gained steadily in importance to Ethel's awakening eyes. Of his force as a man, all that she saw made her more and more certain that Amy was right. Joe was the kind who was bound to succeed. He not only worked hard, his work was a passion. At night and on Sunday mornings he could sit for hours absorbed in the tiresome pages of real estate news in his paper. He went out for strolls in the evenings; one night he asked Ethel to come along; and his talk to her about buildings, the growth of the city by leaps and bounds, now in this direction, now in that, caught her imagination at once. Joe felt the town as a living thing, as she had felt it that first night. Different? Yes, this was business. But even business, to her surprise, as Joe saw and felt it, had a strange thrilling romance of its own.

And she soon noticed something else that drew her to Joe. Almost every evening he would sit down at his piano and start playing idly. As a rule he played dance music, popular songs from Broadway. But sometimes leaning back he would drift into other music. And though his hand would bungle and only sketch it, so to speak—in his black eyes, scowling slightly over the smoke of his cigar, would come a look which Ethel liked. But vaguely she felt that Amy did not, that it even made her uneasy. For almost invariably at such times, Amy would come behind him, her plump softly rounded arm would find its way down over his shoulder—and little by little the music would change and would come back to Broadway.

When Joe heard one evening that Ethel was "mad to learn to sing," he took her by the arm at once and marched her over to the piano. And they had quite a session together—till Amy suggested going out to a new cabaret she had heard of that day. Her voice sounded hurt and strained. And Ethel from that night on dropped all mention of singing.

Her curiosity deepened toward this city love affair, this husband and wife who apparently had left so many things out of their lives, things vital in the Ohio town. The sober wee girl in the nursery kept just as quiet as before. Often Ethel opened that door and went in and tried to make friends with its grave shy little inmate and the hostile nurse. And returning to her room she would frown and wonder for a time. But the pretty things piling in from the shops, and the gay anticipations, soon crowded such questioning out of her mind. Swiftly this household was growing more real, the rooms familiar, intimate; the day's routine with its small events were becoming parts of her life. Her own room was familiar now, for by many touches she'd made it her own. And the dining-room and the living room, where she grew acquainted with Joe, these too assumed an intimate air. Most of all, her sister's room grew more and more vivid in her thoughts, though this was still far from familiar, It held too much, it meant too much.

"Shall I ever live with a man like that?"

The way they looked at each other at times! The way they seemed keeping watch on each other. If Joe were out very late at night, Amy would almost invariably grow uneasy and absentminded, and there would be a challenging note in the way she greeted him on his return. On one such occasion Ethel was in Amy's room. She went out when Joe came in; but a queer little gasping sigh behind gave her a start and a swift thrill, for although she did not turn around she knew they were in each other's arms. And again, late one afternoon when the sisters came home and found Joe at work with a tired anxious look on his face, his wife came up behind him. And the picture of her small gloved hand upon Joe's heavy shoulder remained in Ethel's memory. It seemed so soft and yet so strong.

"She can do anything with him she likes. When I marry somebody how will it be?"

Upon the living-room mantel was a photograph of Amy. And on the smooth and pretty face with the lips slightly parting, and in the smiling violet eyes, there was the expression of something which Ethel did not quite name to herself—for she had forgotten the night long ago in her high-school club when they had sturdily tackled the word "sensual" and what it meant. But the picture grew familiar and real, filled in by the living presence here of this woman who so carefully tended her beautiful body, her glossy hair, her cheeks and lips; this sister with so many moods, now intent and watchful, now good-humoured, indolent, now expectant, hungry, now smilingly content and gay.

And as the picture grew more real, warm and close and thrilling, it symbolized for Ethel that mysterious force which she could feel on every side, driving the throngs of humanity—in this city where so many things she had once deemed important were fading rapidly away. That hungry hope of a singer's career, that craving for work and self-education, trips to Paris, London, Rome, books, art and clever people, "salons," brilliant discussions of life; and deeper still, those mysterious dreams about having children and making a home—all began to drop behind, so quietly and easily that she barely noticed the change.

For this was happening in a few weeks, in the first whirl and excitement of those dazzling streets and shops, those models, gowns, hats, gloves and shoes. "It's not what you say that interests men—it's how you look and what you have on." The image of her sister grew vivid in Ethel's eager mind. And with it came the question, now ardent though still a little confused:

"Shall I ever be like that?"

CHAPTER IV

Ethel had been about four weeks in town, and now she was to meet Amy's friends. Amy was giving a dinner the next evening in her honour; and to let the cook and the waitress have a rest on the preceding night, Joe took Amy and Ethel out to dine in a café. His business had gone well that week and Joe was a genial husband. They had a sea-food supper and later he took them to a play. When they came home, Ethel went to her room, for she felt very tired. It was not long before she was asleep.

She was awakened by Joe, half dressed.

"Amy is sick!" he said sharply. "Go in and help her, will you? I'll try to get a doctor!"

On Amy's bed, a little later, Ethel saw a face so changed from the one
of a few hours before, that she felt her heart jump into her throat.
Amy's face was ugly and queer, distorted by frequent spasms of pain.
But worse was the terror in her eyes.

"Ethel, I think I'm dying!" she cried. "Something I ate—it poisoned me!" There was a violent catch in her breath.

"Amy! Why, you poor little darling!" Ethel held her sister tight, asked quick anxious questions and did things to relieve her, but with little or no success. It seemed hours till Joe came back. With him was a doctor, who made an examination and then took Joe into the hall. Ethel followed anxiously. She heard the doctor questioning Joe, and she heard him say:

"I'm afraid it's ptomaine.

"What does that mean?" Joe fiercely inquired. But before Ethel could hear the reply she was called back into the bedroom, where on her bed with both hands clenched Amy was saying:

"I can't bear this! Make him give me something—quick!"

The rest of the night was a blur and a haze, of which Joe was the centre—Joe half crazed and impatient, making impossible demands.

"You can't get a nurse in a minute, my friend, at five A. M.," the doctor cried. "I'm doing my best, if you'll give me a chance!"

The fight went on. The nurse arrived, and turning to Ethel the doctor said, "Get him out of this." And she took Joe into the living-room. But there with a sudden curse and a groan he began to walk the floor.

"This doctor—what do we know of him? He was all I could