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قراءة كتاب History of Egypt From 330 B.C. To the Present Time, Volume 10 (of 12)
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History of Egypt From 330 B.C. To the Present Time, Volume 10 (of 12)
boundaries of their national domain, crossed this bridge and spread over the Asiatic world. To perpetuate his name, the great Macedonian king founded a city, and selected for this purpose, with extraordinary prescience, a spot on the banks of the Nile, which, on account of its geographical position, was destined to become a centre, not only of international commerce and an entrepôt between Asia and Europe, but also a centre of intellectual culture. The policy of Alexander to remove the barriers between the Greeks and the Asiatics, and to pave the way for the union of the races of his vast empire, was continued by the Lagidæ dynasty in Egypt. With her independence and native dynasties, Egypt had also lost her political strength and unity; she retained, however, her ancient institutions, her customs, and religious system. The sway of Persian dominion had passed over her without overthrowing this huge rock of sacerdotal power which, deeply rooted with many ramifications, seemed to mock the wave of time. Out of the ruins of political independence still towered the monuments of civilisation of a mighty past which gave to this country moral independence, and prevented the obliteration of nationality. It would have mattered very little in the vast empire of Alexander if one province had a special physiognomy. It was different, however, with the Lagidæ: their power was concentrated in Egypt, and they were therefore compelled to obliterate the separation existing between the conquering and the conquered races, and fuse them, if possible, into one. A great obstacle which confronted the Macedonian rulers in Egypt was the religion of the country. The interest and the policy of the Lagidæ demanded the removal of this obstacle, not by force but by diplomacy. Greek gods were therefore identified with Egyptian; Phtah became Hephæstos; Thot, Hermes; Ra, Helios; Amon, Zeus; and, in consequence of a dream which commanded him to offer adoration to a foreign god, Ptolemy Soter created a new Greek god who was of Egyptian origin. Osiris at that period was the great god of Egypt; Memphis was the religious centre of the cult of Apis, the representative of Osiris, and who, when living, was called Apis-Osiris, and when dead Osiris-Apis. Cambyses had killed the god or his representative: it was a bad move. Alexander made sacrifices to him: Ptolemy Soter did more. He endeavoured to persuade the Egyptians that Osirapi or Osiris-Apis was also sacred to the Greeks, and to identify him with some Greek divinity. There was a Greek deity known as Serapis, identified with Pluton, the god of Hades. Serapis, by a clever manouvre, a coup de religion, was identified with Osiris-Apis. The lingual similarity and the fact that Osirapi was the god of the Egyptian Hades made the identification acceptable.
Like true Greek princes, the Ptolemies had broad views and were very tolerant. Keeping the Greek religion themselves, they were favourably disposed towards the creeds of other nationalities under their dominion. Thanks to this broad-mindedness and tolerance which had become traditional in the Lagidas family, and which has only rarely been imitated—to the detriment of civilisation—in the history of European dynasties, Oriental and Hellenic culture could flourish side by side. This benign government attracted many scholars, scientists, poets, and philosophers. Alexandria became the intellectual metropolis of the world; and it might truly be said to have been the Paris of antiquity. At the courts of the Ptolemies, the Medicis of Egypt, the greatest men of the age lived and taught. Demetrius Phalerius, one of the most learned and cultured men of an age of learning and knowledge, when driven from his luxurious palace at Athens, found hospitality at the court of Ptolemy Soter. The foundation of the famous Museion and library of Alexandria was most probably due to his influence. He advised the first Ptolemy to found a building where poets, scholars, and philosophers would have facilities for study, research, and speculation. The Museion was similar in some respects to the Academy of Plato. It was an edifice where scholars lived and worked together. Mental qualification was the only requirement for admission. Nationality and creed were no obstacles to those whose learning rendered them worthy of becoming members of this ideal academy and of being received among the immortals of antiquity. The Museion was in no sense a university, but an academy for the cultivation of the higher branches of learning. It might be compared in some respects to the College de France, or regarded as a development of the system under which scholars had already lived and worked together in the Ramesseum under Ramses II. The generosity of the Lagidas provided amply for this new centre of learning and study. Free from worldly cares, the scholars could leisurely gather information and hand down to posterity the fruits of their researches. From all parts of the world men flocked to this centre of fashionable learning, the birthplace of modern science. All that was brilliant and cultured, all the coryphées in the domain of intellect, were attracted by that splendid court.
In the shade of the Museion a brilliant assembly—Ptolemy, Euclid, Hipparchus, Apollonius, and Eratosthenes—made great discoveries and added materially to the sum of human knowledge. Here Euclid wrote his immortal "Elements;" and Herophilos, the father of surgery, added valuable information to the knowledge of anatomy. The art and process of embalming, in such vogue among the Egyptians, naturally fostered the advance of this science. Whilst Alexandria in abstract speculation could not rival Greece, yet it became the home of the pioneers of positive science, who left a great and priceless legacy to modern civilisation. The importance of this event (the foundation of the Museion), says Draper, in his Intellectual Development of Europe, though hitherto little understood, admits of no exaggeration so far as the intellectual progress of Europe is concerned. The Museum made an impression upon the intellectual career of Europe so powerful and enduring that we still enjoy its results. If the purely literary productions of that age have sometimes been looked upon with contempt, European intellectual culture is still greatly indebted to Alexandria, and especially for the patronage she accorded to the works of Aristotle. Whilst the speculative mind was in later centuries allured by the supernatural, and the discussion of the criterion of truth and the principles of morality ended in the mystic doctrines of Neo-Platonism, the practical tendencies of the great Alexandrine scholars were instrumental in laying the foundations of science. To the Museion were attached the libraries: one in the Museion itself, and another in the quarter Rhacotis in the temple of Serapis, which contained about 700,000 volumes. New books were continually acquired. The librarians had orders to pay any sum for the original of the works of great masters. The Ptolemies were not only patrons of learning but were themselves highly educated. Ptolemy Soter was an historian of no mean talent, and his son Philadelphus, as a pupil of the poet Philetas and the philosopher Strabo, was a man of great learning. Ptolemy III. was a mathematician, and Ptolemy Philopator, who had erected and dedicated a temple to Homer, was the writer of a tragedy. The efforts of the Ptolemies to bring the two nationalities, Hellenic and Egyptian, nearer to each other, to mould and weld them into one if possible, to mix and mingle the two civilisations and thus strengthen their own power, was greatly aided by the national character of the Greeks and the political position of the Egyptians.
The Greeks found in Egypt a national culture and especially a religious system. The pliant Hellenic genius could not remain insensible to that ancient and marvellous civilisation with its sphinxes and hieroglyphics, its pyramids and temples, its learning and thought, so strangely perplexing and interesting to the Greek mind. Not only the magnificence of Egyptian art, the majesty of her