going some for curtains, isn't it?"

"It's not too much for that sort of thing."

"But, look here, Natalie," he expostulated. "This is to be a country house, isn't it? I thought you wanted chintzed and homey things. This looks like a city house in the country."

He glanced down at the total. The hangings alone, with a tapestry or two, were to be thirty-five thousand dollars. He whistled.

"Hangings alone! And—what sort of a house has Rodney planned, anyhow?"

"Italian, with a sunken garden. The landscape estimates are there, too."

He did not look at them.

"It seems to me you and Rodney have been pretty busy while I've been away," he remarked. "Well, I want you to be happy, my dear. Only—I don't want to tie up a fortune just now. We may get into this war, and if we do—" He rose, and yawned, his arms above his head. "I'm off to bed," he said. "Big day to-morrow. I'll want Graham at the office at 8:30."

She had sat up in bed, and was staring at him. Her face was pale.

"Do you mean that we are going to get into this war?"

"I think it very likely, my dear."

"But if we do, Graham—"

"We might as well face it. Graham will probably want to go."

"He'll do nothing of the sort," she said sharply. "He's all I have. All. Do you think I'm going to send him over there to be cannon-fodder? I won't let him go."

She was trembling violently.

"I won't want him to go, of course. But if the thing comes—he's of age, you know."

She eyed him with thinly veiled hostility.

"You're hard, Clay," she accused him. "You're hard all the way through. You're proud, too. Proud and hard. You'd want to be able to say your son was in the army. It's not because you care anything about the war, except to make money out of it. What is the war to you, anyhow? You don't like the English, and as for French—you don't even let me have a French butler."

He was not the less angry because he realized the essential truth of part of what she said. He felt no great impulse of sympathy with any of the combatants. He knew the gravity of the situation rather than its tragedy. He did not like war, any war. He saw no reason why men should kill. But this war was a fact. He had had no hand in its making, but it was made.

His first impulse was to leave her in dignified silence. But she was crying, and I he disliked leaving her in tears. Dead as was his love for her, and that night, somehow, he knew that it was dead, she was still his wife. They had had some fairly happy years together, long ago. And he felt the need, too, of justification.

"Perhaps you are right, Natalie," he said, after a moment. "I haven't cared about this war as much as I should. Not the human side of it, anyhow. But you ought to understand that by making shells for the Allies, I am not only making money for myself; they need the shells. And I'll give them the best. I don't intend only to profit by their misfortunes."

She had hardly listened.

"Then, if we get into it, as you say, you'll encourage Graham to go?"

"I shall allow him to go, if he feels it his duty."

"Oh, duty, duty! I'm sick of the word." She bent forward and suddenly caught one of his hands. "You won't make him go, Clay?" she begged. "You—you'll let him make his own decision?"

"If you will."

"What do you mean?"

"If you'll keep your hands off, too. We're not in it, yet. God knows I hope we won't be. But if I promise not to influence him, you must do the same thing."

"I haven't any more influence over Graham than that," she said, and snapped her finger. But she did not look at him.

"Promise," he said, steadily.

"Oh, all right." Her voice and face were sulky. She looked much as Graham had that evening at the table.

"Is that a promise?"

"Good heavens, do you want me to swear to it?"

"I want you to play fair. That's all."

She leaned back again among her pillows and gathered her papers.

"All right," she said, indifferently. "Have you any preference as to color for your rooms in the new house?"

He was sorry for his anger, and after all, these things which seemed so unimportant to him were the things that made up her life. He smiled.

"You might match my eyes. I'm not sure what color they are. Perhaps you know."

But she had not forgiven him.

"I've never noticed," she replied. And, small bundle of samples in her hand, resumed her reading and her inspection of textiles.

"Good night, Natalie."

"Good night." She did not look up.

Outside his wife's door he hesitated. Then he crossed and without knocking entered Graham's bedroom. The boy was lounging in a long chair by an open fire. He was in his dressing gown and slippers, and an empty whiskey-and-soda glass stood beside him on a small stand. Graham was sound asleep. Clayton touched him on the shoulder, but he slept on, his head to one side, his breathing slow and heavy. It required some little effort to waken him.

"Graham!" said Clayton sharply.

"Yes." He stirred, but did not open his eyes.

"Graham! Wake up, boy."

Graham sat up suddenly and looked at him. The whites of his eyes were red, but he had slept off the dinner wine. He was quite himself.

"Better get to bed," his father suggested. "I'll want you early to-morrow."

"What time, sir?"

He leaned forward and pressed a button beside the mantel-piece.

"What are you doing that for?"

"Ice water. Awfully thirsty."

"The servants have gone to bed. Go down and get it yourself."

Graham looked up at the tone. At his father's eyes, he looked away.

"Sorry, sir," he said. "Must have had too much champagne. Wasn't much else to do, was there? Mother's parties—my God, what a dreary lot!"

Clayton inspected the ice water carafe on the stand and found it empty.

"I'll bring you some water from my room," he said. "And—I don't want to see you this way again, Graham. When a man cannot take a little wine at his own table without taking too much he fails to be entirely a gentleman."

He went out. When he came back, Graham was standing by the fire in his pajamas, looking young and rather ashamed. Clayton had a flash of those earlier days when he had come in to bid the boy good night, and there had always been that last request for water which was to postpone the final switching off of the light.

"I'm sorry, father."

Clayton put his hand on the boy's shoulder and patted him.

"We'll have to do better next time. That's all."

For a moment the veil of constraint of Natalie's weaving lifted between them.

"I'm a pretty bad egg, I guess. You'd better shove me off the dock and let me swim—or drown."

"I'd hardly like to do that, you know. You are all I have."

"I'm no good at the mill."

"You haven't had very much time. I've been a good many years learning the business."'

"I'll never be any good. Not there. If there was something to build up it would be different, but it's all done. You've done it. I'm only a sort of sublimated clerk. I don't mean," he added hastily, "that I think I ought to have anything more. It's only that—well, the struggle's over, if you know what I mean."

"I'll talk to you about that to-morrow. Get to bed now. It's one o'clock."

He moved to the doorway. Graham, carafe in hand, stood staring ahead of him. He had the courage of the last whiskey-and-soda, and a sort of desperate contrition.

"Father."

"Yes, Graham."

"I wish you'd let me go to France and fly."

Something like a cold hand seemed to close round Clayton's heart.

"Fly! Why?"

"Because I'm not doing any good here. And—because I'd like to see if I have any good stuff in me. All the fellows are going," he added, rather weakly.

"That's not a particularly worthy reason, is it?"

"It's about as worthy as making money out of shells, when we haven't any reason for selling them to the Allies more than