قراءة كتاب Hinduism and Buddhism, An Historical Sketch, Vol. 3

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Hinduism and Buddhism, An Historical Sketch, Vol. 3

Hinduism and Buddhism, An Historical Sketch, Vol. 3

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دار النشر: Project Gutenberg
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dwelt chiefly on the terrible punishment awaiting sinners in future existences.[29]

We need not follow in detail the picturesque account of the rapid conversion of the capital. The king made over to the Church the Mahâmegha garden and proceeded to construct a series of religious edifices in Anuradhapura and its neighbourhood. The catalogue of them is given in the Mahâvamsa[30] and the most important was the Mahâvihâra monastery, which became specially famous and influential in the history of Buddhism. It was situated in the Mahâmegha garden close to the Bo-tree and was regarded as the citadel of orthodoxy. Its subsequent conflicts with the later Abhayagiri monastery are the chief theme of Sinhalese ecclesiastical history and our version of the Pali Piṭakas is the one which received its imprimatur.

Tissa is represented as having sent two further missions to India. The first went in quest of relics and made its way not only to Pataliputra but to the court of Indra, king of the gods, and the relics obtained, of which the principal was the Buddha's alms-bowl,[31] were deposited in Anuradhapura. The king then built the Thuparâma dagoba over them and there is no reason to doubt that the building which now bears this name is genuine. The story may therefore be true to the extent that relics were brought from India at this early period.

The second mission was despatched to bring a branch of the tree[32] under which the Buddha had sat when he obtained enlightenment. This narrative[33] is perhaps based on a more solid substratum of fact. The chronicles connect the event with the desire of the Princess Anulâ to become a nun. Women could receive ordination only from ordained nuns and as these were not to be found on the island it was decided to ask Asoka to send a branch of the sacred tree and also Mahinda's sister Sanghamittâ, a religieuse of eminence. The mission was successful. A branch from the Bo-tree was detached, conveyed by Asoka to the coast with much ceremony and received in Ceylon by Tissa with equal respect. The princess accompanied it. The Bo-tree was planted in the Meghavana garden. It may still be seen and attracts pilgrims not only from Ceylon but from Burma and Siam. Unlike the buildings of Anuradhapura it has never been entirely neglected and it is clear that it has been venerated as the Bo-tree from an early period of Sinhalese history. Botanists consider its long life, though remarkable, not impossible since trees of this species throw up fresh shoots from the roots near the parent stem. The sculptures at Sanchi represent a branch of a sacred tree being carried in procession, though no inscription attests its destination, and Fa-Hsien says that he saw the tree.[34] The author of the first part of the Mahâvamsa clearly regards it as already ancient, and throughout the history of Ceylon there are references to the construction of railings and terraces to protect it.

Devânampiya Tissa probably died in 207 B.C. In 177 the kingdom passed into the hands of Tamil monarchs who were not Buddhists, although the chroniclers praise their justice and the respect which they showed to the Church. The most important of them, Eḷâra, reigned for forty-four years and was dethroned by a descendant of Tissa, called Duṭṭhagâmaṇi.[35]

The exploits of this prince are recorded at such length in the Mahâvamsa (XXII.-XXXII.) as to suggest that they formed the subject of a separate popular epic, in which he figured as the champion of Sinhalese against the Tamils, and therefore as a devout Buddhist. On ascending the throne he felt, like Asoka, remorse for the bloodshed which had attended his early life and strove to atone for it by good works, especially the construction of sacred edifices. The most important of these were the Lohapasâda or Copper Palace and the Mahâthûpa or Ruwanweli Dagoba. The former[36] was a monastery roofed or covered with copper plates. Its numerous rooms were richly decorated and it consisted of nine storeys, of which the four uppermost were set apart for Arhats, and the lower assigned to the inferior grades of monks. Perhaps the nine storeys are an exaggeration: at any rate the building suffered from fire and underwent numerous reconstructions and modifications. King Mahâsena (301 A.D.) destroyed it and then repenting of his errors rebuilt it, but the ruins now representing it at Anuradhapura, which consist of stone pillars only, date from the reign of Parâkrama Bâhu I (about A.D. 1150). The immense pile known as the Ruwanweli Dagoba, though often injured by invaders in search of treasure, still exists. The somewhat dilapidated exterior is merely an outer shell, enclosing a smaller dagoba.[37] This is possibly the structure erected by Duṭṭhagâmaṇi, though tradition says that there is a still smaller edifice inside. The foundation and building of the original structure are related at great length.[38] Crowds of distinguished monks came to see the first stone laid, even from Kashmir and Alasanda. Some have identified the latter name with Alexandria in Egypt, but it probably denotes a Greek city on the Indus.[39] But in any case tradition represents Buddhists from all parts of India as taking part in the ceremony and thus recognizing the unity of Indian and Sinhalese Buddhism.

Of great importance for the history of the Sinhalese Church is the reign of Vaṭṭagâmaṇi Abhaya who after being dethroned by Tamils recovered his kingdom and reigned for twelve years.[40] He built a new monastery and dagoba known as Abhayagiri,

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