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قراءة كتاب The False Gods

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The False Gods

The False Gods

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دار النشر: Project Gutenberg
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had gone the limit.

Simpkins had heard of the hall, for it had been written up just after Doctor Athelstone, who was a man of some wealth, had assembled in it his private collection of Egyptian treasures. But he knew, too, that it had become increasingly difficult to penetrate since Mrs. Athelstone had been made the subject of some entertaining, but too imaginative, Sunday specials. Still, now that he had properly magnified the difficulties of the undertaking to Naylor, that the disgrace of defeat might be discounted or the glory of achievement enhanced, he believed that he knew a way to gain access to the hall and perhaps to manage a talk with Mrs. Athelstone herself. His line of thought started him for Cambridge, where he had a younger brother whom he was helping through Harvard.

As a result of this fraternal visit, Simpkins minor cut the classes of Professor Alexander Blackburn, the eminent archæologist, for the next week, and went to his other lectures by back streets. For the kindly professor had given him a letter, introducing him to Mrs. Athelstone as a worthy young student with a laudable thirst for that greater knowledge of Egyptian archæology, ethnology and epigraphy which was to be gained by an inspection of her collection. And it was the possession of this letter which influenced Simpkins major to take the smoking car and to sit up all night, conning an instructive volume on Ancient Egypt, thereby acquiring much curious information, and diverting two dollars of his expense money to the pocket in which he kept his individual cash balance.









II

F

or five minutes the decorous silence of the anteroom was unbroken. Then the door of the inner office swung open and closed behind a dejected-looking young man, and the boy, without so much as asking for a card, preceded the secretly-elated Simpkins into the hall.

They had stepped from the present into the past. Simpkins found himself looking between a double row of pillars, covered with hieroglyphics in red and black, to an altar of polished black basalt, guarded on either side by stone sphinxes. Behind it, straight from the lofty ceiling, fell a veil of black velvet, embroidered with golden scarabæi, and fringed with violet. The approach, a hundred paces or more, was guarded by twoscore mummies in black cases, standing upright along the pillars.

"Watcher gawkin' at?" demanded the youth, grinning up at the staring Simpkins. "Lose dat farmer-boy face or it's back to de ole homestead for youse. Her royal nibs ain't lookin' for no good milker."

"Oh, I'm just rubbering to see where the goat's kept," the reporter answered, trying to assume a properly metropolitan expression. "Suppose I'll have to take the third degree before I can get out of here."

The youth started noiselessly across the floor, and Simpkins saw that he wore sandals. His own heavy walking boots rang loudly on the flagged floors and woke the echoes in the vaulted ceiling. He began to tread on tiptoe, as one moves in a death-chamber.

And that was what this great room was: a charnel-house filled with the spoil of tombs and temples. The dim light fluttered down from quaint, triangular windows, set with a checker-work of brick-red and saffron-colored panes about a central design, a scarlet heart upon a white star, and within that a black scarabæus. The white background of the walls threw into relief the angular figures on the frieze, scenes from old Egyptian life: games, marriages, feasts and battles, painted in the crude colors of early art. Between were paneled pictures of the gods, monstrous and deformed deities, half men, half beasts; and the dado, done in black, pictured the funeral rites of the Egyptians, with explanatory passages from the ritual of the dead. Rudely-sculptured bas-reliefs and intaglios, torn from ancient mastabas, were set over windows and doors, and stone colossi of kings and gods leered and threatened from dusky corners. Sarcophagi of black basalt, red porphyry and pink-veined alabaster, cunningly carved, were disposed as they had been found in the pits of the dead, with the sepulchral vases and the hideous wooden idols beside them.

The descriptions of the place had prepared Simpkins for something out of the ordinary, but nothing like this; and he looked about him with wonder in his eyes and a vague awe at his heart, until he found himself standing in the corner of the hall to the right of the black altar in the west. Two sarcophagi, one of basalt, the other of alabaster, were placed at right angles to the walls, partially inclosing a small space. Within this inclosure, bowed over a stone table, sat a woman, writing. At either end of the table a mummy case, one black, the other gilt, stood upright. The boy halted just outside this singular private office, and the woman rose and came toward them.

Simpkins had never read Virgil, but he knew the goddess by her walk. She was young—not over thirty—and tall and stately. Her gown was black, some soft stuff which clung about her, and a bunch of violets at her waist made the whole corner faintly sweet. Her features were regular, but of a type strange to Simpkins, the nose slightly aquiline, the lips full and red—vividly so by contrast to the clear white of the skin—and the forehead low and straight. Black hair waved back from it, and was caught up by the coils of a golden asp, from whose lifted head two rubies gleamed. Doubtless a woman would have pronounced her gown absurd and her way of wearing her hair an intolerable affectation. But it was effective with the less discriminating animal—instantly so with Simpkins.

And then she raised her eyes and looked at him. To the first glance they were dusky eyes, deep and fathomless, changing swiftly to the blue-black of the northern skies on a clear winter night, and flashing out sharp points of light, like star-rays. He knew that in that glance he had been weighed, gauged and classed, and, though he was used to questioning Governors and Senators quite unabashed and unafraid, he found himself standing awkward and ill-at-ease in the presence of this woman.

Had she addressed him in Greek or Egyptian, he would have accepted it as a matter of course. But when she did speak it was in the soft, clear tones of a well-bred Englishwoman, and what she said was commonplace enough.

"I suppose you've called to see about the place?" she asked.

"Ye-es," stammered Simpkins, but with wit enough to know that he had come at an opportune moment. If there were a place, decidedly he had called to see about it.

"Who sent you?" she continued, and he understood that he was not there in answer to a want advertisement.

"Professor Blackburn." And he presented his letter and went on, with a return of his glibness: "You see, I've been working my way through Harvard—preparing for the ministry—Congregationalist. Found I'd have to stop and go to work regularly for a while before I could finish. So I've come over here, where I can attend the night classes at Columbia at the same time. And as I'm interested in Egyptology, and had heard a good deal about your collection, I got that letter to you. Thought you might know some one in the building who wanted a man, as work in a place like this would be right in my line. Of course, if you're looking for any one, I'd like to apply for the place." And he paused expectantly.

"I see. You want to be a Dissenting minister, and you're working for your

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