller nodded, then started a little as he caught sight of Ishmael and Phoebe reappearing from the pig-stye, and his eyes lightened suddenly. He dropped his thickly-veined lids to hide them.

"Happen I can do a little, Passon," he said; "I'll think on et."

"Do," said Boase heartily. Then he too started slightly and looked at the miller a little suspiciously, and, though he said nothing, his face darkened. Already the cords of intrigue were beginning to close round Ishmael Ruan, and the Parson longed to break them with one clean stroke, even while he realised the futility of the wish. He called rather sharply to the children.

"Ishmael! You must come back with me now; there are things I want you to do at the vicarage. Come."

Ishmael recognised the tone of authority. He was an obedient child simply because he was so proud he would not fight a losing battle. Sooner than be conquered he obeyed as though he were doing the thing commanded merely because he himself wished to, and for the same reason if he could forestall a command by his own action he did. He came to the Parson's side.

"Must be going, Phoebe," he remarked carelessly; "I've a heap of things to do for to-night, you see. Morning, Mr. Lenine!"

And he set off again, with his thumbs in his belt.

CHAPTER III

THE KITCHEN

Annie Ruan and three of the children were assembled in the great kitchen preparing for the supper party that was to be held after the Neck had been cried. The world without was still steeped in the golden light of full afternoon, but the small windows