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The Man in Court

The Man in Court

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The Project Gutenberg eBook, The Man in Court, by Frederic DeWitt Wells

Title: The Man in Court

Author: Frederic DeWitt Wells

Release Date: November 10, 2005 [eBook #17041]

Language: English

Character set encoding: ISO-8859-1

***START OF THE PROJECT GUTENBERG EBOOK THE MAN IN COURT***

 

E-text prepared by David Garcia, Jeannie Howse,
and the Project Gutenberg Online Distributed Proofreading Team
(http://www.pgdp.net/)

 

Transcriber's Note:
Some obvious typographical errors have been corrected in this text. For a complete list please see the bottom of the document.

 









The Man in Court






By


Frederic DeWitt Wells

Justice, Municipal Court of New York City








G.P. Putnam's Sons
New York and London
The Knickerbocker Press
1917




Copyright, 1917
BY
FREDERIC DeWITT WELLS



The Knickerbocker Press, New York







To
MY FRIEND

CHARLES E. GOSTENHOFER

OF THE NEW YORK BAR
IN ACKNOWLEDGMENT OF HIS AID AND SUGGESTIONS
THIS BOOK IS DEDICATED







INTRODUCTIONToC


The author has tried to show the point of view of the ordinary man in a law court, as the various proceedings of a trial take shape before him. To the initiated, the whole book may seem too obvious; but it has not been written for them, but for those to whom these proceedings are unfamiliar. There are many who have a certain curiosity about the courts, and at the same time a real respect for justice, mingled with amusement at the panoplies and antiquated forms of legal procedure.

F. DeW. W.

NEW YORK,

January, 1917.







CONTENTS


    Page
  Introduction iii
I.— A Night Court 3
II.— The Civil Court 21
III.— The Judge 39
IV.— The Anxious Jury 57
V.— The Strenuous Lawyer 75
VI.— The Worried Client 93
VII.— Programs and Pleadings 111
VIII.— Picking the Jury 129
IX.— Opening the Case 149
X.— The Confused Witness 165
XI.— Those Technical Objections 183
XII.— The Movements in Court 201
XIII.— Elocution 219
XIV.— The Heavy Charge 235
XV.— The True Verdict 251
XVI.— Looking Backward 265








IToC

A NIGHT COURT


In the Night Court the drama is vital and throbbing. As the saddest object to contemplate is a play where the essentials are wrong, so in this court the fundamentals of the law are the cause of making it an uncomfortable and pathetic spectacle.

The women who are brought before the Night Court are not heroines, but the criminal law does not seem better than they. It makes little attempt to mitigate any of the

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