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قراءة كتاب Little Masterpieces of Autobiography: Actors

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Little Masterpieces of Autobiography: Actors

Little Masterpieces of Autobiography: Actors

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دار النشر: Project Gutenberg
الصفحة رقم: 8

to-day you will see that I am gently touched up on the point of the "old school"; my reference was not to the old style of acting, but the old stock theatre as a school—where a beginner had the advantage of a great variety of experience in farces, as well as tragedies and comedies, and a frequent change of programme. There is no "school" now; there is a more natural style of acting, perhaps, but the novice can learn nothing from long runs of a single play …

TO HIS DAUGHTER

NEW YORK, January 5, 1888,

… As for God's reward for what I have done, I can hardly appreciate it; it is more like punishment for misdeeds (of which I've done many) than grace for good ones (if I've done any). Homelessness is the actor's fate; physical incapacity to attain what is most required and desired by such a spirit as I am a slave to. If there be rewards, I am certainly well paid, but hard schooling in life's thankless lessons has made we somewhat of a philosopher, and I've learned to take the buffets and rewards of fortune with equal thanks, and in suffering all to suffer—I won't say nothing, but comparatively little. Dick Stoddard wrote a poem called "The King's Bell," which fits my case exactly (you may have read it) . He dedicated it to Lorimer Graham, who never knew an unhappy day in his brief life, instead of to me, who never knew a really happy one. You mustn't suppose from this that I'm ill in mind or body: on the contrary, I am well enough in both; nor am I a pessimist. I merely wanted you to know that the sugar of my life is bitter-sweet; perhaps not more so than every man's whose experience has been above and below the surface…. Business has continued large, and increases a little every night; the play will run two weeks longer. Sunday, at four o'clock, I start for Baltimore, arriving there at ten o'clock….

To-morrow, a meeting of actors, managers, and artists at breakfast, to discuss and organise, if possible, a theatrical club[1] like the Garrick of London….

TO HIS DAUGHTER

DETROIT, April 04, 1890.

… Yes; it is indeed most gratifying to feel that age has not rendered my work stale and tiresome, as is usually the case with actors (especially tragedians) at my time. Your dear mother's fear was that I would culminate too early, as I seemed then to be advancing so rapidly. Somehow I can't rid myself of the belief that both she and my father helped me. But as for the compensation? Nothing of fame or fortune can compensate for the spiritual suffering that one possessing such qualities has to endure. To pass life in a sort of dream, where "nothing is but what is not"—a loneliness in the very midst of a constant crowd, as it were—is not a desirable condition of existence, especially when the body also has to share the "penalty of greatness," as it is termed. Bosh! I'd sooner be an obscure farmer, a hayseed from Wayback, or a cabinetmaker, as my father advised, than the most distinguished man on earth. But Nature cast me for the part she found me best fitted for, and I have had to play it, and must play it till the curtain falls. But you must not think me sad about it. No; I am used to it, and am contented.

I continue well, and act with a vigour which sometimes surprises myself, and all the company notice it, and comment upon it. I'm glad the babes had a jolly birthday. Bless 'em! Love for all.

PAPA.

TO HIS DAUGHTER

THE PLAYERS, NEW YORK,
March 22, 1891.

DEAR DAUGHTER:

I'm in no mood for letter-writing to-day. The shock (of Mr. Lawrence Barrett's death) so sudden and so distressing, and the gloomy, depressing weather, entirely unfit me for the least exertion—even to think. Hosts of friends, all eager to assist poor Mrs. Barrett, seem helpless in confusion, and all the details of the sad business seem to be huddled on her …

General Sherman's son, "Father Tom," as he is affectionately called by all the family and the friends of the dear old General, will attend. He was summoned from Europe recently to his father's deathbed, and he happens to be in time to perform services for his father's friend, poor Lawrence. After the services to-morrow, the remains and a few friends will go direct to Cohasset for the burial—Tuesday—where Barrett had only two weeks ago placed his mother, removed from her New York grave to a family lot which he had recently purchased at Cohasset. He had also enlarged his house there, where he intended to pass his old age in privacy. Doctor Smith was correct in his assertion that the glandular disease was incurable, and the surgical operation would prolong life only a year or so; the severe cold produced pneumonia; which Barrett's physicians say might have been overcome but for the glandular disease still in the blood. Mrs. Barrett knew from the first operation that he had at most a year or so to live, and yet by the doctor's advice kept it secret, and did everything to cheer and humour him. She's a remarkable woman. She has been expecting to be suddenly called to him for more than a year past, yet the blow came with terrible force. Milly, Mr. Barrett's youngest daughter, and her husband, came last night…. When I saw Lawrence on Thursday he was in a burning fever and asked me to keep away for fear his breath might affect me, and it pained him to talk. He pulled through three acts of "De Mauprat" the night before, and sent for his wife that night. His death was very peaceful, with no sign of pain. A couple of weeks ago he and I were to meet General Sherman at dinner: death came instead. To-night Barrett had invited about twenty distinguished men to meet me at Delmonico's, and again the grim guest attends….

My room is like an office of some state official; letters, telegrams, and callers come every moment, some on business, many in sympathy. Three hours have elapsed since I finished the last sentence, and I expect a call from Bromley before I retire. A world of business matters have been disturbed by this sudden break of contracts with actors and managers, and everything pertaining to next season, as well as much concerning the balance of the present one, must be rearranged or cancelled. I, of course, am free; but for the sake of the company I shall fulfil my time, to pay their salaries, this week here; and next week in Brooklyn, as they were engaged by Barrett for my engagement. After which they will be out of employment for the balance of the season…

PAPA.

TO MISS EMMA F. CARY SAINT VALENTINE'S DAY, 1864.

MY DEAR FRIEND:

A little lull in the whirl of excitement in which my brain has nearly lost its balance affords me an opportunity to write to you. It would be difficult to explain the many little annoyances I have been subjected to in the production of "Richelieu," but when I tell you that it far surpasses "Hamlet," and exceeds all my expectations, you may suppose that I have not been very idle all this while. I wish you could see it.

Professor Peirce[2] has been here, and he will tell you of it. It really seems that the dreams of my past life—so far as my profession is concerned—are being realised. What Mary and I used to plan for my future, what Richard and I used laughingly to promise ourselves in "our model theatre," seems to be realised—in these two plays, at least. As history says of the great cardinal, I am "too fortunate a man not to be superstitious," and as I find my hopes being fulfilled, I cannot help but believe that there is a sufficient importance in my art to interest them still; that to a higher influence than the world believes I am moved by I owe the success I have achieved. Assured that all I do in this

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