id="id00173">Some people!

First of all, nobody with human DNA could survive a trip in one of those ships. They're part of Craphound's people's bodies, as I understand it, and we just don't have the right parts. Second of all, they were sharing their tech with us — they just weren't giving it away. Fair trades every time.

It's not as if space was off-limits to us. We can any one of us visit their homeworld, just as soon as we figure out how. Only they wouldn't hold our hands along the way.

#

I spent the week haunting the "Secret Boutique," AKA the Goodwill As-Is Centre on Jarvis. It's all there is to do between yard sales, and sometimes it makes for good finds. Part of my theory of yard-sale karma holds that if I miss one day at the thrift shops, that'll be the day they put out the big score. So I hit the stores diligently and came up with crapola. I had offended the fates, I knew, and wouldn't make another score until I placated them. It was lonely work, still and all, and I missed Craphound's good eye and obsessive delight.

I was at the cash-register with a few items at the Goodwill when a guy in a suit behind me tapped me on the shoulder.

"Sorry to bother you," he said. His suit looked expensive, as did his manicure and his haircut and his wire-rimmed glasses. "I was just wondering where you found that." He gestured at a rhinestone-studded ukelele, with a cowboy hat wood-burned into the body. I had picked it up with a guilty little thrill, thinking that Craphound might buy it at the next auction.

"Second floor, in the toy section."

"There wasn't anything else like it, was there?"

"'Fraid not," I said, and the cashier picked it up and started wrapping it in newspaper.

"Ah," he said, and he looked like a little kid who'd just been told that he couldn't have a puppy. "I don't suppose you'd want to sell it, would you?"

I held up a hand and waited while the cashier bagged it with the rest of my stuff, a few old clothbound novels I thought I could sell at a used book-store, and a Grease belt-buckle with Olivia Newton John on it. I led him out the door by the elbow of his expensive suit.

"How much?" I had paid a dollar.

"Ten bucks?"

I nearly said, "Sold!" but I caught myself. "Twenty."

"Twenty dollars?"

"That's what they'd charge at a boutique on Queen Street."

He took out a slim leather wallet and produced a twenty. I handed him the uke.
His face lit up like a lightbulb.

#

It's not that my adulthood is particularly unhappy. Likewise, it's not that my childhood was particularly happy.

There are memories I have, though, that are like a cool drink of water. My grandfather's place near Milton, an old Victorian farmhouse, where the cat drank out of a milk-glass bowl; and where we sat around a rough pine table as big as my whole apartment; and where my playroom was the draughty barn with hay-filled lofts bulging with farm junk and Tarzan-ropes.

There was Grampa's friend Fyodor, and we spent every evening at his wrecking-yard, he and Grampa talking and smoking while I scampered in the twilight, scaling mountains of auto-junk. The glove-boxes yielded treasures: crumpled photos of college boys mugging in front of signs, roadmaps of far-away places. I found a guidebook from the 1964 New York World's Fair once, and a lipstick like a chrome bullet, and a pair of white leather ladies' gloves.

Fyodor dealt in scrap, too, and once, he had half of a carny carousel, a few horses and part of the canopy, paint flaking and sharp torn edges protruding; next to it, a Korean-war tank minus its turret and treads, and inside the tank were peeling old pinup girls and a rotation schedule and a crude Kilroy. The control-room in the middle of the carousel had a stack of paperback sci-fi novels, Ace Doubles that had two books bound back-to-back, and when you finished the first, you turned it over and read the other. Fyodor let me keep them, and there was a pawn-ticket in one from Macon, Georgia, for a transistor radio.

My parents started leaving me alone when I was fourteen and I couldn't keep from sneaking into their room and snooping. Mom's jewelry box had books of matches from their honeymoon in Acapulco, printed with bad palm-trees. My Dad kept an old photo in his sock drawer, of himself on muscle-beach, shirtless, flexing his biceps.

My grandmother saved every scrap of my mother's life in her basement, in dusty Army trunks. I entertained myself by pulling it out and taking it in: her Mouse Ears from the big family train-trip to Disneyland in '57, and her records, and the glittery pasteboard sign from her sweet sixteen. There were well-chewed stuffed animals, and school exercise books in which she'd practiced variations on her signature for page after page.

It all told a story. The penciled Kilroy in the tank made me see one of those Canadian soldiers in Korea, unshaven and crew-cut like an extra on M*A*S*H, sitting for bored hour after hour, staring at the pinup girls, fiddling with a crossword, finally laying it down and sketching his Kilroy quickly, before anyone saw.

The photo of my Dad posing sent me whirling through time to Toronto's Muscle Beach in the east end, and hearing the tinny AM radios playing weird psychedelic rock while teenagers lounged on their Mustangs and the girls sunbathed in bikinis that made their tits into torpedoes.

It all made poems. The old pulp novels and the pawn ticket, when I spread them out in front of the TV, and arranged them just so, they made up a poem that took my breath away.

#

After the cowboy trunk episode, I didn't run into Craphound again until the annual Rotary Club charity rummage sale at the Upper Canada Brewing Company. He was wearing the cowboy hat, sixguns and the silver star from the cowboy trunk. It should have looked ridiculous, but the net effect was naive and somehow charming, like he was a little boy whose hair you wanted to muss.

I found a box of nice old melamine dishes, in various shades of green — four square plates, bowls, salad-plates, and a serving tray. I threw them in the duffel-bag I'd brought and kept browsing, ignoring Craphound as he charmed a salty old Rotarian while fondling a box of leather-bound books.

I browsed a stack of old Ministry of Labour licenses — barber, chiropodist, bartender, watchmaker. They all had pretty seals and were framed in stark green institutional metal. They all had different names, but all from one family, and I made up a little story to entertain myself, about the proud mother saving her sons' accreditations and framing hanging them in the spare room with their diplomas. "Oh, George Junior's just opened his own barbershop, and little Jimmy's still fixing watches. . ."

I bought them.

In a box of crappy plastic Little Ponies and Barbies and Care Bears, I found a leather Indian headdress, a wooden bow-and-arrow set, and a fringed buckskin vest. Craphound was still buttering up the leather books' owner. I bought them quick, for five bucks.

"Those are beautiful," a voice said at my elbow. I turned around and smiled at the snappy dresser who'd bought the uke at the Secret Boutique. He'd gone casual for the weekend, in an expensive, L.L. Bean button-down way.

"Aren't they, though."

"You sell them on Queen Street? Your finds, I mean?"

"Sometimes. Sometimes at auction. How's the uke?"

"Oh, I got it all tuned up," he said, and smiled the same smile he'd given me when he'd